The composer's writings for the benefit of performers.
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David K. Wilson is a Baroque violinist based in the San Francisco area. He has taught baroque violin at Indiana University and has performed extensively with period instrument chamber ensembles and orchestras in the United States and in Germany.
Professor Thomas Binkley was a noted lutenist and director of early music performances. He founded the early Music Institute at the Indiana University School of Music.
Dr. Ingeborg Harer is Assistant Professor at the Universitat fur Musik und darstellende Kunst in Graz, Austria.
Dr. Ernest Hoetzl is Assistant Professor of Pedagogy at the Universitat fur Musik und darstellende Kunst in Graz, Austria.
Dr Yvonne Luisi-Weichsel teaches in the pedagogy department of the Universitat fur Musik und darstellende Kunst in Graz, Austria.
David K. Wilson is a Baroque violinist based in the San Francisco area. He has taught baroque violin at Indiana University and has performed extensively with period instrument chamber ensembles and orchestras in the United States and in Germany.
Professor Thomas Binkley was a noted lutenist and director of early music performances. He founded the early Music Institute at the Indiana University School of Music.
Dr. Ingeborg Harer is Assistant Professor at the Universitat fur Musik und darstellende Kunst in Graz, Austria.
Dr. Ernest Hoetzl is Assistant Professor of Pedagogy at the Universitat fur Musik und darstellende Kunst in Graz, Austria.
Dr Yvonne Luisi-Weichsel teaches in the pedagogy department of the Universitat fur Musik und darstellende Kunst in Graz, Austria.
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Paperback. Zustand: New. " . . . a fascinating overall impression of the day-to-day concerns and working environment of a professional musician of the late 17th century." -American Recorder This volume presents Muffat's texts along with variants from his own editions in other languages. Wilson's highly readable supplementary materials make this a useful work for theorists, historians, and performers. The book is particularly enlightening on differences between French and German practice. Treats pitch, ornamentation, bowing, and more. Bestandsnummer des Verkäufers LU-9780253213976
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Paperback. Zustand: new. Paperback. . a fascinating overall impression of the day-to-day concerns and working environment of a professional musician of the late 17th century." -American RecorderThis volume presents Muffat's texts along with variants from his own editions in other languages. Wilson's highly readable supplementary materials make this a useful work for theorists, historians, and performers. The book is particularly enlightening on differences between French and German practice. Treats pitch, ornamentation, bowing, and more. Suitable for enlightening on differences between French and German practice, this book treats pitch, ornamentation, bowing, and more. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9780253213976
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Zustand: New. Suitable for enlightening on differences between French and German practice, this book treats pitch, ornamentation, bowing, and more. Editor(s): Wilson, David. Translator(s): Wilson, David K. Series: Publications of the Early Music Institute. Num Pages: 152 pages, black & white illustrations. BIC Classification: AVS. Category: (P) Professional & Vocational. Dimension: 179 x 255 x 8. Weight in Grams: 278. . 2001. 2nd. Paperback. . . . . Bestandsnummer des Verkäufers V9780253213976
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