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Genre, Myth, and Convention in the French Cinema, 1929-1939 - Hardcover

 
9780253340726: Genre, Myth, and Convention in the French Cinema, 1929-1939
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Book by Crisp Colin

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"Crisp's wide-ranging exploration of the first decade of sound cinema in France build significantly on his pivotal industrial study, The Classic French Cinema 1930-1960... this is one of the most stimulating works on French film written over the last decade. Summing Up: Highly recommended. Graduate students, researchers, and faculty." -S. Liebman, CUNY Graduate Center, Choice, June 2003
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Genre, Myth, and Convention in the French Cinema, 1929-1939 examines classic French film, exploring and analyzing the cinema as an institution, the textual system to which it gave rise, and the light that such an approach can shed on the process of production and reception of specific films. Colin Crisp identifies recurrent patterns in the fields of character, narrative, and setting in the French cinema of the early sound period and delineates the myths that these patterns embodied. In Part One he discusses the 1,300 films produced by the French cinema in the 1930s, treating them as a single global textual system that returns obsessively to certain types of story, character, and setting. Part Two deals with publications of the period that comment on those films. The extensive viewer's guide and filmography make this book an essential resource for students of the history of cinema.

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  • VerlagIndiana University Press
  • Erscheinungsdatum2002
  • ISBN 10 0253340721
  • ISBN 13 9780253340726
  • EinbandTapa dura
  • Anzahl der Seiten488
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Verlag: Indiana University Press, 2002
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Buchbeschreibung Hardcover. Zustand: new. Hardcover. Genre, Myth, and Convention in the French Cinema, 1929-1939 examines classic French film, exploring and analyzing the cinema as an institution, the textual system to which it gave rise, and the light that such an approach can shed on the process of production and reception of specific films. Colin Crisp identifies recurrent patterns in the fields of character, narrative, and setting in the French cinema of the early sound period and delineates the myths that these patterns embodied. In Part One he discusses the 1,300 films produced by the French cinema in the 1930s, treating them as a single global textual system that returns obsessively to certain types of story, character, and setting. Part Two deals with publications of the period that comment on those films. The extensive viewer's guide and filmography make this book an essential resource for students of the history of cinema. Genre, Myth, and Convention in the French Cinema, 1929-1939 examines classic French film, exploring and analyzing the cinema as an institution, the textual system to which it gave rise, and the light that such an approach can shed on the process of production and reception of specific films. Colin Crisp identifies recurrent patterns in the fields of character, narrative, and setting in the French cinema of the early sound period and delineates the myths that these patterns embodied. In Part One he discusses the 1,300 films produced by the French cinema in the 1930s, treating them as a single global textual system that returns obsessively to certain types of story, character, and setting. Part Two deals with publications of the period that comment on those films. The extensive viewer's guide and filmography make this book an essential resource for students of the history of cinema. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9780253340726

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