Excerpt from The Builder, Vol. 48: An Illustrated Weekly Magazine for the Architect, Engineer, Archaeologist, Constructor, Sanitary Reformer, and Art-Lover; January to June, 1885
It may be useful to add sword as to line drawings for ordinary photolithography, in which mistakes are sometimes made which lead to disappointment. In the first place, consideration should be given to the degree of reduction in size (if any) which is intended. If a large drawing is intended to be reduced, for instance, to one-half or one-third its Original size, lines for shading must not be drawn so close that in the reduction they may tend to run into each other inattention to this often leads to great disappointment in the effect of the lithograph. Spaces which are shaded heavily, unless quite black, should nevertheless be shaded in distinct and clear lines, leaving the interspaces, however small, of untouched white to scribble or scumble over such shadows with thin lines to give more depth, as some draughtsmen do, is fatal to the lithographic effect, and produces only a mess on the plate. It is still supposed by some draughtsmen that drawings must be in black ink for photo-lithography this is a mistake - red, or warm brown, such as sepia, take equally well; but it is important that when black ink is used it should be quite black; thinly-mixed ink gets grey, which is an approach to blue, and fails accordingly. For the same reason, ordinary writing ink, which some people like to use for pen-drawing, and which produces a very pleasing effect in the original drawing, is exceedingly risky for photolithography, and should never be used with that object.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: Forgotten Books, London, Vereinigtes Königreich
Paperback. Zustand: New. Print on Demand. This book unravels the architectural brilliance of ancient civilizations. The author unearths the secrets of architectural marvels such as the Temple of Artemis, the Pantheon, and St. Paul's Cathedral, exploring the principles and techniques that shaped these iconic structures. Through detailed analysis and rich descriptions, the book traces the evolution of architecture from its humble beginnings to its grandest expressions, shedding light on the cultural, religious, and social influences that have shaped architectural design throughout history. By examining the enduring legacy of ancient architecture, this book not only provides a captivating journey through time but also enhances our understanding of the built environment we inhabit today. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Bestandsnummer des Verkäufers 9780260021779_0
Anzahl: Mehr als 20 verfügbar
Anbieter: PBShop.store US, Wood Dale, IL, USA
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Bestandsnummer des Verkäufers LW-9780260021779
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Bestandsnummer des Verkäufers LW-9780260021779
Anzahl: 15 verfügbar