The Activist Drawing: Retracing Situationist Architectures from Constant's New Babylon to Beyond - Hardcover

Zegher, Catherine De

Hardcover

ISBN 10: 026204191X ISBN 13: 9780262041911

Verlag: MIT Press, 2001

Inhaltsangabe

Dutch artist Constant Nieuwenhuys (b. 1920) developed his visionary architectural project New Babylon between 1956 and 1974. Emerging out of the remarkable activist group the Situationist International, the project was concerned with issues of "unitary urbanism" and the future of art in a technocratic society. It has had a major impact on subsequent generations of artists, architects, and urbanists. Exploring the intersection of drawing, utopianism, and activism in a multimedia era, The Activist Drawing not only traces this historical moment but reveals surprisingly contemporary issues about the relationship between a fully automated environment and human creativity.

Several decades before the current debate about architecture in the supposedly placeless electronic age, Constant conceived an urban and architectural model that literally envisaged the World Wide Web. The inhabitants of his New Babylon drift through huge labyrinthine interiors, perpetually reconstructing every aspect of the environment according to their latest desires. Walls, floors, lighting, sound, color, texture, and smell keep changing. This network of vast "sectors" can be seen as a physical embodiment of the Internet, where people configure their individual Web sites and wander from site to site without limits. With its parallels to our virtual world, New Babylon seems as radical today as when it was created.

The essays explore the relevance of Constant's utopian work to that of his peers in the Situationist International and experimental architectural movements of the 1960s, as well as later generations of architects and artists. They use Constant's revolutionary project as a springboard to reconsider the role of drawing in an electronic age.

Copublished with the Drawing Center, New York City.

Contributors:
Benjamin Buchloh, Constant Nieuwenhuys, Rosalyn Deutsche, Catherine de Zegher, Elizabeth Diller, Tom McDonough, Martha Rosler, Bernard Tschumi, Anthony Vidler, Mark Wigley.

Über diesen Titel

Reseña del editor

Dutch artist Constant Nieuwenhuys (b. 1920) developed his visionary architectural project New Babylon between 1956 and 1974. Emerging out of the remarkable activist group the Situationist International, the project was concerned with issues of "unitary urbanism" and the future of art in a technocratic society. It has had a major impact on subsequent generations of artists, architects, and urbanists. Exploring the intersection of drawing, utopianism, and activism in a multimedia era, this volume not only traces this historical moment but reveals surprisingly contemporary issues about the relationship between a fully automated environment and human creativity. Several decades before the current debate about architecture in the supposedly placeless electronic age, Constant conceived an urban and architectural model that literally envisaged the World Wide Web. The inhabitants of his New Babylon drift through huge labyrinthine interiors, perpetually reconstructing every aspect of the environment according to their latest desires. Walls, floors, lighting, sound, color, texture, and smell keep changing. This network of vast "sectors" can be seen as a physical embodiment of the Internet, where people configure their individual Web sites and wander from site to site without limits. With its parallels to our virtual world, New Babylon seems as radical today as when it was created. This collection of essays explore the relevance of Constant's utopian work to that of his peers in the Situationist International and experimental architectural movements of the 1960s, as well as later generations of architects and artists. They use Constant's revolutionary project as a springboard to reconsider the role of drawing in an electronic age.

Biografía del autor

Catherine de Zegher is Director of the Drawing Center, New York City. She is editor of Martha Rosler (MIT Press, 1999) and Inside the Visible (MIT Press, 1996). Mark Wigley is Professor of Architecture at Columbia University and author of White Walls, Designer Dresses (MIT Press, 1995) and The Architecture of Deconstruction (MIT Press, 1993).

Details zur Ausgabe

• Verlag: MIT Press
• Erscheinungsdatum: 2001
• Sprache: Englisch
• ISBN 10: 026204191X
• ISBN 13: 9780262041911
• Einband: Tapa dura
• Anzahl der Seiten: 152
• Herausgeber: Wigley Mark
• Kontakt zum Hersteller: Nicht verfügbar
• Verantwortliche Person: Nicht verfügbar