Surrealism has long been seen as its founder, Andre Breton, wanted it to be seen: as a movement of love and liberation. In "Compulsive Beauty", Foster reads surrealism from its other, darker side: as an art given over to the uncanny, to the compulsion to repeat and the drive toward death. To this end Foster first restages the difficult encounter of surrealism with Freudian psychoanalysis, then redefines the categories of surrealism - the marvellous, convulsive beauty, objective change - in terms of the Freudian uncanny, or the return of familiar things made strange by repression. Next, with the art of Giorgio de Chirico, Max Ernst, and Alberto Giacometti in mind, Foster develops a theory of the surrealist image as a working over a primal fantasy. This leads him finally to propose as a summa of surrealism a body of work often shunted to its margins: the dolls of Hans Bellmer, so many traumatic tableaux that point to difficult connections not only between sadism and masochism but also between surrealism and fascism. At this point "Compulsive Beauty" turns to the social dimension of the surrealist uncanny. First Foster reads the surrealist repertoire of automatons and mannequins as a reflection on the uncanny processes of mechanization and commodification. Then he consisers the surrealist use of outmoded images as an attempt to work through the historical repression effected by these same processes. In a brief conclusion he discusses the fate of surrealism today in a world become surrealistic. "Compulsive Beauty" not only offers a deconstructive reading of surrealism, long neglected by Anglo-American art history, it also participates in a postmodern reconsideration of modernism, the dominant accounts of which have obscured its involvements in desire and trauma, capitalist shock and technological development.
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Surrealism has long been seen as its founder, Andre Breton, wanted it to be seen: as a movement of love and liberation. In "Compulsive Beauty", Foster reads surrealism from its other, darker side: as an art given over to the uncanny, to the compulsion to repeat and the drive toward death. To this end Foster first restages the difficult encounter of surrealism with Freudian psychoanalysis, then redefines the categories of surrealism - the marvellous, convulsive beauty, objective change - in terms of the Freudian uncanny, or the return of familiar things made strange by repression. Next, with the art of Giorgio de Chirico, Max Ernst, and Alberto Giacometti in mind, Foster develops a theory of the surrealist image as a working over a primal fantasy. This leads him finally to propose as a summa of surrealism a body of work often shunted to its margins: the dolls of Hans Bellmer, so many traumatic tableaux that point to difficult connections not only between sadism and masochism but also between surrealism and fascism. At this point "Compulsive Beauty" turns to the social dimension of the surrealist uncanny. First Foster reads the surrealist repertoire of automatons and mannequins as a reflection on the uncanny processes of mechanization and commodification. Then he consisers the surrealist use of outmoded images as an attempt to work through the historical repression effected by these same processes. In a brief conclusion he discusses the fate of surrealism today in a world become surrealistic. "Compulsive Beauty" not only offers a deconstructive reading of surrealism, long neglected by Anglo-American art history, it also participates in a postmodern reconsideration of modernism, the dominant accounts of which have obscured its involvements in desire and trauma, capitalist shock and technological development.
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Versandziele, Kosten & DauerAnbieter: THE CROSS Art + Books, Sydney, NSW, Australien
22.5 x 18.0cms 314pp b/w illusts very good paperback & cover Foster sees surrealism as 'an art given over to the uncanny to the compulsion to repeat and the drive towards death'. The chapters are: beyond the pleasure principle?; compulsive beauty; compulsive identity; fatal attraction; exquisite corpses; outmoded spaces; auratic traces; beyond the surrealism principle? Bestandsnummer des Verkäufers 20337544
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Anbieter: THE CROSS Art + Books, Sydney, NSW, Australien
22.5 x 18.0cms 314pp b/w illusts very good paperback & cover Foster sees surrealism as 'an art given over to the uncanny to the compulsion to repeat and the drive towards death'. The chapters are: beyond the pleasure principle?; compulsive beauty; compulsive identity; fatal attraction; exquisite corpses; outmoded spaces; auratic traces; beyond the surrealism principle? Bestandsnummer des Verkäufers 20974039
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Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Used book that is in clean, average condition without any missing pages. Bestandsnummer des Verkäufers 4255962-75
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Anbieter: RECYCLIVRE, Paris, Frankreich
Zustand: Très bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme. Bestandsnummer des Verkäufers 3316201709293PAE10262061600
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Anbieter: Tornbooks, Austin, TX, USA
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First Edition. An OCTOBER Book. Near Fine/Near Fine. Hardcover; gray cloth; gilt titles; 313 pp.; illustrated in b/w; one short closed tear in jacket; else a clean and crisp copy. Bestandsnummer des Verkäufers 004881
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Anbieter: Anthology Booksellers, Portland, OR, USA
Cloth. Zustand: Fine. Zustand des Schutzumschlags: Fine. First edition. An October Book. 4to, 313 pp., b/w illus. Bestandsnummer des Verkäufers 6306
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Anbieter: Joe Orlik Books, Manchester, Vereinigtes Königreich
Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. Book hardcover First Edition b&w ills throughout pp313. Condition New. Bestandsnummer des Verkäufers S28.98.4
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Anbieter: R&R Better Books, Martinez, CA, USA
Hardcover. Zustand: Very Good. * Book cover like new, light wear at end caps - pages clean, bright and unmarked; date and initials on half title page of unknown identity spine like new. * Jacket like new, light shelf wear. * Proceeds benefit Friends of the Library; books sold are NOT ex-library. * "Honest and reliable service - every book hand-packaged with care.". Bestandsnummer des Verkäufers FOL0175
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Anbieter: Mullen Books, ABAA, Marietta, PA, USA
Hardcover. Gray cloth boards with gilt lettering. Turquoise dust jacket with color-illustration and white lettering. 313 pp. Occasional BW photographs. The author reads Surrealism from its darker side: as an arts given over to the uncanny, to the compulsion to repeat and the drive toward death. Good, with slight wear to cover edges. Bestandsnummer des Verkäufers 166547
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Anbieter: Mullen Books, ABAA, Marietta, PA, USA
Hardcover. Gray cloth boards with gilt lettering. Turquoise dust jacket with color-illustration and white lettering. Mylar jacket. 313 pp. Occasional BW photographs. The author reads Surrealism from its darker side: as an arts given over to the uncanny, to the compulsion to repeat and the drive toward death. VG/VG: Exlibrary book. Sticker on the dust jacket at the base of the spine. Plate on the front free end page. Sticker on the back free end page. In great, clean condition with solid binding. Bestandsnummer des Verkäufers 205461
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