This second volume of The Details of Modern Architecture continues the study of the relationships of the ideals of design and the realities of construction in modern architecture, beginning in the late 1920s and extending to the present day. It contains a wealth of new information on the construction of modern architecture at a variety of scales from minute details to general principles. There are over 500 illustrations, including 130 original photographs and 230 original axonometric drawings, arranged to explain the technical, aesthetic, and historical aspects of the building form.
Most of the modern movements in architecture have identified some paradigm of good construction, arguing that buildings should be built like Gothic cathedrals, like airplanes, like automobiles, like ships, or like primitive dwellings. Ford examines the degree to which these models were followed, either in spirit or in form, and reveals much about both the theories and techniques of modern architecture, including the extent to which the current constructional theories of High Tech and Deconstruction are dependent on the traditional modernist paradigms, as well as the ways in which all of these theories differ from the realities of modern building.
Individual chapters treat the work of Eliel and Eero Saarinen, Eric Gunnar Asplund, Richard Neutra, Alvar Aalto, Le Corbusier, and Louis Kahn, as well as the Case Study, High Tech, Postmodern, and Deconstructivist architects. Among the individual buildings documented are Eliel Saarinen's Cranbrook School, Asplund's Woodland Cemetery, Fuller's Dymaxion house, the Venturi house, the Eames and other Case Study houses, the concrete buildings of Le Corbusier, Aalto's Saynatsalo Town Hall, and Kahn's Exeter Library and Salk Institute -- with many details published for the first time.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
This is a fine book and an invaluable reference. -- David Wild Architect's Journal
This second volume of The Details of Modern Architecture continues the study of the relationships of the ideals of design and the realities of construction in modern architecture, beginning in the late 1920s and extending to the present day. It contains a wealth of new information on the construction of modern architecture at a variety of scales from minute details to general principles. There are over 500 illustrations, including 130 original photographs and 230 original axonometric drawings, arranged to explain the technical, aesthetic, and historical aspects of the building form. Most of the modern movements in architecture have identified some paradigm of good construction, arguing that buildings should be built like Gothic cathedrals, like airplanes, like automobiles, like ships, or like primitive dwellings. Ford examines the degree to which these models were followed, either in spirit or in form, and reveals much about both the theories and techniques of modern architecture, including the extent to which the current constructional theories of High Tech and Deconstruction are dependent on the traditional modernist paradigms, as well as the ways in which all of these theories differ from the realities of modern building. Individual chapters treat the work of Eliel and Eero Saarinen, Eric Gunnar Asplund, Richard Neutra, Alvar Aalto, Le Corbusier, and Louis Kahn, as well as the Case Study, High Tech, Postmodern, and Deconstructivist architects. Among the individual buildings documented are Eliel Saarinen's Cranbrook School, Asplund's Woodland Cemetery, Fuller's Dymaxion house, the Venturi house, the Eames and other Case Study houses, the concrete buildings of Le Corbusier, Aalto's Saynatsalo Town Hall, and Kahn's Exeter Library and Salk Institute -- with many details published for the first time.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
EUR 4,22 für den Versand innerhalb von/der USA
Versandziele, Kosten & DauerEUR 3,66 für den Versand innerhalb von/der USA
Versandziele, Kosten & DauerAnbieter: Mahler Books, PFLUGERVILLE, TX, USA
Hardcover. Zustand: Good. Zustand des Schutzumschlags: No Dust Jacket. This book is in good condition; no remainder marks. Missing dust jacket : It does have some cover shelfwear, edge wear, corner wear. Some light staining to wraps : Inside pages have no writing. ; 11.5 X 1.25 X 11.25 inche; 384 pages. Bestandsnummer des Verkäufers 08GW25-759-206
Anzahl: 1 verfügbar
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 5.39. Bestandsnummer des Verkäufers G0262061856I3N01
Anzahl: 1 verfügbar
Anbieter: Friends of the Multnomah County Library, Portland, OR, USA
Hardcover. Zustand: Good. Zustand des Schutzumschlags: Poor. Dust jacket has numerous open tears. Spine slightly slanted. Clean pages tightly bound. Bestandsnummer des Verkäufers 82478
Anzahl: 1 verfügbar
Anbieter: Smith Family Bookstore Downtown, Eugene, OR, USA
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. White cloth boards in very good condition. Vellum dust jacket has some light edge-wear and slight discoloration, otherwise very good. Previous owner's embossed stamp on half-title page. Binding tight and text clean. Bestandsnummer des Verkäufers 4433565
Anzahl: 1 verfügbar
Anbieter: Toscana Books, AUSTIN, TX, USA
Hardcover. Zustand: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks. Bestandsnummer des Verkäufers Scanned0262061856
Anzahl: 1 verfügbar