Most English-language writing on Theodor Adorno has attempted to place him in various contexts and to differentiate him from other thinkers. Such work, while important, marks our failure to appropriate Adorno's ideas imaginatively. In this text, the author proposes such an appropriation through a focus on the centrality of the aesthetic dimension in Adorno. Adorno uses the term "exact imagination" to mark the conjunction of knowledge, subjective experience, and aesthetic form. Exact imagination, as distinct from creative imagination, thus describes a form of nondiscursive rationality. According to Adorno, exact imagination discovers or produces truth by reconfiguring the material at hand; thus, knowledge is inseparable from the configurational form imagination gives it. "Late work" is characterized by the disjunction of subjectivity and objectivity. In its attempt to grasp late phenomena, Adorno's oeuvre itself takes on the form of late work. The five interlocked essays, based on material from Adorno's "aesthetic writings", take up such issues as subjective aesthetic experience, the historicity of artworks and our experience of them, Adorno's conception of language, the nature of configurational or constellational form in Adorno's work, and the relation between the artwork, aesthetic experience, and philosophy. A subtext is the unravelling of Adorno's use of the ideas of his colleague Walter Benjamin. Nicholsen's essays themselves can be perceived as a constellation of their own around the central issue of the inseparability of form in its aesthetic dimension and nondiscursive rationality.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
-- Tom Huhn, College of Letters and Philosophy Department, Wesleyan University " Nicholsen's "Exact Imagination, Late Work" is the distilled, reflected product of countless hours alongside, and deeply within, Adorno's languages. Her brilliant achievement here is to have demonstrated the emphatic intimacy between Adorno's aesthetics and his compositions." -- Tom Huhn, College of Letters and Philosophy Department, Wesleyan University & quot; Nicholsen's Exact Imagination, Late Work is the distilled, reflected product of countless hours alongside, and deeply within, Adorno's languages. Her brilliant achievement here is to have demonstrated the emphatic intimacy between Adorno's aesthetics and his compositions.& quot; -- Tom Huhn, College of Letters and Philosophy Department, Wesleyan University "Nicholsen's "Nicholsen's "Exact Imagination, Late Work" is the distilled, reflected product of countless hours alongside, and deeply within, Adorno's languages. Her brilliant achievement here is to have demonstrated the emphatic intimacy between Adorno's aesthetics and his compositions."--Tom Huhn, College of Letters and Philosophy Department, Wesleyan University
Most English-language writing on Theodor Adorno has attempted to place him in various contexts and to differentiate him from other thinkers. Such work, while important, marks our failure to appropriate Adorno's ideas imaginatively. In this text, the author proposes such an appropriation through a focus on the centrality of the aesthetic dimension in Adorno. Adorno uses the term "exact imagination" to mark the conjunction of knowledge, subjective experience, and aesthetic form. Exact imagination, as distinct from creative imagination, thus describes a form of nondiscursive rationality. According to Adorno, exact imagination discovers or produces truth by reconfiguring the material at hand; thus, knowledge is inseparable from the configurational form imagination gives it. "Late work" is characterized by the disjunction of subjectivity and objectivity. In its attempt to grasp late phenomena, Adorno's oeuvre itself takes on the form of late work. The five interlocked essays, based on material from Adorno's "aesthetic writings", take up such issues as subjective aesthetic experience, the historicity of artworks and our experience of them, Adorno's conception of language, the nature of configurational or constellational form in Adorno's work, and the relation between the artwork, aesthetic experience, and philosophy. A subtext is the unravelling of Adorno's use of the ideas of his colleague Walter Benjamin. Nicholsen's essays themselves can be perceived as a constellation of their own around the central issue of the inseparability of form in its aesthetic dimension and nondiscursive rationality.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
EUR 3,99 für den Versand von Frankreich nach Deutschland
Versandziele, Kosten & DauerEUR 39,21 für den Versand von USA nach Deutschland
Versandziele, Kosten & DauerAnbieter: Ammareal, Morangis, Frankreich
No jacket. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Sans jaquette. Couverture différente. Edition 1997. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. No dust jacket. Different cover. Edition 1997. Ammareal gives back up to 15% of this item's net price to charity organizations. Bestandsnummer des Verkäufers G-334-915
Anzahl: 1 verfügbar
Anbieter: Librería Páramo, Urueña, VA, Spanien
Zustand: Muy Bueno. MIT Press, 1997, 270pp, tapa dura con sobrecubierta, sigo como firma del anterior propietario, muy buen estado//// Nota de la librería: Si no se especifica en la descripción anterior, los libros no tienen subrayados, anotaciones, firmas o defectos reseñables. ATENCIÓN: EL ENVÍO GRATUITO ES ORDINARIO SIN NÚMERO DE SEGUIMIENTO, y puede sufrir retrasos de varios días. Le dejarán un aviso en el buzón PARA LA RECOGIDA EN OFICINA. PRIORITARIO/CERTIFICADO CON ENTREGA A DOMICILIO POR SOLO 2,90 euros. MR5809-R-1. Bestandsnummer des Verkäufers MR5809-R-1
Anzahl: 1 verfügbar
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780262140621. Bestandsnummer des Verkäufers 9245870
Anzahl: 1 verfügbar
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780262140621. Bestandsnummer des Verkäufers 9769463
Anzahl: 1 verfügbar
Anbieter: Terrence Murphy, Santa Fe, NM, USA
Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. Original lavender boards in as new condition both externally and internally. Housed in the original dust jacket in like condition. BOOK IS UNOPENED AND UNREAD. PRISTINE. Introduction, notes, biblio., index, 270p. Bestandsnummer des Verkäufers 004844
Anzahl: 1 verfügbar
Anbieter: Sutton Books, Norwich, VT, USA
Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. Hbk 270pp a new and unread copy excellent clean tight unmarked in sleeve-protected dj as new. Bestandsnummer des Verkäufers Ph585-B
Anzahl: 1 verfügbar
Anbieter: The Book Spot, Sioux Falls, MN, USA
Hardcover. Zustand: New. Bestandsnummer des Verkäufers Abebooks3739
Anzahl: 1 verfügbar
Anbieter: dsmbooks, Liverpool, Vereinigtes Königreich
Hardcover. Zustand: Good. Good. book. Bestandsnummer des Verkäufers D7S9-1-M-0262140624-6
Anzahl: 1 verfügbar