French Modern: Norms and Forms of the Social Environment - Hardcover

Rabinow, Paul

 
9780262181341: French Modern: Norms and Forms of the Social Environment

Inhaltsangabe

Paul Rabinow's study of space and society, power and knowledge in France from the 1830s through the 1930s uses tools from anthropology, philosophy, and cultural criticism to make fascinating connections between diverse protagonists and domains. In each of these domains - ranging from medicine to the layout of colonial cities - Rabin ow describes the creation of norms and the search for forms adequate for understanding and regulating what became known as modern society. He also focuses on an unexplored middle ground between the masters of high culture and the experiences of ordinary life, which he calls "middling modernism."

Paul Rabinow is Professor of Anthropology at the University of California at Berkeley. His most recent books include Michel Foucault: Beyond Structuralism and Hermeneutics (with Hubert Dreyfus) and The Foucault Reader.

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Críticas

This path-breaking book opens up topics for some new, contemporary analysis of modernity that go well beyond its immediate occasion in the colonial city.... It is a stimulating and exciting performance." --Fredric R. Jameson "This path-breaking book opens up topics for some new, contemporary analysis of modernity that go well beyond its immediate occasion in the colonial city.... It is a stimulating and exciting performance."--Fredric R. Jameson

Reseña del editor

Paul Rabinow's study of space and society, power and knowledge in France from the 1830s through the 1930s uses tools from anthropology, philosophy, and cultural criticism to make fascinating connections between diverse protagonists and domains. In each of these domains - ranging from medicine to the layout of colonial cities - Rabin ow describes the creation of norms and the search for forms adequate for understanding and regulating what became known as modern society. He also focuses on an unexplored middle ground between the masters of high culture and the experiences of ordinary life, which he calls "middling modernism."

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