A theoretical examination of the surprising emergence of software as a guiding metaphor for our neoliberal world.
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Wendy Hui Kyong Chun, who has studied both systems design and English literature, is Professor of Modern Culture and Media at Brown University. She is the author of Control and Freedom: Power and Paranoia in the Age of Fiber Optics and Programmed Visions: Software and Memory, both published by the MIT Press.
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Anbieter: BooksRun, Philadelphia, PA, USA
Paperback. Zustand: Very Good. Reprint. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Bestandsnummer des Verkäufers 0262518511-11-1
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Anbieter: Chapter House Books, Fayetteville, NC, USA
Zustand: Fair. CONDITION NOTES: Underlining and marginalized throughout. Minor bending on the corners of the front cover. SYNOPSIS: A theoretical examination of the surprising emergence of software as a guiding metaphor for our neoliberal world.New media thrives on cycles of obsolescence and renewal: from celebrations of cyber-everything to Y2K, from the dot-com bust to the next big thingsâ"mobile mobs, Web 3.0, cloud computing. In Programmed Visions, Wendy Hui Kyong Chun argues that these cycles result in part from the ways in which new media encapsulates a logic of programmability. New media proliferates âprogrammed visions,â which seek to shape and predictâ"even embodyâ"a future based on past data. These programmed visions have also made computers, based on metaphor, metaphors for metaphor itself, for a general logic of substitutability. Chun argues that the clarity offered by software as metaphor should make us pause, because software also engenders a profound sense of ignorance: who knows what lurks behind our smiling interfaces, behind the objects we click and manipulate? The combination of what can be seen and not seen, known (knowable) and not knownâ"its separation of interface from algorithm and software from hardwareâ"makes it a powerful metaphor for everything we believe is invisible yet generates visible, logical effects, from genetics to the invisible hand of the market, from ideology to culture. Bestandsnummer des Verkäufers U094
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Anbieter: Chapter House Books, Fayetteville, NC, USA
Zustand: Fair. CONDITION NOTES: Paperback. Great reading copy with light pencil underlining throughout. SYNOPSIS: A theoretical examination of the surprising emergence of software as a guiding metaphor for our neoliberal world.New media thrives on cycles of obsolescence and renewal: from celebrations of cyber-everything to Y2K, from the dot-com bust to the next big thingsâ"mobile mobs, Web 3.0, cloud computing. In Programmed Visions, Wendy Hui Kyong Chun argues that these cycles result in part from the ways in which new media encapsulates a logic of programmability. New media proliferates âprogrammed visions,â which seek to shape and predictâ"even embodyâ"a future based on past data. These programmed visions have also made computers, based on metaphor, metaphors for metaphor itself, for a general logic of substitutability. Chun argues that the clarity offered by software as metaphor should make us pause, because software also engenders a profound sense of ignorance: who knows what lurks behind our smiling interfaces, behind the objects we click and manipulate? The combination of what can be seen and not seen, known (knowable) and not knownâ"its separation of interface from algorithm and software from hardwareâ"makes it a powerful metaphor for everything we believe is invisible yet generates visible, logical effects, from genetics to the invisible hand of the market, from ideology to culture. Bestandsnummer des Verkäufers U104
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Paperback or Softback. Zustand: New. Programmed Visions: Software and Memory. Book. Bestandsnummer des Verkäufers BBS-9780262518512
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Zustand: As New. Unread book in perfect condition. Bestandsnummer des Verkäufers 18982559
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