How the surge in aerial technologies, such as drones and satellites, influences visual culture beyond the screen.
The smooth flight from aerial overview to intimate close-up in Martin Scorsese’s Hugo (2011) exemplifies the concept of proxistant vision: a combination of proximity and distance, close-up and overview, detail and the big picture, in a unified visual form. In Proxistant Vision, Synne Bull and Dragan Miletic develop the concept of proxistant vision and trace its emergence as a visual paradigm of the twenty-first century. As exemplified by Google Earth’s digital swipe between globe perspective and street-level detail, proxistant vision currently proliferates across digital geography, computer games, architectural models, data visualizations, and CGI cinema. It is defined as the combination of proximity and distance in a single image, across a dynamic flight, or zoom.
Pointing to the surge in aerial imaging and remote sensing technologies such as drones and satellites, the book moves beyond the screen to include the kinetic architecture of rides and urban observation wheels. The key objective of this study is threefold: to trace the genealogy and understand the technical operation of proxistance as it traveled from periphery to center in the twenty-first century; to explore its alternative potentialities in contemporary art practices; and, finally, to reflect critically on the worldviews underpinning different modalities of proxistance in times of environmental crisis. The authors show how the powerful effect of combining proximity and distance, which was already in place with the earliest cartographic inscriptions, has taken precedence on and beyond our screens today.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Synne Tollerud Bull is Pro-Dean of Research at the School of Arts, Design, and Media at Kristiania University of Applied Sciences. She led the research projects Urban Ecologies, Media Seas of the High North Atlantic, and Re: place, and is the coeditor of Urban Images (Sternberg Press) and Screen Space Reconfigured. She is part of the award-winning artistic duo Bull.Miletic with Dragan Miletic.
Dragan Miletic holds a practice-based PhD from the Norwegian University of Science and Technology and an MFA from San Francisco Art Institute. He is part of the award-winning artistic duo Bull.Miletic with Synne Tollerud Bull.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Zustand: Like New. Item is in like new condition. Bestandsnummer des Verkäufers 00096255495
Anzahl: 1 verfügbar
Anbieter: Books From California, Simi Valley, CA, USA
paperback. Zustand: Fine. Bestandsnummer des Verkäufers mon0004052174
Anzahl: 1 verfügbar
Anbieter: Books From California, Simi Valley, CA, USA
paperback. Zustand: Very Good. Bestandsnummer des Verkäufers mon0003785269
Anzahl: 4 verfügbar
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Bestandsnummer des Verkäufers GB-9780262552189
Anzahl: 2 verfügbar
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: New. Bestandsnummer des Verkäufers 48314718-n
Anzahl: 2 verfügbar
Anbieter: INDOO, Avenel, NJ, USA
Zustand: New. Bestandsnummer des Verkäufers 9780262552189
Anbieter: Grand Eagle Retail, Bensenville, IL, USA
Paperback. Zustand: new. Paperback. How the surge in aerial technologies, such as drones and satellites, influences visual culture beyond the screen.How the surge in aerial technologies, such as drones and satellites, influences visual culture beyond the screen.The smooth flight from aerial overview to intimate close-up in Martin Scorsese's Hugo (2011) exemplifies the concept of proxistant vision- a combination of proximity and distance, close-up and overview, detail and the big picture, in a unified visual form. In Proxistant Vision, Synne Bull and Dragan Miletic develop the concept of proxistant vision and trace its emergence as a visual paradigm of the twenty-first century. As exemplified by Google Earth's digital swipe between globe perspective and street-level detail, proxistant vision currently proliferates across digital geography, computer games, architectural models, data visualizations, and CGI cinema. It is defined as the combination of proximity and distance in a single image, across a dynamic flight, or zoom.Pointing to the surge in aerial imaging and remote sensing technologies such as drones and satellites, the book moves beyond the screen to include the kinetic architecture of rides and urban observation wheels. The key objective of this study is threefold- to trace the genealogy and understand the technical operation of proxistance as it traveled from periphery to center in the twenty-first century; to explore its alternative potentialities in contemporary art practices; and, finally, to reflect critically on the worldviews underpinning different modalities of proxistance in times of environmental crisis. The authors show how the powerful effect of combining proximity and distance, which was already in place with the earliest cartographic inscriptions, has taken precedence on and beyond our screens today. "Brings together proximity and distance in order to define a specific type of spatial mediation grounded in a visual construct, and shows how the surge in aerial technologies such as drones and satellites influence visual culture beyond the screen"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9780262552189
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: As New. Unread book in perfect condition. Bestandsnummer des Verkäufers 48314718
Anzahl: 2 verfügbar
Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes Königreich
Paperback. Zustand: New. Bestandsnummer des Verkäufers LU-9780262552189
Anzahl: 5 verfügbar
Anbieter: Rarewaves USA, OSWEGO, IL, USA
Paperback. Zustand: New. Bestandsnummer des Verkäufers LU-9780262552189
Anzahl: Mehr als 20 verfügbar