Abelard in Four Dimensions: A Twelfth-Century Philosopher in His Context and Ours (Conway Lectures in Medieval Studies) - Softcover

Marenbon, John

Softcover

ISBN 10: 026803530X ISBN 13: 9780268035303

Verlag: University of Notre Dame Press, 2013

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Críticas:

"Marenbon (Cambridge University), an important scholar of medieval philosophy, here returns to a topic that occupied him some years ago: the philosophy of Peter Abelard. Rather than serving as a general treatment of Abelard's philosophy, this book focuses on four different ways of reading the philosopher: in terms of his predecessors, his contemporaries, and his historical influence, and in terms of contemporary philosophy. This volume . . . will not disappoint. It should prove useful to students of Peter Abelard and of medieval thought more generally."--Choice "As a volume of Conway lectures, it is a worthy peer to sit alongside the recent contributions of Rosamund McKitterick, Jonathan Riley Smith, A. C. Spearing, and Barbara Newman. I hope this book will reach a wider audience of medievalists than only philosophers, theologians, and twelfth-century specialists (for whom it will be indispensable), if only for the tentative but convincing answer Marenbon provides to the immediately pressing question of the relevance of medieval studies."--Speculum "Much of what is explored here is explored with clarity, care, and judgment. In an important sense Marenbon proves the thesis of the book: that historical understanding and background helpfully informs attempts to see in thinkers from another era versions of contemporary theories and can prevent misreadings of many kinds."--Journal of the History of Philosophy "Throughout this book, but especially in its conclusion, Marenbon steps back and reflects upon methodologies of historians of philosophy. [Marenbon] has identified some weighty issues that any historian of philosophy must address, and one would be well advised to read Marenbon's thoughtful remarks on this subject."--Vivarium "In this book, John Marenbon takes on select issues from Abelard's philosophy and theology that have proven to be problematic. These he submits to close examination, hewing his own path in submitting these topics to careful scrutiny, never coming to easy conclusions, but offering original insights. For audiences responsive to Marenbon's approach his book offers value."--Mediaevistik "This searching, thorough, and original study examines Abelard's past, present, and future, and our present. John Marenbon offers the best enquiry yet made into the sequence of Abelard's writings and their chronology, followed by an incisive and highly illuminating account of the various, successive formulations of his 'unpopular argument' to the effect that God cannot do otherwise than as he does. This is an accomplished work which will be eagerly read and hugely appreciated by students and their teachers on courses of philosophy, theology, and history."--David Luscombe, University of Sheffield " Abelard in Four Dimensions is an excellent introduction to the study of Peter Abelard. The 'four dimensions' in the title refer to future, past, and present--Abelard's and our own. In his conclusion Marenbon reflects intelligently on how best to bring medieval thinkers into the contemporary discussion: not by distortion, forcing medieval ideas into a 'conceptual framework where they do not belong, ' but by asking ourselves not only how they resemble modern positions, but also how the problems addressed differ from those today's philosophers pose."--The Medieval Review

Reseña del editor:

The Meditations on the Life of Christ was the most popular and influential devotional work of the later Middle Ages. With its lively dialogue and narrative realism, its poignant and moving depictions of the Nativity and Passion, and its direct appeals to the reader to feel love and compassion, the Meditations had a major impact on devotional practices, religious art, meditative literature, vernacular drama, and the cultivation of affective experience.

This volume is a critical edition, with English translation and commentary, of a hitherto-unpublished Italian text that McNamer argues is likely to be the original version of this influential masterpiece. Livelier and far more compact than the Latin text, the Italian "short text" possesses a stylistic and textual integrity that appears to testify to its primacy among early versions of the Meditations. The evidence also suggests that it was composed by a woman, a Poor Clare from Pisa-an author whose work McNamer contends was obscured by the anonymous Franciscan friar who subsequently altered and expanded the text. In bringing to light this unique Italian version and building a case for its origins and importance, this book will encourage a fresh look at the Meditations and serve as a foundation for further scholarship and debate concerning some of the most compelling subjects in Italian and European literary and cultural history, including the role of women in the invention of new genres and spiritual practices, the early development of Italian prose narrative, the rise of vernacular theology, and the history of emotion.

McNamer's volume will be of significant interest to medievalists, especially those who study medieval women, devotional literature, manuscript studies, and textual criticism. The linguistic analysis expands that audience to include those of a philological bent.

Über diese Auflage

• Verlag: University of Notre Dame Press
• Erscheinungsdatum: 2013
• ISBN 10: 026803530X
• ISBN 13: 9780268035303
• Einband: Tapa blanda
• Anzahl der Seiten: 296