The main source of what we know about Guido Reni is The Life of Guido Reni by Malvasia. It lets us see a major artist of the Italian Baroque through the eyes of his own age. The text contains considerable detail on what Guido painted, as well as his commissions and patrons. As Reni's close friend, Malvasia took much of his material from first-hand knowledge; documentary evidence from the artist's recently discovered account book attests to the reliability of his biographer's text.
But Malvasia's biography is far more than a chronicle of facts about Reni's art. Through a wealth of illustrative incidents based on eyewitness accounts we come to know Reni as an individual, driven by compulsions, beset by phobias, and isolated by pride. He appears as a man alone in a crowd, desperately anxious to defend his position as a major artist, enormously vulnerable to what were often imagined insults. We see him as an individual obsessed with sorcery and witchcraft and having an overwhelming compulsion for gambling that eventually brought about his ruin and hastened his death. No earlier biography provides so much material about an artist's inner life.
The editors have added a substantial introductory essay to their translation of Reni's biography along with an analysis of the text and a section on Malvasia and his writings. Malvasia wrote the best early guidebook to the paintings of Bologna, and his vast compendium on the Bolognese School of painters is the most important regional "Lives of the Artists" that appeared in Italy during the 17th century. As this is the first book on Reni in English, the editors have added a section intended as an introduction to his rather complex stylistic development. Eight illustrations are included to show some of Reni's most important works.
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Catherine Enggass's many translations include Baldinucci's Life of Bernini, the Manetti Life of Brunellschi, and several volumes of the Corpus Palladianum. She is also co-editor of the vatican library edition of Pio's Lives.
Robert Enggass, Callaway Professor at the University of Georgia, is the author of The Painting of Baciccio; Early 18th-Century Sculpture in Rome (which won the Borghese Prize in 1977); and, with Jonathan Brown, Italy and Spain, 1600–1750, as well as many articles in art history journals.
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Anbieter: Avol's Books LLC, Madison, WI, USA
Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Would be very good in dust jacket except that top right tip of book front cover and dust jacket is slightly chewed. Otherwise a clean, tight copy in jacket with a few mild smudges and rub marks. Bestandsnummer des Verkäufers 206387
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Anbieter: Sequitur Books, Boonsboro, MD, USA
Hardcover. Zustand: As New. Hardcover and dust jacket. Good binding and cover. Light edge wear. Clean, unmarked pages. Bestandsnummer des Verkäufers 1510260134
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Anbieter: Timshala Books, Olathe, KS, USA
Hardcover. Zustand: New. Zustand des Schutzumschlags: Fine. New book with dust jacket that has a 1/4" tear. Bestandsnummer des Verkäufers 120000345
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Anbieter: Lost Horizon Bookstore, Santa Barbara, CA, USA
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very good. Hardcover. Octavo. 150pp. Translated with an introduction by Catherine Enggass and Robert Enggass Biography of this interesting Baroque artist. No illustrations. Toning and light soiling to dust jacket. "Guido Reni was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects."-wikipedia. Bestandsnummer des Verkäufers 53470
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Anbieter: Books on the Boulevard, Sherman Oaks, CA, USA
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First Thus. 6 X 0.47 X 9 inches; 150 pages. Bestandsnummer des Verkäufers 69405
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Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:0271002646. Bestandsnummer des Verkäufers 2935301
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Anbieter: St Philip's Books, P.B.F.A., B.A., Oxford, Vereinigtes Königreich
Binding sound, text unmarked. Zustand: Good+. Zustand des Schutzumschlags: Good. Faint marks to page edges. Dustwrapper rubbed and edgeworn but unclipped and protected in a removable clear plastic sleeve. Robust packaging. Tracking is always added to USA orders. It can be added to other overseas orders on request. Used books are exempt from USA tariffs. 1st edition. Size: 150pp, 8 illustrations, 23.5 x 16 cm. Bestandsnummer des Verkäufers ZZ5981
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Anbieter: Second Edition Books, Butte, MT, USA
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. Clean tight copy. First edition as no other editions noted. Grey boards with silver lettering. Translated and with an introduction by Catherine and Robert Enggass. Light grey jacket in mylar has black lithograph of Reni with black lettering. This Malvasia rendition of Reni lets us see a major artist of the Italian Baroque through the eyes of his own age--driven by compulsions, beset by phobias, and isolated by pride. Eight b/w reproductions of his paintings 150 pp. Bestandsnummer des Verkäufers 18287
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Anbieter: Widney Manor Books, Solihull, MIDLA, Vereinigtes Königreich
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. Book is in fine condition, unread. Dust jacket is in very good condition with a small mark on cover. 150pp with b/w illustrations throughout. Bestandsnummer des Verkäufers 005233
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Anbieter: Colin Martin Books, Near Hull, EY, Vereinigtes Königreich
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Octavo, vii, 150 pages. A clean, Near Fine copy in a Near Fine dust jacket. Bestandsnummer des Verkäufers 103160
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