A comprehensive survey of the Roman contribution to the technical and artistic development of photography up to 1871.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
John F. McGuigan Jr. is an independent art historian and the coauthor of James E. Freeman, 1808-1884: An American Painter in Italy; John Gadsby Chapman: America's First Artist-Etcher; and At the Foot of the Pyramid: 300 Years of the Cemetery for Foreigners in Rome.
Frank H. Goodyear III is codirector of the Bowdoin College Museum of Art. His most recent publications include Marcia Resnick: As It Is or Could Be; At First Light: Two Centuries of Maine Artists, Their Homes and Studios; and Winslow Homer and the Camera: Photography and the Art of Painting.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: As New. Unread book in perfect condition. Bestandsnummer des Verkäufers 44615198
Anzahl: 7 verfügbar
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
Zustand: As New. Unread book in perfect condition. Bestandsnummer des Verkäufers 44615198
Anzahl: 7 verfügbar
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: New. Bestandsnummer des Verkäufers 44615198-n
Anzahl: 7 verfügbar
Anbieter: Grand Eagle Retail, Bensenville, IL, USA
Hardcover. Zustand: new. Hardcover. This comprehensive study of Romes contribution to the early history of photography traces the mediums rise from a fledgling science to a dynamic form of artistic expression that forever changed the way we perceive the Eternal City.The authors examine the diverse transnational group of photographers who thrived in the cosmopolitan art center of Romeand the pivotal role they played in the refinement and technical development of the nascent medium in the nineteenth century. The book ranges from the earliest pioneersthe French daguerreotypist Joseph-Philibert Girault de Prangey and the Welsh calotypist Calvert Richard Jonesto the work of the Roman School of Photography and its successors, among them James Anderson and Robert Macpherson of Britain; Frederic Flacheron, Firmin Eugene Le Dien, and Gustave Le Gray of France; and Giacomo Caneva, Adriano de Bonis, and Pietro Dovizielli of Italy.Lavishly illustrated with 112 plates, many never before published, by nearly fifty practitioners, this volume expands our understanding of the place of Rome in early photography. An exhibition of the same title, to open at the Bowdoin College Museum of Art in December 2022, accompanies this study. Examines Rome's contribution to the technical and artistic development of photography up to 1871, focusing on experimental painter-photographers and the adoption of the medium as an equal branch of art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9780271094885
Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes Königreich
Hardback. Zustand: New. This comprehensive study of Rome's contribution to the early history of photography traces the medium's rise from a fledgling science to a dynamic form of artistic expression that forever changed the way we perceive the Eternal City.The authors examine the diverse transnational group of photographers who thrived in the cosmopolitan art center of Rome-and the pivotal role they played in the refinement and technical development of the nascent medium in the nineteenth century. The book ranges from the earliest pioneers-the French daguerreotypist Joseph-Philibert Girault de Prangey and the Welsh calotypist Calvert Richard Jones-to the work of the Roman School of Photography and its successors, among them James Anderson and Robert Macpherson of Britain; Frédéric Flachéron, Firmin Eugène Le Dien, and Gustave Le Gray of France; and Giacomo Caneva, Adriano de Bonis, and Pietro Dovizielli of Italy.Lavishly illustrated with 112 plates, many never before published, by nearly fifty practitioners, this volume expands our understanding of the place of Rome in early photography. An exhibition of the same title, to open at the Bowdoin College Museum of Art in December 2022, accompanies this study. Bestandsnummer des Verkäufers LU-9780271094885
Anzahl: 3 verfügbar
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
Zustand: New. Bestandsnummer des Verkäufers 44615198-n
Anzahl: 7 verfügbar
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Hardcover. Zustand: Brand New. 304 pages. 11.00x9.00x1.09 inches. In Stock. Bestandsnummer des Verkäufers 0271094885
Anzahl: 1 verfügbar
Anbieter: Rarewaves.com UK, London, Vereinigtes Königreich
Hardback. Zustand: New. This comprehensive study of Rome's contribution to the early history of photography traces the medium's rise from a fledgling science to a dynamic form of artistic expression that forever changed the way we perceive the Eternal City.The authors examine the diverse transnational group of photographers who thrived in the cosmopolitan art center of Rome-and the pivotal role they played in the refinement and technical development of the nascent medium in the nineteenth century. The book ranges from the earliest pioneers-the French daguerreotypist Joseph-Philibert Girault de Prangey and the Welsh calotypist Calvert Richard Jones-to the work of the Roman School of Photography and its successors, among them James Anderson and Robert Macpherson of Britain; Frédéric Flachéron, Firmin Eugène Le Dien, and Gustave Le Gray of France; and Giacomo Caneva, Adriano de Bonis, and Pietro Dovizielli of Italy.Lavishly illustrated with 112 plates, many never before published, by nearly fifty practitioners, this volume expands our understanding of the place of Rome in early photography. An exhibition of the same title, to open at the Bowdoin College Museum of Art in December 2022, accompanies this study. Bestandsnummer des Verkäufers LU-9780271094885
Anzahl: 3 verfügbar
Anbieter: AussieBookSeller, Truganina, VIC, Australien
Hardcover. Zustand: new. Hardcover. This comprehensive study of Romes contribution to the early history of photography traces the mediums rise from a fledgling science to a dynamic form of artistic expression that forever changed the way we perceive the Eternal City.The authors examine the diverse transnational group of photographers who thrived in the cosmopolitan art center of Romeand the pivotal role they played in the refinement and technical development of the nascent medium in the nineteenth century. The book ranges from the earliest pioneersthe French daguerreotypist Joseph-Philibert Girault de Prangey and the Welsh calotypist Calvert Richard Jonesto the work of the Roman School of Photography and its successors, among them James Anderson and Robert Macpherson of Britain; Frederic Flacheron, Firmin Eugene Le Dien, and Gustave Le Gray of France; and Giacomo Caneva, Adriano de Bonis, and Pietro Dovizielli of Italy.Lavishly illustrated with 112 plates, many never before published, by nearly fifty practitioners, this volume expands our understanding of the place of Rome in early photography. An exhibition of the same title, to open at the Bowdoin College Museum of Art in December 2022, accompanies this study. Examines Rome's contribution to the technical and artistic development of photography up to 1871, focusing on experimental painter-photographers and the adoption of the medium as an equal branch of art. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Bestandsnummer des Verkäufers 9780271094885
Anzahl: 1 verfügbar