You Just Fight for Your Life: The Story of Lester Young - Hardcover

Buchmann-Moller, Frank; B?chmann-M?ller, Frank

Hardcover

ISBN 10: 0275932656 ISBN 13: 9780275932657

Verlag: Praeger Publishers, 1990

Inhaltsangabe

Book by BchmannMller Frank

Über diesen Titel

Críticas:

"First volume of the big, warm book about Lester Young that swing lovers have been waiting for, written by a Danish jazz musician. This rich, authentic life of one of the three greatest tenor players who ever lived, much of it told in vivid quotation from eyewitnesses. Nicely paced, it sketches in depth Lester's family background in Louisiana, his father's rather amazing musicianship (he played all the families of instruments), his mother's piano playing, and the family's travels on the road playing gigs all over the South. Lester rarely practiced, was a genius who could play anything he heard, as well as blow 60 choruses on any piece without repeating himself while building on what had gone before. Young Lester's great Kansas City cutting session with Coleman Hawkins, then the most feared tenor alive, with Lester, Ben Webster, and Herschel Evans ganging up on the Hawk for an all-night, all-morning battle royal, found Lester cutting Hawkins--and musicians over the whole country soon knowing about it. The story of his platonic friendship with Billie Holiday and great sessions backing her is spelled out in luscious detail, as are early band years with Count Basie, Fletcher Henderson and others, his postwar tours with Jazz at the Philharmonic, years abroad, his alcoholism and pot addiction, and his WW II court-marital for possession, and subsequent ten-month incarceration. To be most keenly relished throughout, however, is the author's attention to Lester's musicianship, his reed, horns, tone, inventiveness, and spirit, a quality that is like a second character. The page with him blowing I Can't Get Started' at Charlie Parker's memorial is not to be missed. Matchless, four starsatisfaction. "This book, by a professional musician and librarian at the Odense University Library in Denmark, is a tour de force, a remarkable and unqualified success. The author's painstaking research has made possible a detailed and chronological account of Lester Young's life. This in itself is a first, and thoroughly rewarding. . . . A valuable appendix lists all Lester's known engagements. And the translation by John Irons is in good, unpretentious English." JazzTimes"-Kirkus "For an exhaustive examination of jazz musician Lester Young's life, this is a must...As a historical document of jazz in the first half of the century, Fight does provide a great deal of background information on jazz musicians, as well as highly in-depth discussions of Young's craft. Among the more interesting sections are the early chapters on Lester's early life, and his early grounding in music...the anecdotes are eye-opening and energetic."-Academic Library Book Review "Speaking of influence, no other instrumentalist of the swing era had as great an impact upon the subsequent period, that of bebop, the first expression of so-called modern jazz, as did the tenor saxophonist whose life is examined in meticulous detail by Danish researcher Frank Buchmann-Moller in You Just Fight For Your Life: The Story of Lester Young (Greenwood Press). A companion volume, You Got To Be Original, Man! The Music of Lester Young (Greenwood), is an exhaustive study of Prez's solos on record and a discography."-Washington Review "A Danish musician here presents the most accurate, comprehensive work on a major figure in American jazz: Lester Willis Young (1909-1959), better known as 'Pres' or 'Prez, ' from the nickname 'President' given to him by Billie Holiday. Based on interviews with Young's colleagues and friends, and often presenting his own vulgar, scatological words, the book faithfully chronicles the ups and downs of his life and career. Despite his alcoholism, drug addiction, syphilis, epilepsy and emotional disturbances, Young became the outstanding tenor saxophonist of his time and a dominant, profound influence on the development of bop and progressive ('cool') jazz in the 1940s. His solos with the bands of Fletcher Henderson and Count Basie and his collaboration with Holiday are recalled in this outstanding biography." Publisher's Weekly "This is the first thoroughgoing biography of one of America's greatest musicians; its fascination for at least jazz aficionados is magnetic....Along with Porter's magisterial work of musical analysis, Lester Young, this is the book to have on the most influential jazzman between Armstrong and Parker."-Booklist "You Just Fight For Your Life is meticulously researched with previously unpublished material. It is the wealth of first hand primary sources which makes this book so valuable in interpreting the life of Lester Young. Congratulations are in order for Frank Buchmann-Moller for a truly outstanding biography."-Popular Music and Society "Lester Young has been called the most influential jazz musician between Louis Armstrong and Charlie Parker, yet this biography of the late saxophonist joins only two or three others on the subject. The author has examined recordings, periodicals, and military records and has interviewed Young's surviving associates to illustrate how Young's work with Count Basie and others led to a career at once celebrated and plagued by Young's chemical dependencies until his death in 1959. Jazz enthusiasts will enjoy a touching tale well told, and researchers may benefit from the appendexes lisiting Young's bandsmen and his professional jobs and engagements over the decades."-Library Journal ?You Just Fight For Your Life is meticulously researched with previously unpublished material. It is the wealth of first hand primary sources which makes this book so valuable in interpreting the life of Lester Young. Congratulations are in order for Frank Buchmann-Moller for a truly outstanding biography.?-Popular Music and Society ?Speaking of influence, no other instrumentalist of the swing era had as great an impact upon the subsequent period, that of bebop, the first expression of so-called modern jazz, as did the tenor saxophonist whose life is examined in meticulous detail by Danish researcher Frank Buchmann-Moller in You Just Fight For Your Life: The Story of Lester Young (Greenwood Press). A companion volume, You Got To Be Original, Man! The Music of Lester Young (Greenwood), is an exhaustive study of Prez's solos on record and a discography.?-Washington Review ?Lester Young has been called the most influential jazz musician between Louis Armstrong and Charlie Parker, yet this biography of the late saxophonist joins only two or three others on the subject. The author has examined recordings, periodicals, and military records and has interviewed Young's surviving associates to illustrate how Young's work with Count Basie and others led to a career at once celebrated and plagued by Young's chemical dependencies until his death in 1959. Jazz enthusiasts will enjoy a touching tale well told, and researchers may benefit from the appendexes lisiting Young's bandsmen and his professional jobs and engagements over the decades.?-Library Journal ?First volume of the big, warm book about Lester Young that swing lovers have been waiting for, written by a Danish jazz musician. This rich, authentic life of one of the three greatest tenor players who ever lived, much of it told in vivid quotation from eyewitnesses. Nicely paced, it sketches in depth Lester's family background in Louisiana, his father's rather amazing musicianship (he played all the families of instruments), his mother's piano playing, and the family's travels on the road playing gigs all over the South. Lester rarely practiced, was a genius who could play anything he heard, as well as blow 60 choruses on any piece without repeating himself while building on what had gone before. Young Lester's great Kansas City cutting session with Coleman Hawkins, then the most feared tenor alive, with Lester, Ben Webster, and Herschel Evans ganging up on the Hawk for an all-night, all-morning battle royal, found Lester cutting Hawkins--and musicians over the whole country soon knowing about it. The story of his platonic friendship with Billie Holiday and great sessions backing her is spelled out in luscious detail, as are early band years with Count Basie, Fletcher Henderson and others, his postwar tours with Jazz at the Philharmonic, years abroad, his alcoholism and pot addiction, and his WW II court-marital for possession, and subsequent ten-month incarceration. To be most keenly relished throughout, however, is the author's attention to Lester's musicianship, his reed, horns, tone, inventiveness, and spirit, a quality that is like a second character. The page with him blowing I Can't Get Started' at Charlie Parker's memorial is not to be missed. Matchless, four starsatisfaction. "This book, by a professional musician and librarian at the Odense University Library in Denmark, is a tour de force, a remarkable and unqualified success. The author's painstaking research has made possible a detailed and chronological account of Lester Young's life. This in itself is a first, and thoroughly rewarding. . . . A valuable appendix lists all Lester's known engagements. And the translation by John Irons is in good, unpretentious English." JazzTimes?-Kirkus ?For an exhaustive examination of jazz musician Lester Young's life, this is a must...As a historical document of jazz in the first half of the century, Fight does provide a great deal of background information on jazz musicians, as well as highly in-depth discussions of Young's craft. Among the more interesting sections are the early chapters on Lester's early life, and his early grounding in music...the anecdotes are eye-opening and energetic.?-Academic Library Book Review ?A Danish musician here presents the most accurate, comprehensive work on a major figure in American jazz: Lester Willis Young (1909-1959), better known as 'Pres' or 'Prez, ' from the nickname 'President' given to him by Billie Holiday. Based on interviews with Young's colleagues and friends, and often presenting his own vulgar, scatological words, the book faithfully chronicles the ups and downs of his life and career. Despite his alcoholism, drug addiction, syphilis, epilepsy and emotional disturbances, Young became the outstanding tenor saxophonist of his time and a dominant, profound influence on the development of bop and progressive ('cool') jazz in the 1940s. His solos with the bands of Fletcher Henderson and Count Basie and his collaboration with Holiday are recalled in this outstanding biography." Publisher's Weekly "This is the first thoroughgoing biography of one of America's greatest musicians; its fascination for at least jazz aficionados is magnetic....Along with Porter's magisterial work of musical analysis, Lester Young, this is the book to have on the most influential jazzman between Armstrong and Parker.?-Booklist "In the biography You Just Fight For Your Life Danish author Frank Buchmann-Moller presents a comprehensive look at the late tenor saxophonist Lester Young--from his contributions to the world of jazz to his personal problems with drink and drugs. Using in-depth interviews with colleagues and family members--as well as colorful quotes from the saxman himself--the author examines the importance of Young's career from his work with Count Basie and Billie Holiday to his pioneering influence upon not only the cool jazz' style of the '50s, but also such contemporaries as Charie Parker, Miles Davis, and John Coltrane. . . . Incidentally, a companion volume ("You Got To Be Original Man? The Music of Lester Young") that chronologically details Young's recording sessions is also available from the publishers."-Radio & Records

Reseña del editor:

A Danish musician here presents the most accurate, comprehensive work on a major figure in American jazz: Lester Willis Young (1909-1959), better known as `Pres' or `Prez,' from the nickname `President' given to him by Billie Holiday. Based on interviews with Young's colleagues and friends, and often presenting his own vulgar scatological words, the book faithfully chronicles the ups and downs of his life and career. Despite his alcoholism, drug addiction, syphillis, epilepsy, and emotional disturbances, Young became the outstanding tenor saxophonist of his time and a dominant, profound influence on the development of bop and progressive (`cool') jazz in the 1940s. His solos with the bands of Fletcher Henderson and Count Basie and his collaboration with Holiday are recalled in this outstanding biography. Publishers Weekly [This is] the big, warm book about Lester Young that swing lovers have been waiting for, written by a Danish jazz musician. This is a rich authentic life of one of the three greatest tenor players who ever lived, much of it told in vivid quotation from eyewitnesses. Kirkus this is the first thoroughgoing biography of one of America's greatest musicians; its fascination for at least jazz aficionados is magnetic....Along with Porter's magisterial work of musical analysis, Lester Young, this is the book to have on the most influential jazzman between Armstrong and Parker. Booklist A fascinating and invaluable compilation of raw material...a straightforward, accurate narrative. The New York Times By far the most comprehensive work available on the extraordinary Lester Young, You Just Fight For Your Life is the jazz enthusiast's dream come true. Meticulously researched and teeming with previously unpublished information, this book accurately recreates the life and character of one of the world's greatest jazz musicians. Historian Frank Buchmann-Moller crafts a full length biography exclusively for Lester Young fans focusing on Young's philosophy of life, his exceptional ability as a bandleader, and his sharp wit. Through the examination of army psychiatric reports, interviews with fellow musicians, and concert reviews, You Just Fight For Your Life tells the story of this gifted yet troubled musician. Beginning with his childhood, the book accurately chronicles the many bands in which Lester Young played prior to joining Count Basie in 1936. Through countless interviews with Young's peers, the book recounts the Basie years and the spicy stories of life on the road. The author includes new information about Young's own first band and follows this with details of his military experience. The final chapters deal with his years as featured soloist. Two appendices list all of Young's jobs from 1919-59 and his own bands chronologically as well as all musicians with whom he played. Now Lester Young followers have a full length biography valuable not only as a reference but for its recreation of a fascinating life.

Über diese Auflage

• Verlag: Praeger Publishers
• Erscheinungsdatum: 1990
• ISBN 10: 0275932656
• ISBN 13: 9780275932657
• Einband: Tapa dura
• Anzahl der Seiten: 302