After World War I, architects around the world aspired to transcend national boundaries that had been devastated by conflicts. The result was a flurry of artistic creativity. In Japan, young architects strove to create an "international architecture," or kokusai kenchiku, an expression of increasing international travel and communication, growth of the mass media, and technological innovation.
Ken Tadashi Oshima traces the many interconnections among Japanese, European, and American architects and their work during the interwar years by examining the careers and designs of three leading modernists in Japan: Yamada Mamoru (1894-1966), Horiguchi Sutemi (1895-1984), and Antonin Raymond (1888-1976). Each espoused a new architecture that encompassed modern forms and new materials, and all attempted to synthesize the novel with the old in distinctive ways. Combining wood and concrete, paper screens and sliding/swinging glass doors, tatami rooms and Western-style chairs, they achieved an innovative merging of international modernism and traditional Japanese practices. Their buildings accommodated the demands of modern living while remaining appropriate to Japan's climate, culture, and economy.
Until now, scholars have tended to isolate the work of Japanese architects from the European-American sphere of influence. Oshima reverses this trend, exploring the influences that flowed in multiple directions among architects in Japan and their counterparts in Germany, Austria, the Netherlands, and elsewhere.
Sadly, few of the buildings of Japan's interwar period withstood the destruction of World War II and the wrecking balls of subsequent decades of development. Oshima uses a wealth of photographs to vividly capture the character of the burgeoning architectural media of those years and to generously illustrate the works and visions of these pioneering modernists.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Ken Tadashi Oshima is associate professor of architecture at the University of Washington.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
EUR 15,13 für den Versand von USA nach Deutschland
Versandziele, Kosten & DauerEUR 15,13 für den Versand von USA nach Deutschland
Versandziele, Kosten & DauerAnbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
Zustand: Used - Like New. Fine. Cloth, D-j. 2009. Originally published at $60. Bestandsnummer des Verkäufers W130937
Anzahl: 9 verfügbar
Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
Zustand: New. Fine. Cloth, D-j. 2009. Originally published at $60. Bestandsnummer des Verkäufers W130937b
Anzahl: 11 verfügbar
Anbieter: George Longden, Macclesfield, Vereinigtes Königreich
Hardback. Zustand: Fine. Zustand des Schutzumschlags: Fine. Black cloth. Pictorial jacket. 230 x 195 mm. 334 pp. 14 pages of colour plates. Extensive b&w illustrations in the text. Includes appendices, endnotes, glossary, bibliography and index. A clean, bright, attractive copy. Book. Bestandsnummer des Verkäufers 71724
Anzahl: 1 verfügbar
Anbieter: Open Books West Loop, Chicago, IL, USA
Hardcover. Zustand: Used. Bestandsnummer des Verkäufers 968267
Anzahl: 1 verfügbar
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
Zustand: New. In. Bestandsnummer des Verkäufers ria9780295989440_new
Anzahl: 1 verfügbar
Anbieter: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irland
Zustand: New. Traces the many interconnections between architects from Japan, Europe, and America and their designs during the inter war years. Num Pages: 320 pages, 220 illus., 20 in color. BIC Classification: 1FPJ; 3JJG; AMX. Category: (P) Professional & Vocational. Dimension: 237 x 208 x 24. Weight in Grams: 1042. . 2009. Hardback. . . . . Bestandsnummer des Verkäufers V9780295989440
Anzahl: 2 verfügbar
Anbieter: Midtown Scholar Bookstore, Harrisburg, PA, USA
hardcover. Zustand: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized. Bestandsnummer des Verkäufers M0295989440Z3
Anzahl: 1 verfügbar
Anbieter: Gold Country Books, Sacramento, CA, USA
Hardcover. Zustand: New. Zustand des Schutzumschlags: New. New. Pristine, unmarked. // Shipped carefully packed in a sturdy box. Bestandsnummer des Verkäufers 021130
Anzahl: 1 verfügbar
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Traces the many interconnections between architects from Japan, Europe, and America and their designs during the inter war years. Num Pages: 320 pages, 220 illus., 20 in color. BIC Classification: 1FPJ; 3JJG; AMX. Category: (P) Professional & Vocational. Dimension: 237 x 208 x 24. Weight in Grams: 1042. . 2009. Hardback. . . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers V9780295989440
Anzahl: 2 verfügbar
Anbieter: Grand Eagle Retail, Bensenville, IL, USA
Hardcover. Zustand: new. Hardcover. After World War I, architects around the world aspired to transcend national boundaries that had been devastated by conflicts. The result was a flurry of artistic creativity. In Japan, young architects strove to create an "international architecture," or kokusai kenchiku, an expression of increasing international travel and communication, growth of the mass media, and technological innovation.Ken Tadashi Oshima traces the many interconnections among Japanese, European, and American architects and their work during the interwar years by examining the careers and designs of three leading modernists in Japan: Yamada Mamoru (1894-1966), Horiguchi Sutemi (1895-1984), and Antonin Raymond (1888-1976). Each espoused a new architecture that encompassed modern forms and new materials, and all attempted to synthesize the novel with the old in distinctive ways. Combining wood and concrete, paper screens and sliding/swinging glass doors, tatami rooms and Western-style chairs, they achieved an innovative merging of international modernism and traditional Japanese practices. Their buildings accommodated the demands of modern living while remaining appropriate to Japan's climate, culture, and economy.Until now, scholars have tended to isolate the work of Japanese architects from the European-American sphere of influence. Oshima reverses this trend, exploring the influences that flowed in multiple directions among architects in Japan and their counterparts in Germany, Austria, the Netherlands, and elsewhere.Sadly, few of the buildings of Japan's interwar period withstood the destruction of World War II and the wrecking balls of subsequent decades of development. Oshima uses a wealth of photographs to vividly capture the character of the burgeoning architectural media of those years and to generously illustrate the works and visions of these pioneering modernists. Traces the many interconnections between architects from Japan, Europe, and America and their designs during the inter war years. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9780295989440
Anzahl: 1 verfügbar