In the second half of the 16th century, Philip II of Spain set out to use the revenues of the richest state in the world to create buildings worthy of his Habsburg inheritance and he chose a young and inexperienced gentleman soldier, Juan de Herrera, to be his principle architect. The remarkable partnership between the king and Herrera - courtier, intellectual and architect - lasted more than 30 years. The buildings they produced, among them the Escorial, the Merchants' Exchange in Seville and the urban renewal of Madrid, instilled new ideas that were to nourish Spain and European architecture for centuries to come. This treatment of Herrera examines the roles of a great architect and patron in their creation of a new era of Spanish architecture. Catherine Zerner begins with the events that led to Herrera's becoming an architect and proceeds to reconstruct his architectural thought and practice in the Spanish context. Herrera's intellectual outlook was closer to the sciences than to the fine arts and his ambition was to reconstitute architecture as an art of building that embraced all kinds of structures in a new aesthetic that was independent of painting and sculpture. His designs, unornamented to the point of plainess, were based upon the repetition of simple and recognizable forms that could be adapted to virtually any building. In a series of chapters on the royal palaces, the Escorial, religious architecture and civic projects, the author aims to show how and why Herrera's plain style of uncompromising abstraction - the famous "estilo desornamentado" - became indelibly associated with the ideology of Philip II's kingship and the values of Spanish Habsburg rule.
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In the second half of the 16th century, Philip II of Spain set out to use the revenues of the richest state in the world to create buildings worthy of his Habsburg inheritance and he chose a young and inexperienced gentleman soldier, Juan de Herrera, to be his principle architect. The remarkable partnership between the king and Herrera - courtier, intellectual and architect - lasted more than 30 years. The buildings they produced, among them the Escorial, the Merchants' Exchange in Seville and the urban renewal of Madrid, instilled new ideas that were to nourish Spain and European architecture for centuries to come. This treatment of Herrera examines the roles of a great architect and patron in their creation of a new era of Spanish architecture. Catherine Zerner begins with the events that led to Herrera's becoming an architect and proceeds to reconstruct his architectural thought and practice in the Spanish context. Herrera's intellectual outlook was closer to the sciences than to the fine arts and his ambition was to reconstitute architecture as an art of building that embraced all kinds of structures in a new aesthetic that was independent of painting and sculpture. His designs, unornamented to the point of plainess, were based upon the repetition of simple and recognizable forms that could be adapted to virtually any building. In a series of chapters on the royal palaces, the Escorial, religious architecture and civic projects, the author aims to show how and why Herrera's plain style of uncompromising abstraction - the famous "estilo desornamentado" - became indelibly associated with the ideology of Philip II's kingship and the values of Spanish Habsburg rule.
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Versandziele, Kosten & DauerAnbieter: MW Books, New York, NY, USA
First Edition. Fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; viii, 216 pages : illustrations ; 29 cm. Notes; Includes bibliographical references (pages 203-211) and index. Contents; 1. The making of a royal architect -- 2. Architecture: between science and art -- 3. Measure and design -- 4. Drawings -- 5. Creating a royal style for Philip II's palaces and public buildings -- 6. The appropriation of the Escorial -- 7. The Cathedral of Valladolid and Herrera's legacy -- 8. Building the well-ordered state. Subjects; Herrera, Juan de approximately 1530-1597 Criticism and interpretation. Philip II, King of Spain 1527-1598 Art patronage. Classicism in architecture Spain. 1 Kg. Bestandsnummer des Verkäufers 404144
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Anbieter: MW Books Ltd., Galway, Irland
First Edition. Fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; viii, 216 pages : illustrations ; 29 cm. Notes; Includes bibliographical references (pages 203-211) and index. Contents; 1. The making of a royal architect -- 2. Architecture: between science and art -- 3. Measure and design -- 4. Drawings -- 5. Creating a royal style for Philip II's palaces and public buildings -- 6. The appropriation of the Escorial -- 7. The Cathedral of Valladolid and Herrera's legacy -- 8. Building the well-ordered state. Subjects; Herrera, Juan de approximately 1530-1597 Criticism and interpretation. Philip II, King of Spain 1527-1598 Art patronage. Classicism in architecture Spain. 1 Kg. Bestandsnummer des Verkäufers 404144
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Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1350grams, ISBN:0300049919. Bestandsnummer des Verkäufers 9993520
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Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1400grams, ISBN:9780300049916. Bestandsnummer des Verkäufers 9993519
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Anbieter: Chichester Gallery, Chichester, Vereinigtes Königreich
288 pp. 200 b/w ills. Cloth. D/w. Fine. Bestandsnummer des Verkäufers 6438
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Anbieter: EDITORIALE UMBRA SAS, Foligno, PG, Italien
Zustand: UsatoBuono. Ril. in tela con sovr., cm 28,5x25, pp 216, ill. in b/n. - ISBN: 9780300049916. Bestandsnummer des Verkäufers 88551
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Anbieter: Prior Books Ltd, Cheltenham, Vereinigtes Königreich
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. Dark green hardback with gilt lettered spine: firm and square, strong joints, no bumps. Complete with original dustjacket: showing well, no tears, no chips. Contents crisp, tight and clean; no pen-marks. Not from a library so no such stamps or labels. Thus a nearly new copy. Bestandsnummer des Verkäufers 126823
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Anbieter: Magnus Berglund, Book Seller, Sutter Creek, CA, USA
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Nice new looking copy. Heavy, large book will require extra postage for international and expedited domestic mailing. Bestandsnummer des Verkäufers 023198
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Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
First edition and first printing. Hardcover. 216 pages. Features text by Catherine Wilkinson-Zerner. Includes numerous black and white illustrations A very good copy in cloth boards with some bumping to the fore edge of the boards and text block and in a very good dust jacket with some edge wear and tears. Still a solid copy. Bestandsnummer des Verkäufers 201168
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