Who were the medieval illuminators and how were their hand-produced books illustrated and decorated? In this book, Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the 16th century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied or created anew. Alexander explains that in the early period, Christian monasteries and churches were the main centres for the copying of manuscripts, and so the majority of illuminators were monks working in and for their own monasteries. From the 11th century, lay scribes and illuminators became increasingly numerous and by the 13th century professional illuminators dominated the field. During this later period, illuminators travelled in search of work, joined guilds and included nuns and secular women among their ranks. Work was regularly collaborative and the craft was learned through an apprenticeship system. Alexander analyzes surviving manuscripts and medieval treatises in order to explain the technical processes of illumination - its materials, methods, tools, choice of illustration and execution. The book is illustrated with examples chosen from religious and secular manuscripts made all over Europe.
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Who were the medieval illuminators and how were their hand-produced books illustrated and decorated? In this book, Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the 16th century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied or created anew. Alexander explains that in the early period, Christian monasteries and churches were the main centres for the copying of manuscripts, and so the majority of illuminators were monks working in and for their own monasteries. From the 11th century, lay scribes and illuminators became increasingly numerous and by the 13th century professional illuminators dominated the field. During this later period, illuminators travelled in search of work, joined guilds and included nuns and secular women among their ranks. Work was regularly collaborative and the craft was learned through an apprenticeship system. Alexander analyzes surviving manuscripts and medieval treatises in order to explain the technical processes of illumination - its materials, methods, tools, choice of illustration and execution. The book is illustrated with examples chosen from religious and secular manuscripts made all over Europe.
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Versandziele, Kosten & DauerAnbieter: Wykeham Books, LONDON, Vereinigtes Königreich
Cloth, large 8vo, 29 cm, vii, 214 pp. From the blurb: "Who were the medieval illuminators? How were their hand-produced books illustrated and decorated? In this beautiful book Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the sixteenth century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied, or created anew. Alexander explains that in the early period, Christian monasteries and churches were the main centers for the copying of manuscripts, and so the majority of illuminators were monks working in and for their own monasteries. From the eleventh century, lay scribes and illuminators became increasingly numerous, and by the thirteenth century, professional illuminators dominated the field. During this later period, illuminators were able to travel in search of work and to acquire new ideas, they joined guilds with scribes or with artists in the cities, and their ranks included nuns and secular women. Work was regularly collaborative, and the craft was learned through an apprenticeship system. Alexander carefully analyzes surviving manuscripts and medieval treatises in order to explain the complex and time-consuming technical processes of illuminationÔÇöits materials, methods, tools, choice of illustration, and execution. From rare surviving contracts, he deduces the preoccupation of patrons with materials and schedules. Illustrating his discussion with examples chosen from religious and secular manuscripts made all over Europe, Alexander recreates the astonishing variety and creativity of medieval illumination. His book will be a standard reference for years to come." Near Fine in Near Fine dustwrapper. Bestandsnummer des Verkäufers ABE-57915
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Anbieter: West Cove UK, Wellington, Vereinigtes Königreich
Hardcover. Zustand: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Images are beautiful bright and vivid. No notes or highlighting. See images. Fantastic book. About the book >.>.> Who were the medieval illuminators? How were their hand-produced books illustrated and decorated? In this beautiful book Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the sixteenth century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied, or created anew. Alexander explains that in the early period, Christian monasteries and churches were the main centers for the copying of manuscripts, and so the majority of illuminators were monks working in and for their own monasteries. From the eleventh century, lay scribes and illuminators became increasingly numerous, and by the thirteenth century, professional illuminators dominated the field. During this later period, illuminators were able to travel in search of work and to acq. Bestandsnummer des Verkäufers Batch-FM293-VG-7399
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Anbieter: MW Books, New York, NY, USA
First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Summary: Who were the medieval illuminators? How were their hand-produced books illustrated and decorated? In this beautiful book Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the sixteenth century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied, or created anew. Alexander explains that in the early period, Christian monasteries and churches were the main centers for the copying of manuscripts, and so the majority of illuminators were monks working in and for their own monasteries. From the eleventh century, lay scribes and illuminators became increasingly numerous, and by the thirteenth century, professional illuminators dominated the field. During this later period, illuminators were able to travel in search of work and to acquire new ideas, they joined guilds with scribes or with artists in the cities, and their ranks included nuns and secular women. Work was regularly collaborative, and the craft was learned through an apprenticeship system. Alexander carefully analyzes surviving manuscripts and medieval treatises in order to explain the complex and time-consuming technical processes of illumination - its materials, methods, tools, choice of illustration, and execution. From rare surviving contracts, he deduces the preoccupation of patrons with materials and schedules. Illustrating his discussion with examples chosen from religious and secular manuscripts made all over Europe, Alexander recreates the astonishing variety and creativity of medieval illumination. His book will be a standard reference for years to come. Physical description: 247 illustrations. Subjects: Illumination of books and manuscripts Technique. Book Illlumination - Techniques. Illuminated manuscripts History. Genre: Religious arts. Language: English. 1 Kg. Bestandsnummer des Verkäufers 361129
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Anbieter: Libreria Anticuaria Camino de Santiago, León - Madrid, Spanien
Zustand: Bueno. 76829 Jonathan J G Alexander 1992 Yale University Press, 1992, 214pp. Firma de anterior propietario. Bestandsnummer des Verkäufers 76829
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Anbieter: St Philip's Books, P.B.F.A., B.A., Oxford, Vereinigtes Königreich
Hardback. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. ~29 colour and 218 black / white illustrations. No ownership marks. ~Robust packaging. All UK orders with tracking, overseas orders on request. Size: viii, 214pp. 22 x 28.5cm. With dustwrapper. Binding sound, text unmarked. Bestandsnummer des Verkäufers HH4472
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Anbieter: MW Books Ltd., Galway, Irland
First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Summary: Who were the medieval illuminators? How were their hand-produced books illustrated and decorated? In this beautiful book Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the sixteenth century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied, or created anew. Alexander explains that in the early period, Christian monasteries and churches were the main centers for the copying of manuscripts, and so the majority of illuminators were monks working in and for their own monasteries. From the eleventh century, lay scribes and illuminators became increasingly numerous, and by the thirteenth century, professional illuminators dominated the field. During this later period, illuminators were able to travel in search of work and to acquire new ideas, they joined guilds with scribes or with artists in the cities, and their ranks included nuns and secular women. Work was regularly collaborative, and the craft was learned through an apprenticeship system. Alexander carefully analyzes surviving manuscripts and medieval treatises in order to explain the complex and time-consuming technical processes of illumination - its materials, methods, tools, choice of illustration, and execution. From rare surviving contracts, he deduces the preoccupation of patrons with materials and schedules. Illustrating his discussion with examples chosen from religious and secular manuscripts made all over Europe, Alexander recreates the astonishing variety and creativity of medieval illumination. His book will be a standard reference for years to come. Physical description: 247 illustrations. Subjects: Illumination of books and manuscripts Technique. Book Illlumination - Techniques. Illuminated manuscripts History. Genre: Religious arts. Language: English. 1 Kg. Bestandsnummer des Verkäufers 361129
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Anbieter: Great Matter Books, Grand Rapids, MI, USA
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Near Fine condition hardcover book, Near Fine condition dust jacket. Slightest shelf wear to covers and spine edges. Slightest yellowing to text block edges. Writing on ffep. Dust jacket unclipped. Dust jacket has slightest smudging, very slight shelf wear and bumping. Sticker on inner front flap. Dust jacket protected by mylar. All of our books are individually inspected and described. Never X-library unless specifically described as such. Bestandsnummer des Verkäufers 2408-8208
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Anbieter: Anytime Books, London, Vereinigtes Königreich
Soft cover. Zustand: Near Fine. 1st Edition. An excellent reference; very detailed, with some fascinating examples. pp.214. Illus. Bestandsnummer des Verkäufers 013941
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Anbieter: Leopolis, Kraków, Polen
Hardcover. Zustand: Near Fine. 4to (28 cm), VIII, 214 pp. Publisher's cloth and dust jacket (dj slightly rubbed at extremities, price ticket on front wrapper). A classic survey of European manuscript illumination from the fourth to the sixteenth century, Jonathan Alexander illustrates his discussion with examples from across Europe. He delves into the social and historical contexts of illuminators' lives, explores their methods of work, and showcases the breadth and depth of their visual sources. Alexander also examines how these sources were adapted, copied, or ingeniously created anew, shedding light on the dynamic evolution of manuscript illumination throughout the ages. Bestandsnummer des Verkäufers 008399
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Anbieter: Libreria Anticuaria Camino de Santiago, León - Madrid, Spanien
Zustand: Bueno. 76825 Jonathan J G Alexander 1992 Yale University Press, 1992, 214pp. Bestandsnummer des Verkäufers 76825
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