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Anbieter: Springhead Books, Rochester, Vereinigtes Königreich
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Visual arts in Britain between 1550 and 1650 have long been considered part of the classical Italian Renaissance canon. Now a distinguished group of scholars demonstrates that attitudes to classical art were in fact somewhat ambivalent during this period in Britain (or, as it is called poetically, Albion). For town halls and funeral monuments, for paintings and theatrical works, British artists, patrons, and builders made informed choices from the classical vocabulary while continuing to work within systems and circumstances quite distinct from those of classicism. The authors focus on the ways that local influences, habits, and visual sensibilities interacted with classicism and the work and methods of such masters as Inigo Jones in the evolution of British art, architecture, and literature in this era. Introduced and edited by Lucy Gent, this handsome book was written by contributors who come from the fields of history, art and architectural history, literary criticism, and emblematics. The book consists of essays by Lisa Jardine, Maurice Howard, Deborah Howard, Michael Bath, Paula Henderson, Nigel Llewellyn, Susan Foister, Margaret Aston, Keith Thomas, Christy Anderson, Ellen Chirelstein, Thomas Greene, Sasha Roberts, Alice Friedman, Gloria Kury, and Catherine Belsey. viii, 470 p. : ill. ; 27 cm. First edition, first printing. Grey cloth boards, unclipped dust jacket (now in a removable protective sleeve). Old tape repair to verso at head of spine, shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. Bestandsnummer des Verkäufers 017810
Anzahl: 1 verfügbar
Anbieter: J. HOOD, BOOKSELLERS, ABAA/ILAB, Baldwin City, KS, USA
Hardcover. Size: [7.25" X 10.25"] 200 b&w figures, 470pp. As new, clean, tight and bright condition, with bright and crisp dust jacket which is now in a clear protective mylar sleeve. Bestandsnummer des Verkäufers 225235
Anzahl: 1 verfügbar
Anbieter: Paul Hughes - PBFA, Bishop Auckland, Vereinigtes Königreich
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Bestandsnummer des Verkäufers ABE-1758271049512
Anzahl: 1 verfügbar
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. Volume 2. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1750grams, ISBN:0300063814. Bestandsnummer des Verkäufers 7851158
Anzahl: 1 verfügbar
Anbieter: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irland
Zustand: New. These essays show how unpredictable attitudes to classical art turn out to be in Britain during the period 1550-1650. They aim to show how British artists, patrons and builders made informed choices from the classical vocabulary while working within systems distinct from those of classicism. Editor(s): Gent, Lucy. Series: The Paul Mellon Centre for Studies in British Art. Num Pages: 478 pages, 200 b&w illustrations. BIC Classification: 1DBKE; 3JB; 3JD; ACN. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 254 x 178 x 38. Weight in Grams: 1650. . 1996. Hardcover. . . . . Bestandsnummer des Verkäufers V9780300063813
Anzahl: 1 verfügbar
Anbieter: Brook Bookstore On Demand, Napoli, NA, Italien
Zustand: new. Bestandsnummer des Verkäufers d0cea1b42c4838b3630b30f9469a7286
Anzahl: 4 verfügbar
Anbieter: PBShop.store US, Wood Dale, IL, USA
HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Bestandsnummer des Verkäufers WY-9780300063813
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. These essays show how unpredictable attitudes to classical art turn out to be in Britain during the period 1550-1650. They aim to show how British artists, patrons and builders made informed choices from the classical vocabulary while working within systems distinct from those of classicism. Editor(s): Gent, Lucy. Series: The Paul Mellon Centre for Studies in British Art. Num Pages: 478 pages, 200 b&w illustrations. BIC Classification: 1DBKE; 3JB; 3JD; ACN. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 254 x 178 x 38. Weight in Grams: 1650. . 1996. Hardcover. . . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers V9780300063813
Anzahl: 1 verfügbar
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Bestandsnummer des Verkäufers WY-9780300063813
Anzahl: 4 verfügbar
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
Zustand: New. Bestandsnummer des Verkäufers 7091782
Anzahl: 3 verfügbar