Book by Fried Michael
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Adolf Menzel was one of the most important German artists of the 19th century, yet he is scarcely known outside his native land. In this study a leading art historian argues that Menzel deserves to be recognized not only as one of the greatest painters and draftsmen of his century but also as a master realist whose work engages profoundly with an extraordinary range of issues - artistic, scientific, philosophical and socio-political. Michael Fried explores Menzel's large and fascinating oeuvre, and in so doing seeks to make the artist's achievement accessible to a wide audience. Fried compares Menzel's art with that of the 19th-century's two other great realist painters, Courbet and Eakins. Analyzing paintings, drawings and prints from all stages of Menzel's long career, he asserts that the distinctive quality of Menzel's realism is found in his concern with evoking the multi-sensory, fully-embodied relationships of persons with the universe of physical objects, tools and situations. Fried establishes connections between Menzel's work and a broad array of extra-artistic contexts, among them the writings of the empathy theorists, Kierkegaard on reflection and the everyday, Helmholtz on vision, Fontane's "Effi Briest", Duranty's art criticism, Simmel on modern urban life, E.T.A. Hoffmann's "art of seeing", and Benjamin on traces. He also explores the complex relationship between Menzel's version of "extreme" realism and the exactly contemporary technology of photography. The resulting work establishes Menzel as a key artist of modernity.
Michael Fried is J.R. Herbert Boone Professor of Humanities and director of the Humanities Center at the Johns Hopkins University. He is the author of various books of art criticism, art history and poetry, including Manet's Modernism, or, The Face of Painting in the 1860s, Art and Objecthood; Essays and Reviews, and To the Center of the Earth (poems).
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First edition and first printing. Hardcover. 313 pages. A critical examination of the work of German artist Adolph Menzel. Features text by Michael Fried. Includes numerous color illustrations. A clean and tight very near fine copy in a very near fine dust jacket. Bestandsnummer des Verkäufers 200502
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hardcover. Zustand: very good. Zustand des Schutzumschlags: very good. Menzel, Adolph (illustrator). Illustrated abundantly in color and in black and white. x, 313 pages. 4to, black cloth, d.w. (both boards and wrapper are shelf worn at bottom edge). New Haven: Yale University Press, (2002). A very good copy in a very good dust wrapper. Bestandsnummer des Verkäufers 324686
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Hardcover. Black cloth,with gilt spine lettering, pictorial DJ. x, 313 pp. 169 bw and color plates. "Adolph Menzel was one of the most important German artists of the nineteenth century, yet he is scarcely known outside his native land. In this book a leading art historian contends that Menzel deserves to be recognized not only as one of the greatest painters and draftsmen of his century but also as a master realist whose work engages profoundly with an extraordinary range of issues - artistic, scientific, philosophical, social. Michael Fried has written the first book in English to explore Menzel's large and fascinating oeuvre, and in so doing has made the artist's stupendous achievement accessible to a wide audience at last."--Jacket. VG-/VG- light foxing to block and interior of dust jacket, light wear to dust jacket at corners and edges, very light curling at the top. Pages are otherwise clean and clear.). Bestandsnummer des Verkäufers 27038
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