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Buchbeschreibung Paperback. Zustand: New. BRAND NEW COPY, Perfect Shape, No Black Remainder Mark,Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction!. Bestandsnummer des Verkäufers 9007136
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Buchbeschreibung Paperback. Zustand: New. Brand new softcover art book sealed in publisher's shrink wrap. Never opened. No flaws or defects. Bestandsnummer des Verkäufers JL-O8FO-W7IH
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Buchbeschreibung Zustand: New. Book is in NEW condition. Bestandsnummer des Verkäufers 0300093489-2-1
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Buchbeschreibung Zustand: New. New! This book is in the same immaculate condition as when it was published. Bestandsnummer des Verkäufers 353-0300093489-new
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Buchbeschreibung Paperback. Zustand: NEW. 1st. xiii, 186 pages, illustrations (some colour); 28 cm. Exhibition held at Harvard University Art Museums, Cambridge, March 16 - June 16, 2002; Carnegie Museum of Art, Pittsburgh, October 2002 - January 2003. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. "Mel Bochner (b. 1940) is considered a pioneer of the Post-Minimal and Conceptual art movements. Perhaps best known for his paintings, sculptures, and drawings, Bochner became deeply involved with photography in the mid- to late 1960s, although most of these works have only recently been exhibited. This significant book provides the first critical look at a virtually unknown body of Bochners extremely varied photographs dating from 1966-1969. Some 75 of his photographs are presented, many in color and most published for the first time. Also included are a number of Bochners drawings that directly informed his photographic works. Scott Rothkopf explores the crucial role of photography in Bochner's artistic development as well as key issues in the relation of photography to Minimal and Conceptual art. In Bochner's photography, Rothkopf argues, a clear arc can be traced from his grappling with Minimalism toward a more rigorous and nuanced articulation of Conceptual art. Examining this shift, the author compares Bochner's work with that of other artists who were engaged with photography during this period, among them Robert Smithson, Sol LeWitt, and Bruce Nauman. For Bochner and others, Rothkopf concludes, photography was used as a response to the limits of minimal sculpture and helped make possible the birth of Conceptual art. The book also features an essay by Elisabeth Sussman on the relevance of Bochner's 1966 film experiments to his later photographic projects. / Scott Rothkopf is guest curator at the Harvard University Art Museums. Elisabeth Sussman is an independent scholar and curator." - Publisher. Size: 4to. Collectible. Bestandsnummer des Verkäufers 051435
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Buchbeschreibung Paperback. Zustand: new. New. Fast Shipping and good customer service. Bestandsnummer des Verkäufers Holz_New_0300093489
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Buchbeschreibung Paperback. Zustand: new. New. Bestandsnummer des Verkäufers Wizard0300093489
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Buchbeschreibung Paperback. Zustand: new. New Copy. Customer Service Guaranteed. Bestandsnummer des Verkäufers think0300093489
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Buchbeschreibung Zustand: New. Mel Bochner (illustrator). 1st Edition. 1st. Edition 2002, Stiff illustrated wraps, 192 page book with photo illustrations . Condition : NEW. Size: 4to - over 9¾" - 12" tall. Book. Bestandsnummer des Verkäufers 111011-H
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Buchbeschreibung Zustand: New. Softcover flexiband, illustrated in colour and b/w, 4to. Bestandsnummer des Verkäufers 329360-AD16
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