Manfredo Tafuri (1935?1994) is acknowledged as one of Italy’s most influential architectural historians. In his final work, Interpreting the Renaissance, published here in English for the first time (the Italian edition, Ricerca del Rinascimento, appeared in 1992), Tafuri analyzes Renaissance architecture from a variety of perspectives, exploring questions that occupied him for over thirty years.
What theoretical terms were used to describe the humanist analogy between architecture and language? Is it possible to identify the political motivations behind the period’s new urban strategies? And how does humanism embody both an attachment to tradition and an urge to experiment?
Tafuri studies the theory and practice of Renaissance architecture, offering new and compelling readings of its various social, intellectual and cultural contexts, while providing a broad understanding of uses of representation that shaped the entire era. He synthesizes the history of architectural ideas and projects through discussions of the great centers of architectural innovation in Italy (Florence, Rome, and Venice), key patrons from the middle of the fifteenth century (Pope Nicholas V) to the early sixteenth century (Pope Leo X), and crucial figures such as Leon Battista Alberti, Filippo Brunelleschi, Lorenzo de’ Medici, Raphael, Baldassare Castiglione, and Giulio Romano.
A magnum opus by one of Europe’s finest scholars, Interpreting the Renaissance is an essential book for anyone interested in the architecture and culture of fifteenth- and sixteenth-century Italy.
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Manfredo Tafuri was Chairman of the Faculty of the History of Architecture and the Director of the Institute of History at the Architecture Institute in Venice. His numerous books include Theories and History of Architecture, Architecture and Utopia, The Sphere and the Labyrinth, and Venice and the Renaissance.
K. Michael Hays is professor in the department of architecture at Harvard University.
Daniel Sherer is a historian and critic who teaches at the Columbia Graduate School of Architecture, Planning, and Preservation.
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Anbieter: clickgoodwillbooks, Indianapolis, IN, USA
Zustand: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media. Bestandsnummer des Verkäufers CSIV.0300111584.A
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Hardcover with Dust Jacket. Zustand: VERY GOOD. Zustand des Schutzumschlags: Very Good. 408pp. Sewn binding in cloth, gilt spine lettering. Ex-library; exceedingly clean and sharp with sound binding and no evidence of use. Shipped professionally in a box. 'Manfredo Tafuri (1935-1994) is acknowledged as one of Italy's most influential architectural historians. In his final work, Interpreting the Renaissance, published here in English for the first time (the Italian edition, Ricerca del Rinascimento, appeared in 1992), Tafuri analyzes Renaissance architecture from a variety of perspectives, exploring questions that occupied him for over thirty years. What theoretical terms were used to describe the humanist analogy between architecture and language? Is it possible to identify the political motivations behind the period's new urban strategies? And how does humanism embody both an attachment to tradition and an urge to experiment? Tafuri studies the theory and practice of Renaissance architecture, offering new and compelling readings of its various social, intellectual and cultural contexts, while providing a broad understanding of uses of representation that shaped the entire era. He synthesizes the history of architectural ideas and projects through discussions of the great centers of architectural innovation in Italy (Florence, Rome, and Venice), key patrons from the middle of the fifteenth century (Pope Nicholas V) to the early sixteenth century (Pope Leo X), and crucial figures such as Leon Battista Alberti, Filippo Brunelleschi, Lorenzo de' Medici, Raphael, Baldassare Castiglione, and Giulio Romano. A magnum opus by one of Europe's finest scholars, Interpreting the Renaissance is an essential book for anyone interested in the architecture and culture of fifteenth- and sixteenth-century Italy.' (Publisher's blurb). Bestandsnummer des Verkäufers 513216
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Anbieter: Shiny Owl Books, Gloucester, NSW, Australien
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. Size: Medium (20 to 26cm). Item Type: Book. Text body is clean and unmarked. Binding tight, spine fine. ISBN: 0300111584. ISBN/EAN: 9780300111583. **Heavy Book. A Postage surcharge may be requested. Contact us BEFORE ordering for a quote. Click Ask Bookseller a Question** *** WE ONLY POST TO AUSTRALIA NZ CANADA USA JAPAN SINGAPORE & UK VIA THIS SERVICE***. Bestandsnummer des Verkäufers 57240
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Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1550grams, ISBN:9780300111583. Bestandsnummer des Verkäufers 2297230
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Hardcover. Zustand: VG+/VG++. Octavo. 10.25" x 7.25" 408pp. This is a gorgeous book with a lot of un-numbered pages with the illustrations. Book is in Very Good+ condition with a dent on the upper left back corner. Dust Jacket is also Very Good+, withminor rubbing on the back cover.Overall, a beautiful copy that is almost Near Fine, but not quite. Bestandsnummer des Verkäufers 67669
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Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 2006 first edition Yale University Press (New Haven, Connecticut), 7 1/2 x 10 3/8 inches tall hardcover in publisher's unclipped dust jacket, beige paper-covered boards over blue cloth gilt-lettered spine, pale blue endpapers, copiously illustrated with black-and-white photographs and drawings, xxxi, 408 pp. plus 128 un-numbered pages of plates. Very slight edgewear to covers, with minor bumping to the lower tips of both front and rear cover. On the top margin of the blank front free-endpaper, a two-inch spot with slight paper residue where a label was removed. Otherwise, a very good copy - clean, bright and unmarked - in a very good dust jacket which is nicely preserved and displayed in a clear archival Brodart sleeve. Note that this is a heavy and oversized book, so additional postage will be required for international or priority orders. ~KK~ [4.0P] Manfredo Tafuri (1935-1994) is acknowledged as one of Italy?s most influential architectural historians. In his final work, Interpreting the Renaissance, published here in English (the Italian edition, Ricerca del Rinascimento, appeared in 1992), Tafuri analyzes Renaissance architecture from a variety of perspectives, exploring questions that occupied him for over thirty years. What theoretical terms were used to describe the humanist analogy between architecture and language? Is it possible to identify the political motivations behind the period?s new urban strategies? And how does humanism embody both an attachment to tradition and an urge to experiment? Tafuri studies the theory and practice of Renaissance architecture, offering new and compelling readings of its various social, intellectual and cultural contexts, while providing a broad understanding of uses of representation that shaped the entire era. He synthesizes the history of architectural ideas and projects through discussions of the great centers of architectural innovation in Italy (Florence, Rome, and Venice), key patrons from the middle of the fifteenth century (Pope Nicholas V) to the early sixteenth century (Pope Leo X), and crucial figures such as Leon Battista Alberti, Filippo Brunelleschi, Lorenzo de? Medici, Raphael, Baldassare Castiglione, and Giulio Romano. A magnum opus by one of Europe?s finest scholars, Interpreting the Renaissance is an essential book for anyone interested in the architecture and culture of fifteenth- and sixteenth-century Italy. Bestandsnummer des Verkäufers KK-0412-11948
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: fine. 1st. Bound in publisher's original blue quarter cloth with spine stamped in gilt. 166 black-and-white illustrations. 7 x 10 inches. 408 pages. Bestandsnummer des Verkäufers 9030223
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