Inigo Jones (1573-1652) is widely acknowledged to have been England's most important architect. As court designer to the Stuart kings James I and Charles I, he is credited with introducing the classical language of architecture to the country. He famously traveled to Italy and studied firsthand the buildings of the Italian masters, particularly admiring those by Andrea Palladio.
Much less well known is the profound influence of native British arts and crafts on Jones's architecture. Likewise, his hostility to the more opulent forms of Italian architecture he saw on his travels has largely gone unnoted. This book examines both of these overlooked issues. Vaughan Hart identifies well-established links between the classical column and the crown prior to Jones, in early Stuart masques, processions, heraldry, paintings, and poems. He goes on to discuss Jones's preference for a "masculine and unaffected" architecture, demonstrating that this plain style was consistent with the Puritan artistic sensitivities of Stuart England. For the first time, the work of Inigo Jones is understood in its national religious and political context.
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Vaughan Hart is professor of architecture in the Department of Architecture and Civil Engineering, Bath University.
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Zustand: New. Inigo Jones (1573-1652) is widely acknowledged to have been England's most important architect. As court designer to the Stuart kings James I and Charles I, he is credited with introducing the classical language of architecture to the country. This book helps us to understand the work of Inigo Jones in its national religious and political context. Series: The Paul Mellon Centre for Studies in British Art. Num Pages: 336 pages, 100 colour images + 130 black-&-white illustrations. BIC Classification: 1DBKE; 3JD; AMB. Category: (G) General (US: Trade). Dimension: 230 x 286 x 29. Weight in Grams: 1864. . 2011. Hardcover. . . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers V9780300141498
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