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Facture: Conservation, Science, Art History : Series, Multiples, Replicas: Volume 4: Series, Multiples, Replicas Volume 4 - Softcover
Inhaltsangabe
A rigorous and wide-ranging investigation of the techniques and reasons behind the artistic practice of replication
Volume 4 of the National Gallery of Art&;s biennial conservation research journal Facture examines the complex themes of series, multiples, and replicas. With a broad historical purview that spans from the Renaissance to the 20th century, this publication considers various modes of replication&;by the artist&;s own hand or workshop, as a posthumous creation, or as a preferred practice&;and their motivations. Drawing on new research into materials and techniques, nine essays focus on works in diverse media by artists such as Sandro Botticelli, Auguste Rodin, and Robert Rauschenberg and present intriguing conclusions about the nature of serialization and the relationships among multiple versions of a composition. Filled with spectacularly detailed photographs and fresh discoveries, this volume provides exceptional insight into these extraordinary works of art and offers the possibility of exciting new avenues of inquiry.
Volume 4 of the National Gallery of Art&;s biennial conservation research journal Facture examines the complex themes of series, multiples, and replicas. With a broad historical purview that spans from the Renaissance to the 20th century, this publication considers various modes of replication&;by the artist&;s own hand or workshop, as a posthumous creation, or as a preferred practice&;and their motivations. Drawing on new research into materials and techniques, nine essays focus on works in diverse media by artists such as Sandro Botticelli, Auguste Rodin, and Robert Rauschenberg and present intriguing conclusions about the nature of serialization and the relationships among multiple versions of a composition. Filled with spectacularly detailed photographs and fresh discoveries, this volume provides exceptional insight into these extraordinary works of art and offers the possibility of exciting new avenues of inquiry.
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Über die Autorin bzw. den Autor
Daphne Barbour is senior object conservator and Suzanne Quillen Lomax is senior conservation scientist, both at the National Gallery of Art, Washington.
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Facture: Conservation, Science, Art History Vol 3 : Volume 4: Series, Multiples, Replicas
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Facture: Conservation, Science, Art History Vol 3 : Volume 4: Series, Multiples, Replicas
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Facture: Conservation, Science, Art History: Volume 4: Series, Multiples, Replicas
Verlag:
National Gallery Washington, 2020
ISBN 10: 0300247613
ISBN 13: 9780300247619
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Facture: Conservation, Science, Art History: Volume 4: Series, Multiples, Replicas
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Zustand: New. 2019. paperback. . Not a first edition copy. . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers 9780300247619
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Facture: Conservation, Science, Art History: Volume 4: Series, Multiples, Replicas
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Series, Multiples, Replicas
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Paperback. Zustand: New. Zustand des Schutzumschlags: None. A rigorous and wide-ranging investigation of the techniques and reasons behind the artistic practice of replication Volume 4 of the National Gallery of Art's biennial conservation research journal Facture examines the complex themes of series, multiples, and replicas. With a broad historical purview that spans from the Renaissance to the 20th century, this publication considers various modes of replication--by the artist's own hand or workshop, as a posthumous creation, or as a preferred practice--and their motivations. Drawing on new research into materials and techniques, nine essays focus on works in diverse media by artists such as Sandro Botticelli, Auguste Rodin, and Robert Rauschenberg and present intriguing conclusions about the nature of serialization and the relationships among multiple versions of a composition. Filled with spectacularly detailed photographs and fresh discoveries, this volume provides exceptional insight into these extraordinary works of art and offers the possibility of exciting new avenues of inquiry. Distributed for the National Gallery of Art, Washington. Bestandsnummer des Verkäufers 2032956
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Facture Volume 4: Series, Multiples, Replicas
Verlag:
National Gallery of Art, Washington, 2019
ISBN 10: 0300247613
ISBN 13: 9780300247619
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Softcover. Zustand: VG+: As new in shrinkwrap. A matte softcover book with the title in black down a mostly blue spine. Pages: xii, 267. Illustrated with a majority color images. Contents are as follows: The portraits of Giuliano de' Medici by Sandro Botticelli / Elizabeth Walmsley and Alexander J. Noelle, with Babette Hartwieg -- "Comparable to the very tips of their spades": technical and political connections among serial busts of Charles V / Dylan Smith and Wendy Sepponen -- The Mellon Mercury: investigating a Giambologna replica / Shelley Sturman, in collaboration with Debra Pincus -- Auguste Rodin and the question of the original in sculpture / Antoinette Le Norman-Romain -- Vincent van Gogh's Three Portraits of Marcelle Roulin / Kathrin Pilz, Louis van Tilborgh, Muriel Geldof, and Ann Hoenigswald -- The story not told: the examination and treatment of Edward Steichen's OOchens series / Linda Owen and Kathryn Morales -- Jean Dubuffet: molding a new reality / James Gleason -- To print on air: Robert Rauschenberg's Hoarfrost Editions / Adam Greenhalgh, Adam Novak, Julia M. Burke, Lisha Deming Glinsman, Suzanne Quillen Lomax, and Molly K. McGath -- In Focus: Paolo Veronese's Finding of Moses: a reassessment / Joanna Dunn and John Marciari. Bestandsnummer des Verkäufers 210522
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Facture: Conservation, Science, Art History: Volume 4: Series, Multiples, Replicas (Volume 4)
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
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Zustand: Good. Volume 4. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1400grams, ISBN:9780300247619. Bestandsnummer des Verkäufers 2382429
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