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Inhaltsangabe
<b>The comprehensive study of the Italian Renaissance altarpiece from the 13th to the early 17th century</b><br><br> The altarpiece is one of the most distinctive and remarkable art forms of the Renaissance period. It is difficult to imagine an artist of the time—whether painter or sculptor, major or minor—who did not produce at least one. Though many have been displaced or dismembered, a substantial proportion of these works still survive. Despite the volume of material available, no serious attempt has ever been made to examine the whole subject in depth until now. <i>The Italian Renaissance Altarpiece</i> is the first comprehensive study of the genre to examine its content and subject matter in real detail, from the origins of the altarpiece in the 13th century to the time of Caravaggio in the early 1600s. It discusses major developments in the history of these objects throughout Italy, covers the three key categories of Renaissance altarpiece—“immagini” (icons), “historie” (narratives), and “misteri” (mysteries)—and is illustrated with 250 beautiful reproductions of the artworks.
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Über die Autorin bzw. den Autor
<b>David Ekserdjian </b>is professor of history of art and film at the University of Leicester
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The Italian Renaissance Altarpiece: Between Icon and Narrative
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The Italian Renaissance Altarpiece. Between Icon and Narrative
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Yale University Press, 2021
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The Italian Renaissance Altarpiece
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The Italian Renaissance Altarpiece: Between Icon and Narrative
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Yale University Press, New Haven, CT, 2021
ISBN 10: 0300253648
ISBN 13: 9780300253641
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 495 pages,: illustrations (chiefly colour); 30 cm. Ribbon bookmark. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Richly illustrated with colour plates. *** "The altarpiece is one of the most distinctive and remarkable art forms of the Renaissance period. It is difficult to imagine an artist of the time - whether painter or sculptor, major or minor - who did not produce at least one. Though many have been displaced or dismembered, a substantial proportion of these works still survive. Despite the volume of material available, no serious attempt has ever been made to examine the whole subject in depth until now. 'The Italian Renaissance altarpiece' is the first comprehensive study of the genre to examine its content and subject matter in real detail, from the origins of the altarpiece in the 13th century to the time of Caravaggio in the early 1600s. It discusses major developments in the history of these objects throughout Italy, covers the three key categories of Renaissance altarpiece - 'immagini' (icons), 'historie' (narratives), and 'misteri' (mysteries) - and is illustrated with 250 beautiful reproductions of the artworks." - Publisher. *** CONTENTS: Introduction: reading the altarpiece; Patrons, artists, and contracts; The Virgin and Child and the Saints; Narrative altarpieces: the Virgin and Christ; Narrative altarpieces: the Saints; Mysteries; Narrative and the Predella; Frames, sculpture, and the altarpiece; The Council of Trent and after; Appendix 1. Narrative representations of Saints in Italian altarpieces before 1610; Appendix 2. Excerpt from the Canons and Decrees of the Council of Trent, 25th session, 3-4 December 1563. Size: 4to. Collectible. Bestandsnummer des Verkäufers 211527
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The Italian Renaissance Altarpiece
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Italian Renaissance Altarpiece: Between Icon and Narrative
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The Italian Renaissance Altarpiece: Between Icon and Narrative
Verlag:
Yale University Press, New Haven, CT, 2021
ISBN 10: 0300253648
ISBN 13: 9780300253641
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. Large quarto hardcover, lettered in gold on spine, in publisher's black pictorial dust-jacket. 496 pages. Notes, Bibliography, Index. Lavishly illustrated with 250 reproductions from paintings, chiefly in color. First edition, first printing with full number line. ".the first comprehensive study of the genre to examine it content and subject matter in real detil, from the origins of the alterpiece in the thirteenth century to the time of Caravaggio in the early 1600's." No previous ownership marks. A clean, fresh, unmarked and like new copy. Fine in a fine dust-jacket. A large, heavy book, Priority and International orders will require additional postage, calculated as close to actual cost as possible. Bestandsnummer des Verkäufers 020662
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