Matters of Honor [Rough Cut]: A Novel - Hardcover

Louis Begley

Hardcover

ISBN 10: 0307265250 ISBN 13: 9780307265258

Verlag: B&T, 2007

Inhaltsangabe

Harvard, Anfang der fünfziger Jahre: Der Ich-Erzähler Sam trifft zum ersten Mal auf seine Mitbewohner Henry und Archie. Welten, so scheint es, liegen zwischen den drei jungen Männern. Während Sam und Archie in unterschiedlichen Milieus der amerikanischen Oberschicht aufgewachsen sind, verrät Henrys polnischer Akzent die besondere Herkunft: Er ist Jude, und er ist es vor allem in den Augen der anderen er selbst fühlt sich "kaum jüdischer als ein geräucherter Schweineschinken". Genau wie Archie und Sam orientiert er sich an den Idealen einer neuen, aufstrebenden Generation der New Yorker Upperclass, die die Werte ihrer traditionsbewussten Elternhäuser in den Wind schlägt; und mehr noch als sie träumt er den "American Dream". Der Einsatz, den Henry bringen muss, ist jedoch hoch. Seine Identität neu zu definieren bedeutet für ihn: die Familie auf immer zu verraten. So bleibt es nicht aus, dass diese Freundschaft später bei allen dreien Narben hinterläßt.Neben Lügen in Zeiten des Krieges der wichtigste und persönlichste Roman von Louis Begley. Er beschreibt die Harvard-Jahre der drei gleich-ungleichen Freunde und betrachtet skeptisch das Amerika der fünfziger Jahre: Was bedeutete es, als Jude in Harvard zu studieren? Wie äußerte sich die Ambivalenz jenes uramerikanischen Mythos einer Nation, die sich selbst erfindet?

Über diesen Titel

Über die Autorin bzw. den Autor

Louis Begley lives in New York City. His previous novels are Wartime Lies, The Man Who Was Late, As Max Saw It, About Schimdt, Mistler’s Exit, Schmidt Delivered, and Shipwreck.

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Chapter 1

This is my first memory of Henry: I stand at the door of one of the three bedrooms of the ground floor suite in the college dormitory to which I have been assigned. At the open window, with his back to me, a tall, slender, red-haired boy is leaning out and waving to someone. He has heard my footsteps, turns, and beckons to me saying, Take a look, a beautiful girl is blowing kisses to me. I've never seen her before. She must be mad.

I went to the window. Not more than ten feet away, a girl standing on the grass was indeed blowing kisses and waving her hand in the direction of our window. Between kisses, she grinned, her mouth made to seem very large by a thick layer of red lipstick. She wore a suit of beige tweed, dark green stockings, and a Tyrolean hat with a little pheasant feather. A couple of paces away from her I saw a middle-aged woman, in darker tweeds and a brown fedora. Something about her—the hat? an air of haughty distinction?—made me think of Ingrid Bergman in Casablanca, about to board the plane for Lisbon. I assumed, partly on account of their similar dress, that she was the girl's mother.

Several undergraduates had stopped on the path leading diagonally to the far corner of the Widener and were gawking at the scene. Neither the daughter's antics nor the audience they had attracted seemed to disturb the mother. But after a few more minutes she said something in a voice too low for us to hear, and the girl, having blown one more kiss, threw up her arms in theatrical despair. They strolled away.

I'm in love, sighed the red-haired boy. I want to throw myself at her feet.

Why don't you? I replied, only half kidding. It's not too late. Climb out the window right now and you won't even have to run to catch them.

Oh no, he wailed, I can't. Why did this have to happen today, when I'm not prepared?

As there wasn't a trace of irony in his voice or expression, I should have let the subject drop. Instead, I told him that, while a formal declaration might be premature, no harm could come of his proposing a cup of coffee in the Square.

He shook his head bitterly. I don't dare, he said. Don't you see how splendid she is? Penthesilea in tweeds! None but the son of Peleus could tame her. I am unworthy even of her scorn.

His face was a mask of discouragement.

I suppose that I shrugged. That or perhaps the expression on my face must have told him that I thought he had gone overboard. He recomposed his face into a bland smile and said, I suppose you are one of my roommates. I'm Henry White . . . from New York.

I had met New Yorkers before, mainly at school, although a number of New York families had summerhouses in the vicinity of Lenox, where my parents and I lived, and in the neighboring Berkshire towns of Stockbridge, Great Barrington, and Tyringham. This fellow didn't sound like any of them. He didn't mispronounce. In fact his speech was oddly slow and accurate, except when he got excited, as during the Peleus routine, with a thickness around the edge of words suggesting a dry mouth. It occurred to me that he might be some kind of foreigner, but, if he had an accent, I couldn't identify it. My notions of how foreigners spoke derived at the time exclusively from the movies and the French family with whom I had just spent the summer in a small town north of Paris. That Henry White of New York didn't have a French accent was quite clear.

I confirmed that I was indeed his roommate and, having introduced myself as Sam Standish, examined Henry more closely. His clothes were wrong; they looked brand-new. The jacket and trousers were of an odd color. Other than that, he was a fine-looking fellow. Is Sam short for Samuel? he asked me earnestly. He nodded when I confirmed that this was the case.

I hadn't had lunch and asked whether he would like to have a sandwich with me in the Square. He said that he had already eaten at the Freshman Union. I went out alone.

Courses weren't going to start for another couple of days, but the dormitories were open, and freshman orientation was in progress. I had assured my mother that I could get down to Cambridge by bus, even with my big footlocker. To my surprise, she had insisted that she really wanted to drive me down. But since she and my father were going out to dinner that evening, she wouldn't have lunch with me. She gave me a couple of bills, the cost of lunch for two by her reckoning, and sped off as soon as I had unpacked the car trunk. I had dragged my stuff into the living room of the suite and saw that I wasn't the first to arrive. Someone's luggage was in the middle of the room. Then I stuck my head into one of the bedrooms and came upon Henry.

After a solitary tuna-salad sandwich at Hayes-Bickford, I returned to the dormitory. Henry may have been watching for me at the window. In any event, he opened the door of the suite before I could turn the key in the lock and said he was glad I had come back so soon. He had a practical question he wanted to ask: Did I care which bedroom he took? He had spent the previous night in the one I had found him in but didn't think that gave him any sort of prior claim. He asked me to follow him to the bedroom he wanted and pointed to the right toward a dark brick classroom building shaped like a whale.

That's Sever, he said, an H. H. Richardson design, and over here, right in front of us, is Memorial Church.

I said that he could keep the room. The three bedrooms were all the same size, and I didn't care about the view. That Sever was a masterpiece of late-nineteenth-century American architecture was unknown to me then, but I don't think that knowing it would have made any difference. I didn't expect to spend much time at the window. Henry, very pleased, sat on my desk chair while I unpacked. When I finished, he helped me make the bed.

The ice had been broken, it seemed, so I asked why he hadn't at least spoken to the girl. After all, she was blatantly trying to pick him up. Henry shook his head and said it was out of the question. The timing was fatally wrong. He might have followed her to find out whether she went to Radcliffe, and in which dorm she lived, but his conspicuous red hair ruled that out. People recognized him instantly. If the girl or her mother had turned around and seen him, they'd know it was he and would think he was some kind of nut who couldn't understand a joke. That would have spoiled everything. He would have to wait.

You're nuts, I told him. There is no possible harm in her and her mother's knowing that you'd like to shake the hand of the girl who took the trouble to blow kisses at you.

He shook his head again. Timing, he said, timing. The stars aren't aligned. I have to wait.

It was none of my business, and probably I should have known enough not to insist on a subject that made him uneasy. But as I was condemned to room with Henry for a year, I thought I was entitled to investigate whether he was a pompous jerk or really deranged.

These questions did not preoccupy me long. Within a couple of weeks, Henry decided that we were close friends—a conclusion I had not yet reached—and he began to unburden himself to me about his feelings with such unsparing frankness and volubility that I sometimes found myself wishing I hadn't done whatever had put him so at ease. Unprompted by me, he spoke again about the girl and acknowledged his behavior as peculiar. It wasn't shyness, he insisted, that had stopped him in his tracks, but a conviction that he must make himself suitable first or face inevitable rejection—not only by this girl and her mother but by every other girl he might find attractive.

And it's not just girls, he said, I mean rejected by everyone here! Do you remember the Raymond Massey character in Arsenic and Old Lace, the one whom...

Details zur Ausgabe

• Verlag: B&T
• Erscheinungsdatum: 2007
• Sprache: Englisch
• ISBN 10: 0307265250
• ISBN 13: 9780307265258
• Einband: Gebundene Ausgabe
• Auflage: 1
• Anzahl der Seiten: 307
• Kontakt zum Hersteller: Nicht verfügbar
• Verantwortliche Person: Nicht verfügbar