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Brandon Vanderkool thinks in pictures; he used to think everyone did. Six-foot-eight and dyslexic, he is not an obvious candidate for the Border Patrol, which polices the frontier between the United States and Canada, but somehow, as he ambles round the forest bird-watching, he seems to stumble upon every illegal immigrant and drug trafficker in the area. Meanwhile, his father is dealing with diseased dairy cows, his mother battles encroaching dementia, and their neighbour's daughter Madeline flirts with the cannabis underworld..."Border Songs" is an extraordinary love story and a gently satirical celebration of the coincidental and the miraculous.
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Extrait:
Chapter One
Everyone remembered the night Brandon Vanderkool flew across the Crawfords’ snowfield and tackled the Prince and Princess of Nowhere. The story was so unusual and repeated so vividly so many times that it braided itself into memories along both sides of the border to the point that you forgot you hadn’t actually witnessed it yourself.
The night began like the four before it, with Brandon trying not to feel like an impostor as he scanned the fields, hillsides and roads for people, cars, sacks, shadows or anything else that didn’t belong, doubting once again he had whatever it took to become an agent.
He rolled past Tom Dunbar’s dormant raspberry fields, where in a fit of patriotism Big Tom had built a twenty-foot replica of the Statue of Liberty, which was either aging swiftly or perhaps, as the old man claimed, had been vandalized by Canadians. Brandon reluctantly waved at the Erickson brothers — who laughed and mock-saluted once they recognized him in uniform — and rattled past Dirk Hoffman’s dairy, where Dirk himself stood on a wooden stepladder completing his latest reader-board potshot at the environmentalists: Mouthwash is a Pesticide Too! Brandon tapped his horn politely, then swerved through semifrozen potholes across the center line to get a cleaner look at the fringed silhouette of a red-tailed hawk, twenty-six, the white rump of a northern flicker, twenty-seven, and, suspended above everything, the boomerang shape of a solo tree swallow, twenty-eight.
Brandon traversed the streets of his life now more than ever, getting paid, so it seemed, to do what he’d always loved doing, to look closely at everything over and over again. The repetition and familiarity suited him. He’d spent all of his twenty-three years in these farmlands and humble towns pinned between the mountains and the inland sea along the top of Washington State. Traveling beyond this grid had always disoriented him, especially when it involved frenzied cities twitching with neon and pigeons and bug-eyed midgets gawking up at him. A couple hours in the glassy canyons of Seattle or Vancouver could jam his circuits, jumble his words and leave him worrying his life would end before he had a chance to understand it.
Some people blamed his oddities on his dyslexia, which was so severe that one giddy pediatrician called it a gift: While he might never learn how to spell or read better than the average fourth grader, he’d always see things the rest of us couldn’t. Others speculated that he was simply too large for this world. Though Brandon claimed to be six-six, because that was all the height most people could fathom, he was actually a quarter inch over six-eight — and not a spindly six-eight either, but 232 pounds of meat and bone stacked vertically beneath a lopsided smile and a defiant wedge of hair that gave him the appearance of an unfinished sculpture. His size had always triggered unreasonable expectations. Art teachers claimed that his unusual bird paintings were as extraordinary as his body. Basketball coaches babbled about his potential until he quit hoops for good after watching that huge Indian in Cuckoo’s Nest drop the ball in the hole for a giddy Jack Nicholson. Tall women fawned over his potential too, until they heard his confusing raves and snorting laughs or took a closer look at his art.
Near dusk, Brandon wheeled up Northwood past the No Casino! yard signs toward the nonchalant border, a geographical handshake heralded here by nothing more than a drainage ditch that turned raucous with horny frogs in the spring and overflowed into both countries every fall. The ditch was one of the few landmarks along the nearly invisible boundary that cleared the Cascades and fell west through lush hills that blurred the line no matter how aggressively it was chainsawed and weed-whacked. From there, as thin as a rumor, the line cut through lakes and swamps and forests and fields. After turning into a ditch for a few miles, the line climbed one more hill before dropping again, slicing through Peace Arch Park and splashing into salt water. The park was all most travelers saw of the border, but locals drove into the valley to gawk at this ditch that divided the two countries and created a rural strip where Canadians and Americans drove on parallel two-lane roads, Boundary Road to the south and Zero Avenue to the north, just a grassy gutter away from each other, waving like friendly neighbors — until recently, that is.
Most passersby didn’t notice anything different. The soggy, fertile valley still rolled out for miles in every direction until it bumped into a horseshoe of mountains — Alp-like peaks to the north, a jagged range to the east and Mount Baker’s massive year-round snowball to the southeast — that gave the impression the only way out was west through the low-slung San Juan islands. There were still orderly rows of raspberry canes, fields bigger and greener than the Rose Bowl and dozens of pungent dairies with most of the cows hooked to computers that automated feeding and maximized the river of milk exiting daily in the metal bellies of tankers the size of oil trucks.
But a closer look hinted at the changes. Many barns and silos had nothing to do with cattle or farms anymore. U.S. border towns no longer served as burger pit stops for Canadian skiers dragging home from Baker. And nineteen-year-old Americans stopped rallying across the line for the novelty of legal drinking. Yet despite the slump in legitimate commerce, a curious construction boom was taking place on both sides. New cul-de-sacs rolled north like advancing armies, and young Canadians continued stacking trophy homes on abrupt hills with imperial views of America.
Brandon trolled Boundary Road past the home of Sophie Winslow, the masseuse who seemingly everyone visited but nobody knew. A black sedan cruised the Canadian side of the ditch, the driver avoiding eye contact and accelerating as Brandon closed in on his family’s thirty-four-acre dairy with its three barns, one silo and two-story house that looked naked in the winter without blooming willows or a dinghy full of tulips pulling your eyes off its weathered planks. Overhead lights brightened the back barn, where his father, no doubt, was resanding teak already rubbed smooth as brass while obsessing over what he still couldn’t afford, such as a mast, sails or a reliable diesel. A television winked through the kitchen window. Was Jeopardy! already on? The show exercised his mother’s memory, as she put it, at least when she remembered to watch it. Brandon glanced back across the ditch at the row of houses along Zero Ave. Did Madeline Rousseau still live with her father? How long had it been since he’d even talked to her? You apparently couldn’t bump into Canadians anymore. Spontaneity had up and left the valley.
He puttered past the Moffats’ farm before pulling up for a closer look at icicles dangling from their roadside shed. He thumped his head unfolding from his rig, then snapped off a stout icicle, dipped its flat end into a slushy puddle and froze it like a spike to the hood of his idling rig while listening to the final mechanical exertions of the day — grumbling generators, misfiring V-8s, grinding snowplows. He stamped his thick-soled boots, trying to create room for his toes. The agency’s largest boots were a half size too small and gave him the floating sensation of being detached from the earth. He heard the rat-a-tat of a downy woodpecker, twenty-nine, and the nervous chip of a dark-eyed junco, thirty. Brandon could identify birds a mile away by their size and flight and many of their voices by a single note. During the climax of spring, he often counted a dozen birds from his pillow without opening his eyes. Most birders keep life lists of the species they’ve seen, and the more intense keep annual counts. Brandon kept day lists in his head, whether he intended to or not.
He snapped off two smaller icicles, and then tried to moisten and freeze them to opposite sides of his original hood spike, but they wouldn’t stick. He flattened their butt ends with his teeth, redipped them in the puddle and tried again. One held, then the other, creating for several seconds a glittering hood ornament before it toppled and shattered. He was eagerly starting over when he heard what sounded like crackling cellophane.
Deer often glided through at this hour. Or maybe the Moffats’ turkeys had just busted loose. When Brandon looked up, he noticed it was snowing again, then counted seven child-sized shadows darting through the curtain of firs dividing the Moffats’ farm from the Crawfords’. Glancing toward the border, to see if others were hopping the ditch, he saw nothing but taillights. By the time he turned back to the trees, the shadows were gone. Grabbing his portable radio, he tried to summon the casual murmur he’d been practicing.
“I’ll see if two-twenty-nine’s in the area,” the dispatcher replied in a similar disinterested mumble.
229 was Dionne. The thought of his trainer backing him up wasn’t what flustered Brandon. It was the fact that two union guys had already warned him to always wait for backup, whereas Dionne insisted that all he ever needed was someone rolling in his direction. During his first solo patrol he’d heard her say on the radio, “I’ve got bodies,” as if rounding up six Pakistanis were no more complicated than picking up a sixer at the Qwik Stop. She averaged almost twice as many arrests as any other agent and, as a result, was what the others respectfully, if begrudgingly, called a shit magnet.
Brandon loped toward the firs before remembering he’d left his motor idling and his Beretta on the passenger seat. Too late. He knew the trees opened into a leased pasture that led to Pangborn Road,...
Revue de presse:
Everyone remembered the night Brandon Vanderkool flew across the Crawfords’ snowfield and tackled the Prince and Princess of Nowhere. The story was so unusual and repeated so vividly so many times that it braided itself into memories along both sides of the border to the point that you forgot you hadn’t actually witnessed it yourself.
The night began like the four before it, with Brandon trying not to feel like an impostor as he scanned the fields, hillsides and roads for people, cars, sacks, shadows or anything else that didn’t belong, doubting once again he had whatever it took to become an agent.
He rolled past Tom Dunbar’s dormant raspberry fields, where in a fit of patriotism Big Tom had built a twenty-foot replica of the Statue of Liberty, which was either aging swiftly or perhaps, as the old man claimed, had been vandalized by Canadians. Brandon reluctantly waved at the Erickson brothers — who laughed and mock-saluted once they recognized him in uniform — and rattled past Dirk Hoffman’s dairy, where Dirk himself stood on a wooden stepladder completing his latest reader-board potshot at the environmentalists: Mouthwash is a Pesticide Too! Brandon tapped his horn politely, then swerved through semifrozen potholes across the center line to get a cleaner look at the fringed silhouette of a red-tailed hawk, twenty-six, the white rump of a northern flicker, twenty-seven, and, suspended above everything, the boomerang shape of a solo tree swallow, twenty-eight.
Brandon traversed the streets of his life now more than ever, getting paid, so it seemed, to do what he’d always loved doing, to look closely at everything over and over again. The repetition and familiarity suited him. He’d spent all of his twenty-three years in these farmlands and humble towns pinned between the mountains and the inland sea along the top of Washington State. Traveling beyond this grid had always disoriented him, especially when it involved frenzied cities twitching with neon and pigeons and bug-eyed midgets gawking up at him. A couple hours in the glassy canyons of Seattle or Vancouver could jam his circuits, jumble his words and leave him worrying his life would end before he had a chance to understand it.
Some people blamed his oddities on his dyslexia, which was so severe that one giddy pediatrician called it a gift: While he might never learn how to spell or read better than the average fourth grader, he’d always see things the rest of us couldn’t. Others speculated that he was simply too large for this world. Though Brandon claimed to be six-six, because that was all the height most people could fathom, he was actually a quarter inch over six-eight — and not a spindly six-eight either, but 232 pounds of meat and bone stacked vertically beneath a lopsided smile and a defiant wedge of hair that gave him the appearance of an unfinished sculpture. His size had always triggered unreasonable expectations. Art teachers claimed that his unusual bird paintings were as extraordinary as his body. Basketball coaches babbled about his potential until he quit hoops for good after watching that huge Indian in Cuckoo’s Nest drop the ball in the hole for a giddy Jack Nicholson. Tall women fawned over his potential too, until they heard his confusing raves and snorting laughs or took a closer look at his art.
Near dusk, Brandon wheeled up Northwood past the No Casino! yard signs toward the nonchalant border, a geographical handshake heralded here by nothing more than a drainage ditch that turned raucous with horny frogs in the spring and overflowed into both countries every fall. The ditch was one of the few landmarks along the nearly invisible boundary that cleared the Cascades and fell west through lush hills that blurred the line no matter how aggressively it was chainsawed and weed-whacked. From there, as thin as a rumor, the line cut through lakes and swamps and forests and fields. After turning into a ditch for a few miles, the line climbed one more hill before dropping again, slicing through Peace Arch Park and splashing into salt water. The park was all most travelers saw of the border, but locals drove into the valley to gawk at this ditch that divided the two countries and created a rural strip where Canadians and Americans drove on parallel two-lane roads, Boundary Road to the south and Zero Avenue to the north, just a grassy gutter away from each other, waving like friendly neighbors — until recently, that is.
Most passersby didn’t notice anything different. The soggy, fertile valley still rolled out for miles in every direction until it bumped into a horseshoe of mountains — Alp-like peaks to the north, a jagged range to the east and Mount Baker’s massive year-round snowball to the southeast — that gave the impression the only way out was west through the low-slung San Juan islands. There were still orderly rows of raspberry canes, fields bigger and greener than the Rose Bowl and dozens of pungent dairies with most of the cows hooked to computers that automated feeding and maximized the river of milk exiting daily in the metal bellies of tankers the size of oil trucks.
But a closer look hinted at the changes. Many barns and silos had nothing to do with cattle or farms anymore. U.S. border towns no longer served as burger pit stops for Canadian skiers dragging home from Baker. And nineteen-year-old Americans stopped rallying across the line for the novelty of legal drinking. Yet despite the slump in legitimate commerce, a curious construction boom was taking place on both sides. New cul-de-sacs rolled north like advancing armies, and young Canadians continued stacking trophy homes on abrupt hills with imperial views of America.
Brandon trolled Boundary Road past the home of Sophie Winslow, the masseuse who seemingly everyone visited but nobody knew. A black sedan cruised the Canadian side of the ditch, the driver avoiding eye contact and accelerating as Brandon closed in on his family’s thirty-four-acre dairy with its three barns, one silo and two-story house that looked naked in the winter without blooming willows or a dinghy full of tulips pulling your eyes off its weathered planks. Overhead lights brightened the back barn, where his father, no doubt, was resanding teak already rubbed smooth as brass while obsessing over what he still couldn’t afford, such as a mast, sails or a reliable diesel. A television winked through the kitchen window. Was Jeopardy! already on? The show exercised his mother’s memory, as she put it, at least when she remembered to watch it. Brandon glanced back across the ditch at the row of houses along Zero Ave. Did Madeline Rousseau still live with her father? How long had it been since he’d even talked to her? You apparently couldn’t bump into Canadians anymore. Spontaneity had up and left the valley.
He puttered past the Moffats’ farm before pulling up for a closer look at icicles dangling from their roadside shed. He thumped his head unfolding from his rig, then snapped off a stout icicle, dipped its flat end into a slushy puddle and froze it like a spike to the hood of his idling rig while listening to the final mechanical exertions of the day — grumbling generators, misfiring V-8s, grinding snowplows. He stamped his thick-soled boots, trying to create room for his toes. The agency’s largest boots were a half size too small and gave him the floating sensation of being detached from the earth. He heard the rat-a-tat of a downy woodpecker, twenty-nine, and the nervous chip of a dark-eyed junco, thirty. Brandon could identify birds a mile away by their size and flight and many of their voices by a single note. During the climax of spring, he often counted a dozen birds from his pillow without opening his eyes. Most birders keep life lists of the species they’ve seen, and the more intense keep annual counts. Brandon kept day lists in his head, whether he intended to or not.
He snapped off two smaller icicles, and then tried to moisten and freeze them to opposite sides of his original hood spike, but they wouldn’t stick. He flattened their butt ends with his teeth, redipped them in the puddle and tried again. One held, then the other, creating for several seconds a glittering hood ornament before it toppled and shattered. He was eagerly starting over when he heard what sounded like crackling cellophane.
Deer often glided through at this hour. Or maybe the Moffats’ turkeys had just busted loose. When Brandon looked up, he noticed it was snowing again, then counted seven child-sized shadows darting through the curtain of firs dividing the Moffats’ farm from the Crawfords’. Glancing toward the border, to see if others were hopping the ditch, he saw nothing but taillights. By the time he turned back to the trees, the shadows were gone. Grabbing his portable radio, he tried to summon the casual murmur he’d been practicing.
“I’ll see if two-twenty-nine’s in the area,” the dispatcher replied in a similar disinterested mumble.
229 was Dionne. The thought of his trainer backing him up wasn’t what flustered Brandon. It was the fact that two union guys had already warned him to always wait for backup, whereas Dionne insisted that all he ever needed was someone rolling in his direction. During his first solo patrol he’d heard her say on the radio, “I’ve got bodies,” as if rounding up six Pakistanis were no more complicated than picking up a sixer at the Qwik Stop. She averaged almost twice as many arrests as any other agent and, as a result, was what the others respectfully, if begrudgingly, called a shit magnet.
Brandon loped toward the firs before remembering he’d left his motor idling and his Beretta on the passenger seat. Too late. He knew the trees opened into a leased pasture that led to Pangborn Road,...
“Border Songs is a masterwork, and Jim Lynch, for my money, is our best new storyteller since Larry McMurtry: deeply in touch with the natural world, the absurdities of our era, and the hearts and minds of his unforgettable and endlessly surprising characters.”
— Howard Frank Mosher, author of On Kingdom Mountain
"An imaginative tour de force. Lynch's comic borderland is not only palpable, it is richly metaphoric. Comparisons with Ken Kesey and Tom Robbins are not only inevitable, they are welcome."
— The Globe and Mail
"A wonderful and important read. It turns out that a novelist's eye is exactly what we need to begin understanding the subtleties of what's happening between our two countries in the post-9/11 era."
— Ottawa Citizen
"Entrancing. . . . Border Songs reads just like the news, except that it is far better written."
— Maclean's
From the Hardcover edition.
— Howard Frank Mosher, author of On Kingdom Mountain
"An imaginative tour de force. Lynch's comic borderland is not only palpable, it is richly metaphoric. Comparisons with Ken Kesey and Tom Robbins are not only inevitable, they are welcome."
— The Globe and Mail
"A wonderful and important read. It turns out that a novelist's eye is exactly what we need to begin understanding the subtleties of what's happening between our two countries in the post-9/11 era."
— Ottawa Citizen
"Entrancing. . . . Border Songs reads just like the news, except that it is far better written."
— Maclean's
From the Hardcover edition.
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- ISBN 10 0307357341
- ISBN 13 9780307357342
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Buchbeschreibung Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.54. Bestandsnummer des Verkäufers G0307357341I3N00
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Border Songs
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Vintage Books Canada
(2010)
ISBN 10: 0307357341
ISBN 13: 9780307357342
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Buchbeschreibung Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.54. Bestandsnummer des Verkäufers G0307357341I3N00
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ISBN 10: 0307357341
ISBN 13: 9780307357342
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Buchbeschreibung Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Bestandsnummer des Verkäufers 45123556-75
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