Everybody Loves Our Town: An Oral History of Grunge - Softcover

Yarm, Mark

Softcover

ISBN 10: 030746444X ISBN 13: 9780307464446

Verlag: Crown, 2012

Inhaltsangabe

A Time Magazine Best Book of 2011, Featuring Nirvana, Pearl Jam, Soundgarden, Alice In Chains, Mudhoney and more!

Twenty years after the release of Nirvana’s landmark album Nevermind comes Everybody Loves Our Town: An Oral History of Grunge, the definitive word on the grunge era, straight from the mouths of those at the center of it all.
 
In 1986, fledgling Seattle label C/Z Records released Deep Six, a compilation featuring a half-dozen local bands: Soundgarden, Green River, Melvins, Malfunkshun, the U-Men and Skin Yard. Though it sold miserably, the record made music history by documenting a burgeoning regional sound, the raw fusion of heavy metal and punk rock that we now know as grunge. But it wasn’t until five years later, with the seemingly overnight success of Nirvana’s “Smells Like Teen Spirit,” that grunge became a household word and Seattle ground zero for the nineties alternative-rock explosion.

Everybody Loves Our Town captures the grunge era in the words of the musicians, producers, managers, record executives, video directors, photographers, journalists, publicists, club owners, roadies, scenesters and hangers-on who lived through it. The book tells the whole story: from the founding of the Deep Six bands to the worldwide success of grunge’s big four (Nirvana, Pearl Jam, Soundgarden and Alice in Chains); from the rise of Seattle’s cash-poor, hype-rich indie label Sub Pop to the major-label feeding frenzy that overtook the Pacific Northwest; from the simple joys of making noise at basement parties and tiny rock clubs to the tragic, lonely deaths of superstars Kurt Cobain and Layne Staley.
 
Drawn from more than 250 new interviews—with members of Nirvana, Pearl Jam, Soundgarden, Alice in Chains, Screaming Trees, Hole, Melvins, Mudhoney, Green River, Mother Love Bone, Temple of the Dog, Mad Season, L7, Babes in Toyland, 7 Year Bitch, TAD, the U-Men, Candlebox and many more—and featuring previously untold stories and never-before-published photographs, Everybody Loves Our Town is at once a moving, funny, lurid, and hugely insightful portrait of an extraordinary musical era.

Über diesen Titel

Über die Autorin bzw. den Autor

Mark Yarm is a former senior editor at Blender magazine. He lives in Brooklyn with his wife, Bonnie, and is in no way related to Mudhoney frontman Mark Arm.

Auszug. © Genehmigter Nachdruck. Alle Rechte vorbehalten.

Chapter 1



LARRY REID (U-Men manager; co-owner of Roscoe Louie/Graven Image galleries; Tracey Rowland's husband) This was Labor Day weekend of 1985. Here's how I remember it. The U-Men's roadie, Mike Tucker, thinks it was my idea; I think it was Charlie Ryan's idea. And it's not that I don't want to take credit for it, because it was brilliant. But I'm sure it was Charlie's idea because Charlie had a fetish for Zippo lighters.

MIKE TUCKER (U-Men roadie) The idea, I do believe, was born out of a conversation between Larry and me. I remember going with Larry and getting the lighter fluid, which someone poured into Mickey's brand malt-liquor bottles.

JIM TILLMAN (U-Men/Love Battery bassist) I'm fairly positive it was John's idea. Suffice it to say that we all thought it was brilliant.

CHARLIE RYAN (U-Men/Cat Butt/the Crows drummer) It was my idea. I collected lighters. I was the firebug. I was the pyro. My idea!

LARRY REID The U-Men were the first real punk band ever booked at the Bumbershoot Festival. I managed to sell them as a performance-art combo. God bless 'em, the producers trusted me, and they shouldn't have-and never did after this!

CHARLIE RYAN Larry says, "We're on Bumbershoot." And we're like, "Oh, my God. Okay. This is going to be the ultimate showcase for us." I start thinking about the fact that there's the moat, this body of water in front of the stage. I wondered, Could we light it on fire?

LARRY REID Nobody was quite sure it would work, so we filled up my bathtub, poured some lighter fluid on it, and...

CHARLIE RYAN We took a match and threw it in, and it went boom! Flames.

LARRY REID There was a curtain on the window above the bathtub and it fucking went up, man. If we would've thought about it, we probably would've tried it outside using a bucket of water. The alarm went off, all hell broke loose-they had to empty the building, but it didn't catch the apartment on fire. We were all high-fiving each other, and like, "Yes, this was a good thing. This is gonna work!"

So skip to the gig, a couple weeks later. Bumbershoot was held at an outdoor venue called the Mural Amphitheatre, which is on the grounds of this large city-owned property called the Seattle Center. There were hundreds of people in the audience because it was free.

KURT BLOCH (Fastbacks/Young Fresh Fellows guitarist) I was right there in the front. They're setting up and everybody's like, "Something crazy's gonna happen, something crazy's gonna happen."

KERRI HARROP (Sub Pop Records sales and retail employee) I can even remember what I was wearing, the show was that significant. First of all, Bumbershoot's this family-friendly event-it's out on the open lawn in the shadow of the Space Needle-and you have these complete weirdos out on this stage.

CHARLIE RYAN It's sunny and nice out, and we're all in black leather and top hats and dark shades and being as menacing as we could be. Our freak show only appeared at night, in dark places, but here we are, in broad daylight. My mom was there-the end of the show wasn't her proudest moment.

LARRY REID At the end of the set, the sun was just going down. Mike Tucker and myself walked out to the edge of the stage, and we're each pouring what appeared to be a gallon of vodka into the pond. And Bigley comes out-they're doing this song called "They," which at that point was the standard last song.

JIM TILLMAN The last song was "Green Trumpet," though I could be wrong. There were 2,000 or 3,000 people there. A couple of our friends, this guy Mike, who was sort of a roadie, and this other guy Tommy Bonehead-his real name was Tom Simpson, but he was called Bonehead because it didn't matter how hard you'd hit him, he'd always fight-are pouring lighter fluid on either side of the stage.

TOM PRICE (U-Men/Cat Butt/Gas Huffer guitarist) We were playing a song called "10 After 1." And John ducked behind an amp, because we didn't want the authorities to see what was going on.

JOHN BIGLEY (U-Men/the Crows singer) I had gotten a broom and cut off the bristles, so it was just a nub where the bristles joined the handle, and wrapped it in a T-shirt soaked in lighter fluid. I ran back behind the drums, lit the broom with my lighter, and waited until the song "They" kicked into gear.

CHARLIE RYAN And John comes out, doing this insane tribal voodoo dance with a lit broom, menacing the crowd. And then he chucks it into the water.

MIKE TUCKER When John dipped his torch into the moat, it didn't immediately ignite. It was like, "Oh, fuck, it didn't work." The second time he dipped it in, suddenly this wall of fire went up.

JOHN BIGLEY I throw the broom in and there was a giant fireball, 20 to 30 feet high, easy. It was gigantic and it made a sound, this whoosh of oxygen.

LARRY REID The pond fuckin' exploded, man! I mean, it made the bathroom look like child's play. It went up, oh, 10, 12, 15 feet.

JOE NEWTON (Gas Huffer drummer) My recollection was that it was over in the blink of an eye. It burned fast, it burned hugely high and bright, but it just lasted a second. I knew they were going to do it, and it was like, "That's it?" Other people totally remember it being this huge wall of fire.

DENNIS R. WHITE (Pravda Productions partner; Desperate Times zine cofounder) In a lot of cases, people remember things being much bigger than they were. In this case, they don't. It looked like the band was engulfed in flames.

JOHN BIGLEY And with the supercharged rock-and-roll music, that's when the vast majority of the folks started jumping around and dancing. It was a crazy primal deal.

JAMES BURDYSHAW (Cat Butt guitarist; 64 Spiders guitarist/singer) The U-Men were into bones and skulls and black clothes and witch-doctor sort of imagery. The whole voodoo tribal thing became real 'cause the sun went down right when the flames happened. You felt like there was something dangerous going on but you couldn't look away. The crowd was screaming, but it wasn't out of fear. It was like, Yes! Yes! It was elation.

It was like, Fuck the Man, we're the most dangerous voodoo band-and we're gonna do a human sacrifice next. It felt like that was gonna happen.

LARRY REID It was perfect, except we'd failed to take into consideration that the stage was built out over the pond. There was creosote and tar underneath the stage, so there was just black smoke billowing long after the flames had died down. And the soundman freaked out, thinking the stage was on fire, and he's running up, trying to get his sound equipment off the stage. The audience is now going apeshit crazy. Cops being cops, they started wading into the audience and beating people with their billy clubs!

CHARLES PETERSON (photographer) The thing I remember most is that we all just went fuckin' bonkers, and started slam-dancing into each other. And there were these Seattle Center security guards who thought we were getting into fights and were trying to separate us. This 60- year-old security guard was just freaking out, and some of us were like, "Dude, they're just dancing!" I recall somebody grabbed a security guard's hat and danced around. It was mayhem.

JOHN BIGLEY We finished the song, definitely. Someone, it might have been Larry, grabbed me and threw me towards the drums: "Get the fuck out! Load the shit!" It was very chaotic-people running and screaming and kids holding their eyes and arrests and that whole thing.

TRACEY ROWLAND (co-owner of Roscoe Louie/Graven Image galleries; Larry Reid's wife) Norman Langill, who was running Bumbershoot, was yelling and screaming and freaking out and jumping up and down. He was furious.

JIM TILLMAN I'd parked our tour bus-it was a 1960s Chevy city school bus that said tacoma hillbillies on the side, though I have absolutely no idea why-in this spot next to the...

Details zur Ausgabe

• Verlag: Crown
• Erscheinungsdatum: 2012
• Sprache: Englisch
• ISBN 10: 030746444X
• ISBN 13: 9780307464446
• Einband: Taschenbuch
• Anzahl der Seiten: 608
• Kontakt zum Hersteller: Three Rivers Press; https://www.adolfodominguez.com/en-us/legal-notice.html; ; Plaza europa, 46-48; l'hospitalet de llobregat; Barcelona; 8902; Spanien