Both of Us: My Life with Farrah - Hardcover

O'Neal, Ryan

Hardcover

ISBN 10: 030795482X ISBN 13: 9780307954824

Verlag: CROWN ARCHETYPE, 2012

Inhaltsangabe

A film star and husband of Farah Fawcett discusses his relationship with her and all the varying forces that worked against it. 50,000 first printing.

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Über die Autorin bzw. den Autor

RYAN O’NEAL is an Academy Award–nominated actor, best known for his roles in Peyton Place, Love Story, What’s Up, Doc?, and Paper Moon. Most recently, he has appeared on 90210 and has a popular recurring role on Bones. His reality show with his daughter, Ryan and Tatum: The O’Neals, aired its first season on OWN in June 2011.

JODEE BLANCO is the author of the New York Times bestseller Please Stop Laughing at Me.

KENT CARROLL was the editorial director of Grove Press, the founder and publisher of Carroll & Graf, and is currently the publisher of Europa Editions.

Auszug. © Genehmigter Nachdruck. Alle Rechte vorbehalten.

Chapter one

Beginnings

Iremember taking her hand in the car, both of us joyous and laughing, the wind tousling those famous curls as we drove from Tahoe to Reno, to the church. The night before, someone had given me a Cuban cigar. I removed the gold band, slipped it onto her ring finger, and proposed. She accepted, saying, “So, you think you can make an honest woman of me, do you?”

The lake and the forest have a soothing beauty, magnificent nature in repose, almost as appealing to me as the ocean. Farrah preferred it there: the mountain air, the hikes, and, of course, the rugged horseback riding. It was one of those spontaneous moments when everything seemed aligned, as if nothing could get in the way of our future. We seemed perfect for each other. We had talked about getting married early on, but we were rebels. There weren’t many people in the early eighties who lived such a public life who weren’t married. We were getting pressured to do it, not by her parents, really, or by mine, but from society, so we finally decided to get hitched. Then the flat tire. I flagged down a car whose driver offered to take us on to Reno or back to Tahoe. He would have driven us to Cincinnati if I’d asked, but instead we chose the lake. We thought it was funny, even joked with each other that it had to be “a sign.”

Looking back, I can’t help but wonder how my life with this rare woman might have been different if we had gone through with it that day. Why didn’t I just fix the damn tire and get us to the church? Instead of finding a way to follow through with our plans, we let it go. We laughed about it for years. It wasn’t the hand of God that flattened our tire that day. It was a lousy shard of glass.

Autumn, 1979

She’s married. Her name is Majors. I don’t know her from Adam, well, Eve. Her husband is actor Lee Majors. He starred in a popular television series, The Six Million Dollar Man, and is also known for playing in Westerns. I know him a bit. I first met him at 20th Century Fox when I was making Peyton Place, five hundred episodes at $750 per episode. That’s also where I introduced, pointed out, Frank Sinatra to my costar Mia Farrow. I never played Cupid again. Lee is in Toronto for a movie and I’m there visiting my daughter, Tatum, who’s shooting a film with Richard Burton. She’s fifteen. Tatum and Lee run into each other, and Tatum says, “You know, I’m Ryan’s daughter.”

“Oh yeah, where is he?”

“He’s at the hotel.”

Next thing, he’s calling me. “Come down and have a drink with me,” he says.

So I do. And we get a little drunk together and decide to have dinner. Tatum joins us. Lee and I are both leaving the next day. I’ve been there a week. And he says, “Let’s go home together. We’ll take the same plane.” He changes his flight. Lee is a companionable big guy, worth at least five and a half million. We fly home together and the limo drops us off at my house in town. It’s on Tower Road, up Benedict Canyon and high in the hills, part of the old John Barrymore estate. We let the limo go and take my car. He lives farther up the hill near Mulholland on a street called Antelo Road, which has gates, and there’s this beautiful girl waiting for him. She’s delightful, full of childlike warmth. There is no pretense or cattiness about her whatsoever; she’s vibrant and wholesome, refreshing in this town.

They kiss.

We play racquetball. They have their own court. And then she says, “Stay for dinner,” which I do. She whips up this delicious meal of fried chicken with mashed potatoes and thick country gravy, a Texas treat. Farrah is so sweet to us. Lee’s a heavy drinker, kind of a sad drunk. Their house is handsome, a tasteful blend of western-style accents and fine antiques. There are pictures everywhere, mostly personal photographs. Years later, an earthquake will destroy the place, and the cacophony of glass breaking, which frightened everyone, will turn out not to have been the windows but hundreds of photographs emerging from hundreds of frames. Lee takes me on a tour of the house. He shows me his closet. It’s a room you can walk into, deep and wide. He must have seventy-five pairs of boots. Where does Farrah keep her stuff? I ask myself. We walk down the hall and he opens a door to a room you can barely turn around in. Farrah’s clothing is piled in there. Some months later, Tatum and I will make the switch. Farrah’s duds get the grand space. Lee’s we move to his den.

I had gone to their home for dinner that first night, but the next night I was supposed to travel to Las Vegas for a boxing match. I have a friend, Andy “the Hawk” Price, who was fighting Sugar Ray Leonard. I’m a fight fan as well as an ex–amateur boxer. And Farrah says, in this lilting, ever-so-slight Texas drawl, “Well, isn’t that fight on TV?”

I say, “Yes, it is.”

And she says, “Why don’t you see it here? You can play racquetball and watch it with us.”

“Hm,” I think, “hm . . .okay.” I’ve just come back from Canada. I don’t really need to get on another plane, so I return a second night. She greets me at the door with this winsome smile and says, “Aren’t you glad you didn’t go?” And that night there’s drinking. She doesn’t drink but he does. I drink a little. I’m watching them, and after dinner they start to talk about their relationship. I’m sort of encouraging them, saying things like “You’re a wonderful couple.” He’s a man of few words, a monosyllabic cowboy type. He’s not naturally funny, so his attempts at humor are the comic equivalent of cauliflower. Farrah is more natural, open, and she doesn’t have any compunction talking about their problems. She says when they were staying in Nevada, he had a boat on Lake Mead. He was a TV star at this point, not the Six Million Dollar Man, but he was in a successful Western series with Barbara Stanwyck and Linda Evans called The Big Valley. It ran three or four seasons. This was before Farrah’s fame from Charlie’s Angels and the poster that had made her the fantasy of every teenage boy in America. Lee would call her from a bar near the hotel and say, “Get undressed, I’m coming home.”

“So I’d get undressed,” she tells me. “I’d wait for him, and wait for him. He wouldn’t arrive so eventually I’d get dressed again.” She says this more in resignation than bitterness.

“That’s the kind of man I am,” he responds. “You knew that when you met me.”

I can see that the marriage is not the happy mating it once was. If reality shows had existed back then, this relationship would have been perfect fodder. The one I’ve agreed to do now with my prodigal daughter, Tatum, is alarmingly fraught. But that’s all in the future. Back in the fall of 1979, I’ve just met the woman who will become the love of my life and I shouldn’t be put off by that kiss I just saw Lee give her at the front door. I don’t say anything. I just listen and then I go to my home in town, only a few blocks away. Two days later, I’m at my house in Malibu, and Lee pops over for a visit. We walk on the beach for a bit, and then he says, “Let’s go see Farrah.”

“Where is she?” I ask.

“She’s shooting a Charlie’s Angels. She’s at Disney Ranch.”

By this time, Farrah was no longer a regular on the show. She had quit...

Details zur Ausgabe

• Verlag: CROWN ARCHETYPE
• Erscheinungsdatum: 2012
• Sprache: Englisch
• ISBN 10: 030795482X
• ISBN 13: 9780307954824
• Einband: Gebundene Ausgabe
• Anzahl der Seiten: 253
• Kontakt zum Hersteller: Crown Archetype; https://www.canadianclassics.it/en-ot/; ; Attn: Andrea T Sheridan 1745 BROADWAY, 14-1; NEW YORK; NY; 10019; USA
• Verantwortliche Person: Nicht verfügbar