Between 1929 and 1934, women in American cinema took lovers, had babies out of wedlock, got rid of cheating husbands, enjoyed their sexuality and led unapologetic careers. Before then, women on screen had come in two varieties - sweet ingenue or vamp. Then two stars came along and blasted away those stereotypes. Greta Garbo turned the femme fatale into a woman whose capacity for love and sacrifice made all other human emotions seem pale. Meanwhile, Norma Shearer succeeded in taking the ingenue to a place she'd never been: the bedroom. These complicated women paved the way for a deluge of indelible stars - Marlene Dietrich, Jean Harlow and Mae West to name a few. Then in 1934, the draconian Production Code became law in Hollywood, and these women were banished, not to be seen again for three decades.
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Mick LaSalle is the film critic for the San Francisco Chronicle and teaches a class at University of California at Berkeley on pre-Code film. He lives in San Francisco.
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Paperback. Zustand: New. Between 1929 and 1934, women in American cinema took lovers, had babies out of wedlock, got rid of cheating husbands, enjoyed their sexuality and led unapologetic careers. Before then, women on screen had come in two varieties - sweet ingenue or vamp. Then two stars came along and blasted away those stereotypes. Greta Garbo turned the femme fatale into a woman whose capacity for love and sacrifice made all other human emotions seem pale. Meanwhile, Norma Shearer succeeded in taking the ingenue to a place she'd never been: the bedroom. These complicated women paved the way for a deluge of indelible stars - Marlene Dietrich, Jean Harlow and Mae West to name a few. Then in 1934, the draconian Production Code became law in Hollywood, and these women were banished, not to be seen again for three decades. Bestandsnummer des Verkäufers LU-9780312284312
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Paperback. Zustand: New. Between 1929 and 1934, women in American cinema took lovers, had babies out of wedlock, got rid of cheating husbands, enjoyed their sexuality and led unapologetic careers. Before then, women on screen had come in two varieties - sweet ingenue or vamp. Then two stars came along and blasted away those stereotypes. Greta Garbo turned the femme fatale into a woman whose capacity for love and sacrifice made all other human emotions seem pale. Meanwhile, Norma Shearer succeeded in taking the ingenue to a place she'd never been: the bedroom. These complicated women paved the way for a deluge of indelible stars - Marlene Dietrich, Jean Harlow and Mae West to name a few. Then in 1934, the draconian Production Code became law in Hollywood, and these women were banished, not to be seen again for three decades. Bestandsnummer des Verkäufers LU-9780312284312
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Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Between 1929 and 1934, women in American cinema took lovers, had babies out of wedlock and got rid of cheating husbands. This is an exploration of the careers and lives of female stars such as Greta Garbo, Norma Shearer, Marlene Dietrich, Jean Harlow and Ma. Bestandsnummer des Verkäufers 464114830
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Paperback. Zustand: New. Between 1929 and 1934, women in American cinema took lovers, had babies out of wedlock, got rid of cheating husbands, enjoyed their sexuality and led unapologetic careers. Before then, women on screen had come in two varieties - sweet ingenue or vamp. Then two stars came along and blasted away those stereotypes. Greta Garbo turned the femme fatale into a woman whose capacity for love and sacrifice made all other human emotions seem pale. Meanwhile, Norma Shearer succeeded in taking the ingenue to a place she'd never been: the bedroom. These complicated women paved the way for a deluge of indelible stars - Marlene Dietrich, Jean Harlow and Mae West to name a few. Then in 1934, the draconian Production Code became law in Hollywood, and these women were banished, not to be seen again for three decades. Bestandsnummer des Verkäufers LU-9780312284312
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