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Philip Dryden worked for a Fleet Street newspaper until he and his wife were involved in a terrible car crash. Philip survived unscathed, but his wife has been in a coma for five years. To be near the sanatorium where she lies, Philip takes a job near Cambridge, reporting mainly on dog shows and country fairs. But when a car containing a man's body is pulled from the nearby river, Philip's investigative instincts revive. And when a second body--this one dead for years--is discovered on top of the local cathedral, his interest is definitely piqued. Philip soon uncovers a link not only between the two deaths but also to a crime that took place 30 years earlier. Discovering the identity of the man who killed both victims becomes Philip's mission. The book starts slowly but quickly picks up momentum and then runs hell for leather to the final climax. Strong characters, a riveting plot, plenty of humor, and an eccentric hero add up to a fine debut from the talented Mr. Kelly. Emily Melton
Copyright © American Library Association. All rights reserved
British author Kelly's strong debut introduces Philip Dryden, a reporter for a weekly newspaper in Cambridgeshire, England. Reporters are always in the thick of things when crimes happen in a small town, but Dryden is more involved than normal because he has made a deal with the devil. To help a policeman in trouble, he writes a not-quite-true news story, in exchange for the official report of the auto accident two years earlier that nearly killed Dryden and left his wife in a coma. Obsessed with finding out who rescued him but not his wife and then disappeared, he goes to dangerous lengths for answers. A masterful stylist, Kelly crafts sharp, crisp sentences so pure, so true, they qualify as modern poetry. The cold, bleak landscape of the fens seems to seep through the paper and chill the fingers turning the pages. Less impressively, the police report on the accident, when Dryden finally gets his hands on it, is anticlimactic, and he seems largely unaffected by what he learns. And the story concludes with one of those improbable "you might as well tell me everything before you shoot me" conversations between protagonist and killer, a mild disappointment from a writer of Kelly's skill. On balance, however, this is a solid mystery from a promising new talent.
Copyright 2003 Reed Business Information, Inc.
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