In New York City's work hard, play harder singles scene, a young woman looking for love can find herself the object of a deadly obsession.
With each meaningless date and disappointing new boyfriend, Katie Porter is becoming more and more disillusioned. No matter how wide a net she casts she can't seem to find a guy who really understands her. But someone thinks she's special - very special. And he's following her... But it's not her boyfriend, Andy. The frat-boy who never grew up is too busy working out how far Katie will go and if her friends are hot, to stop and think whether Katie's 'the one'. But someone's already decided she is - and he's watching her.
Peter sees Katie at the gym. He sees her at the coffee bar she stops at on the way to work. In fact, he sees her almost everywhere, as he quietly follows her. But most of all, he sees her in his plans for the future. He's got the proposal worked out, he's even got the ring and their happy home already bought. After all, he's had enough time to plan things to perfection - he grew up in the same small town. Surely, after all these years, he can't let anything stand in his way.
Combining his trademark razor-sharp dialogue, black humor and superb storytelling talent, The Follower is Jason Starr's most suspenseful novel yet.
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JASON STARR is the multi-award-winning author of seven previous books, including Lights Out. He was born and raised in Brooklyn and now lives in Manhattan.
Starr writes dark comedies about dim bulbs. Sometimes it works--Lights Out (2006) featured an entertaining premise and a frantic pace--and sometimes it doesn't, which is the case here. Set in the party-hearty world of twentysomething Manhattanites, The Follower offers a tepid premise (a stalker sets his sights on a shallow young woman[...]), formulaic satire (the characters say like a lot and shop at Banana Republic), and uninspired delivery (the characters use cliches, and so does the author). It's a thriller with no thrills. If we cared about the characters, it might be suspenseful, but one suspects that even Starr doesn't care about them. It's fine if they're shallow jerks, but couldn't they be interesting shallow jerks? A better writer would search for sparks of humanity even in psychos and lame-o's. Many consider Starr a rising star in the genre, and his name on a spine will draw fans. But he often coasts, and here he has taken it out of gear entirely: this trip to the singles bars will leave readers desperate for a ride home. Keir Graff
Copyright © American Library Association. All rights reserved
Murder stalks a love triangle in New York City in Starr's low-key thriller, his most crowd-pleasing novel to date. Katie Porter believes her encounter at the health club with Peter Wells is total chance. What she doesn't know is that Peter once dated her sister back in her hometown and has elaborate plans to marry her, after waiting a couple of weeks for the perfect romantic moment to pop the question. And she doesn't have a clue that her current boyfriend, Andy Barnett, is ready to dump her. A twenty-three-year-old single guy in Manhattan, Andy is a male animal on the prowl, checking out all the action: The clothes were loose, but it looked like she had a nice body—thin anyway, which was all that really mattered. Starr (Lights Out) is a master at capturing the minute-by-minute lives of vacuous yuppies, and he absolutely shines with these characters. When Peter decides he needs to eliminate the competition, this Looking for Ms. Goodbar suddenly becomes a very funny, dark social satire. (Aug.)
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