Prentis, senior clerk in the 'dead crimes' department of police archives, is becoming more and more confused. Alienated from his wife and children, and obsessed by his father, a wartime hero now the mute inmate of a mental hospital, Prentis feels increasingly unsettled as his enigmatic boss, Mr Quinn, turns his investigation towards him - and his father. Gradually Prentis suspects that his father's breakdown and Quinn's menacing behaviour are connected and the link is to be found in his father's memoirs, "Shuttlecock". 'Excellent, profound' - Alan Hollinghurst, "London Review of Books". 'An astonishing study of forms of guilt, laced with a thread of detection, and puckering now and then into outrageous humour' - "Sunday Times". 'A superbly written claustrophobic account of power that corrupts private and public life and of guilt that becomes obsession' - "Daily Telegraph". 'Swift's central strength as a writer is his integrity. Story and character are treated with a seriousness and respect that while allowing for the oddity of human behaviour - "Shuttlecock" is thoroughly and beautifully odd - always honours them' - "Times Literary Supplement". 'Serious, moving and often very funny indeed' - "Observer".
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
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