Excerpt from Guide to the Study of Musical History and Criticism
The topics and references contained in the following pages are intended as an aid to those who wish to study musical history and criticism in a systematic and scholar-like manner. The time has gone by when the authority of a single book or a Single author could meet the demands of an intelligent curiosity. In history, litera ture, - every department of research in which the reliance is wholly or partially upon books, it is now taken for granted that the only rational method is the examination of many authorities with the aid of abstracts, topics, references, and similar guides. The scheme of this present manual is to indicate what material exists in English for the study of musical history, and how that material may be used to the greatest advantage.
The topics are synopses of lectures given at Oberlin College; but they are also of general utility, for they summarize the most important phases of the subject, and show the student along what lines his inquiry must proceed. The method is to treat the topics as questions, and find the answers in the references. The author has in general, avoided references to books that are difficult to procure. Only those articles in periodicals are cited which deal with subjects that are not so well or concisely covered in any of the books available, or which have a special interest given them by their authorship.
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