One man in his time plays many parts/His acts being seven ages', asserts Shakespeare's Jacques, in a speech which foreshadows what has become a commonplace of contemporary gender theory: that masculinity, far from being a secure, unproblematic gender identity, is a site of crisis and contradictions.
Staging Masculinities engages with the complex and paradoxical history of masculinities by exploring the ways in which changing concepts of what it means 'to be a man' have been represented, celebrated, examined and critiqued on mainstream Western - and particularly English - stages. Mapping a history of masculinities onto a history of theatre, Michael Mangan analyses a wide range of plays and performances, from Henry V to Peter Pan, and from medieval liturgical drama to contemporary West-End hits. In the process Mangan offers new and gendered readings of several familiar plays, and traces an intricate relationship between theatrical performance and gender performance.
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MICHAEL MANGAN is Professor of Drama at the University of Wales, Aberystwyth. He has published books and articles on various aspects of drama, and has worked as a playwright and director.
One man in his time plays many parts/His acts being seven ages', asserts Shakespeare's Jacques, in a speech which foreshadows what has become a commonplace of contemporary gender theory: that masculinity, far from being a secure, unproblematic gender identity, is a site of crisis and contradictions.
Staging Masculinities engages with the complex and paradoxical history of masculinities by exploring the ways in which changing concepts of what it means 'to be a man' have been represented, celebrated, examined and critiqued on mainstream Western - and particularly English - stages. Mapping a history of masculinities onto a history of theatre, Michael Mangan analyses a wide range of plays and performances, from Henry V to Peter Pan, and from medieval liturgical drama to contemporary West-End hits. In the process Mangan offers new and gendered readings of several familiar plays, and traces an intricate relationship between theatrical performance and gender performance.
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Paperback. Zustand: Very Good. Palgrave, 2003. Book has light rubbing to covers, a light smudge to center of back cover, light bumps/scuffs to edges and tips of corners. otherwise in great condition, tight binding, clean and unmarked pages; an overall sturdy, handsome copy. Bestandsnummer des Verkäufers 995365
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Soft cover. Zustand: Fine. First Paperback. Mangan analyses plays and performances from medieval drama to West End hits to explore "the changing concepts of what it means to be a man". In excellent clean condition throughout with no markings or inscription. All profits to Amnesty International. Bestandsnummer des Verkäufers 010768
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Zustand: New. "Staging Masculinities" is a critical history of the ways in which changing concepts of masculinity have been represented, explored and critiqued on mainstream Western and particularly English stages. The study analyses a wide variety of plays. Num Pages: 288 pages, biography. BIC Classification: AN; JFSJ2. Category: (G) General (US: Trade); (UA) A / AS level; (UU) Undergraduate. Dimension: 218 x 136 x 16. Weight in Grams: 364. . 2002. 2002 ed. paperback. . . . . Bestandsnummer des Verkäufers V9780333720196
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