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Book by Dudrah Rajinder Desai Jigna
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Reseña del editor:
"From its historical roots through to the contemporary moment, the collection of essays, written by eminent scholars in the field, demonstrate so clearly how Indian cinema is more than the sum of its parts. An essential text for anyone wishing to understand properly the full complexities of Hindi cinema."
Professor Susan Hayward, University of Exeter, UK Comprehensive introductory essay Landmark essays by key scholars in the field Glossary of key terms Timeline of key events in Indian cinema Further reading sectionThe authors address the issues of capitalism, nationalism, Orientalism and modernity through understandings of race, class, gender and sexuality, religion, politics and diaspora as depicted in Indian popular films.
Biografía del autor:
Professor Susan Hayward, University of Exeter, UK
"We are finally at a point when the study of Bollywood is a fully fledged field in Film Studies."
Professor Dina Iordanova, University of St. Andrews, Scotland
"The Bollywood Reader extends the discursive boundaries of Indian popular cinema in interesting and complex ways. In putting together this volume, the editors have performed magnificently."
Professor Wimal Dissanayake, University of Hawaii, USA
- What is Bollywood cinema?
- How does it operate as an industry?
- Who are the audiences of Bollywood cinema?
Including a wide-ranging selection of essays from key voices in the field, the Reader charts the development of the scholarship on popular Hindi cinema, with an emphasis on understanding the relationship between cinema and colonialism, nationalism, and globalization.
Features include:
The Bollywood Reader is captivating reading for film, media and cultural studies students and scholars with an interest in Bollywood cinema.
Rajinder Dudrah is Head of Drama and Senior Lecturer in Screen Studies at the University of Manchester, UK. Jigna Desai is Associate Professor in the Gender, Women, and Sexuality Studies Department and the Asian American Studies Program at the University of Minnesota, USA.
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- VerlagOpen University Press
- Erscheinungsdatum2008
- ISBN 10 0335222129
- ISBN 13 9780335222124
- EinbandTapa blanda
- Anzahl der Seiten320
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Buchbeschreibung Softcover. Zustand: new. 1. From its historical roots through to the contemporary moment the collection of essays written by eminent scholars in the field demonstrate so clearly how Indian cinema is more than the sum of its parts An essential text for anyone wishing to understand properly the full complexities of Hindi cinemaProfessor Susan Hayward University of Exeter UKWe are finally at a point when the study of Bollywood is a fully fledged field in Film StudiesProfessor Dina Iordanova University of St Andrews ScotlandThe Bollywood Reader extends the discursive boundaries of Indian popular cinema in interesting and complex ways In putting together this volume the editors have performed magnificentlyProfessor Wimal Dissanayake University of Hawaii USA What is Bollywood cinema How does it operate as an industry Who are the audiences of Bollywood cinema These are just some of the questions addressed in this lively and fascinating guide to the cultural social and political significance of popular Hindi cinema which outlines the history and structure of the Bombay film industry and its impact on global popular cultureIncluding a wideranging selection of essays from key voices in the field the Reader charts the development of the scholarship on popular Hindi cinema with an emphasis on understanding the relationship between cinema and colonialism nationalism and globalizationFeatures include Comprehensive introductory essay Landmark essays by key scholars in the field Glossary of key terms Timeline of key events in Indian cinema Further reading section The authors address the issues of capitalism nationalism Orientalism and modernity through understandings of race class gender and sexuality religion politics and diaspora as depicted in Indian popular filmsThe Bollywood Reader is captivating reading for film media and cultural studies students and scholars with an interest in Bollywood cinema. Bestandsnummer des Verkäufers DADAX0335222129
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Buchbeschreibung Paperback. Zustand: new. Paperback. "From its historical roots through to the contemporary moment, the collection of essays, written by eminent scholars in the field, demonstrate so clearly how Indian cinema is more than the sum of its parts. An essential text for anyone wishing to understand properly the full complexities of Hindi cinema." Professor Susan Hayward, University of Exeter, UK "We are finally at a point when the study of Bollywood is a fully fledged field in Film Studies." Professor Dina Iordanova, University of St. Andrews, Scotland "The Bollywood Reader extends the discursive boundaries of Indian popular cinema in interesting and complex ways. In putting together this volume, the editors have performed magnificently." Professor Wimal Dissanayake, University of Hawaii, USA What is Bollywood cinema? How does it operate as an industry? Who are the audiences of Bollywood cinema? These are just some of the questions addressed in this lively and fascinating guide to the cultural, social and political significance of popular Hindi cinema, which outlines the history and structure of the Bombay film industry, and its impact on global popular culture. Including a wide-ranging selection of essays from key voices in the field, the Reader charts the development of the scholarship on popular Hindi cinema, with an emphasis on understanding the relationship between cinema and colonialism, nationalism, and globalization. Features include: Comprehensive introductory essay Landmark essays by key scholars in the field Glossary of key terms Timeline of key events in Indian cinema Further reading section The authors address the issues of capitalism, nationalism, Orientalism and modernity through understandings of race, class, gender and sexuality, religion, politics and diaspora as depicted in Indian popular films. The Bollywood Reader is captivating reading for film, media and cultural studies students and scholars with an interest in Bollywood cinema. Offers a road map of the scholarship on modern Hindi cinema in India, with an emphasis on understanding the interplay between cinema and colonialism, nationalism, and globalization. This book attends to issues of capitalism, nationalism, orientalism, and modernity through understandings of race, class, gender and sexuality, religion, and politics. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9780335222124
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The Bollywood Reader (Paperback)
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ISBN 10: 0335222129
ISBN 13: 9780335222124
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Buchbeschreibung Paperback. Zustand: new. Paperback. "From its historical roots through to the contemporary moment, the collection of essays, written by eminent scholars in the field, demonstrate so clearly how Indian cinema is more than the sum of its parts. An essential text for anyone wishing to understand properly the full complexities of Hindi cinema." Professor Susan Hayward, University of Exeter, UK "We are finally at a point when the study of Bollywood is a fully fledged field in Film Studies." Professor Dina Iordanova, University of St. Andrews, Scotland "The Bollywood Reader extends the discursive boundaries of Indian popular cinema in interesting and complex ways. In putting together this volume, the editors have performed magnificently." Professor Wimal Dissanayake, University of Hawaii, USA What is Bollywood cinema? How does it operate as an industry? Who are the audiences of Bollywood cinema? These are just some of the questions addressed in this lively and fascinating guide to the cultural, social and political significance of popular Hindi cinema, which outlines the history and structure of the Bombay film industry, and its impact on global popular culture. Including a wide-ranging selection of essays from key voices in the field, the Reader charts the development of the scholarship on popular Hindi cinema, with an emphasis on understanding the relationship between cinema and colonialism, nationalism, and globalization. Features include: Comprehensive introductory essay Landmark essays by key scholars in the field Glossary of key terms Timeline of key events in Indian cinema Further reading section The authors address the issues of capitalism, nationalism, Orientalism and modernity through understandings of race, class, gender and sexuality, religion, politics and diaspora as depicted in Indian popular films. The Bollywood Reader is captivating reading for film, media and cultural studies students and scholars with an interest in Bollywood cinema. Offers a road map of the scholarship on modern Hindi cinema in India, with an emphasis on understanding the interplay between cinema and colonialism, nationalism, and globalization. This book attends to issues of capitalism, nationalism, orientalism, and modernity through understandings of race, class, gender and sexuality, religion, and politics. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Bestandsnummer des Verkäufers 9780335222124
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