Venture at your own risk into a realm where the sun sinks into oblivion–and all that is unholy, unearthly, and unspeakable rises. These rare, hard-to-find collaborations of cosmic terror are back in print, including
• Wentworth’s Day A fellow figures his debt to a dead man is null and void, until he discovers just how terrifying interest rates can be.
• The Shuttered Room A sophisticated gentleman must settle his grandfather’s estate, only to find that the house shelters dark secrets.
• The Dark Brotherhood A beautiful woman and her companion meet the likes of Edgar Allan Poe, in a tale as terrifying as anything Poe himself ever created.
• Innsmouth Clay A sculptor returns from Paris to create a statue not entirely of this world–and not at all under his control.
• Witches’ Hollow A new schoolteacher puts his soul in peril while trying to save one of his students from a ravenous creature.
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Almost completely ignored by the mainstream press during his lifetime, H. P. Lovecraft has since come to be recognized as one of the greatest writers of classic horror, on a par with Edgar Allan Poe, Lovecraft's mentor. H. P. Lovecraft's work has been translated into more than a dozen languages, his tales adapted for film, television, and comic books, and he has been the subject of more scholarly study than any other writer of horror fiction save Poe.
The Survivor
Certain houses, like certain persons, manage somehow to proclaim at once their character for evil. Perhaps it is the aroma of evil deeds committed under a particular roof, long after the actual doers have passed away, that makes the gooseflesh come and the hair rise. Something of the original passion of the evil-doer, and of the horror felt by his victim, enters the heart of the innocent watcher, and he becomes suddenly conscious of tingling nerves, creeping skin, and a chilling of the blood . . . —Algernon Blackwood
I had never intended to speak or write again of the Charriere house, once I had fled Providence on that shocking night of discovery—there are memories which every man would seek to suppress, to disbelieve, to wipe out of existence—but I am forced to set down now the narrative of my brief acquaintance with the house on Benefit Street, and my precipitate flight there from, lest some innocent person be subjected to indignity by the police in an effort to explain the horrible discovery the police have made at last—that same ghastly horror it was my lot to look upon before any other human eye—and what I saw was surely far more terrible than what remained to be seen after all these years, the house having reverted to the city, as I had known it would.
While it is true that an antiquarian might be expected to know considerably less about some ancient avenues of human research than about old houses, it is surely conceivable that one who is steeped in the processes of research among the habitations of the human race might occasionally encounter a more abstruse mystery than the date of an ell or the source of a gambrel roof and find it possible to come to certain conclusions about it, no matter how incredible, how horrible or frightening or even—yes, damnable! In those quarters where antiquarians gather, the name of Alijah Atwood is not entirely unknown; modesty forbids me to say more, but it is surely permissible to point out that anyone sufficiently interested to look up references will find more than a few paragraphs about me in those directories devoted to information for the antiquary.
I came to Providence, Rhode Island, in 1930, intending to make only a brief visit and then go on to New Orleans. But I saw the Charriere house on Benefit Street, and was drawn to it as only an antiquarian would be drawn to any unusual house isolated in a New England street of a period not its own, a house clearly of some age, and with an indefinable aura that both attracted and repelled.
What was said about the Charriere house—that it was haunted—was no more than what was said about many an old, abandoned dwelling in the old world as well as in the new, and even, if I can depend on the solemn articles in the Journal of American Folklore, about the primitive dwellings of American Indians, Australian bush-people, the Polynesians, and many others. Of ghosts I do not wish to write; suffice it to say that there have been within the circle of my experience certain manifestations which have lent themselves to no scientific explanation, though I am rational enough to believe that there is such explanation to be found, once man chances upon the proper interpretation through the correct scientific approach.
In that sense, surely the Charriere house was not haunted. No spectre passed among its rooms rattling its chain, no voice moaned at midnight, no sepulchral figure appeared at the witching hour to warn of approaching doom. But that there was an aura about the house—one of evil? of terror? of hideous, eldritch things?—none could deny; and had I been born a less insensitive clod, I have no doubt that the house would have driven me forth raving out of mind. Its aura was less tangible than others I have known, but it suggested that the house concealed unspeakable secrets, long hidden from human perception. Above all else, it conveyed an overpowering sense of age—of centuries not alone of its own being, but far, far in the past, when the world was young, which was curious indeed, for the house, however old, was less than three centuries of age.
I saw it first as an antiquarian, delighted to discover set in a row of staid New England houses a house which was manifestly of a seventeenth century Quebec style, and thus so different from its neighbors as to attract immediately the eye of any passerby. I had made many visits to Quebec, as well as to other old cities of the North American continent, but on this first visit to Providence, I had not come primarily in search of ancient dwellings, but to call upon a fellow antiquarian of note, and it was on my way to his home on Barnes Street that I passed the Charriere house, observed that it was not tenanted, and resolved to lease it for my own. Even so, I might not have done so, had it not been for the curious reluctance of my friend to speak of the house, and, indeed, his seeming unwillingness that I go near the place. Perhaps I do him an injustice in retrospect, for he, poor fellow, was even then on his deathbed, though neither of us knew it; so it was at his bedside I sat, and not in his study, and it was there that I asked about the house, describing it unmistakably, for, of course, I did not then know its name or anything about it.
A man named Charriere had owned it—a French surgeon, who had come down from Quebec. But who had built it, Gamwell did not know; it was Charriere he had known. “A tall, rough-skinned man—I saw little of him, but no one saw more. He had retired from practice,” said Gamwell. He had lived there—and presumably older members of his family, though Gamwell could not say as to this—for as long as Gamwell had known the house. Dr. Charriere had lived a reclusive life, and had died, according to notice duly published in the Providence Journal, in 1927, three years ago. Indeed, the date of Dr. Charriere’s death was the only date that Gamwell could give me; all else was shrouded in vagueness. The house had not been rented more than once; there had been a brief occupation by a professional man and his family, but they had left it after a month, complaining of its dampness and the smells of the old house; since then it had stood empty, but it could not be torn down, for Dr. Charriere had left in his will a considerable sum of money to keep the property off the tax-delinquent list for a long enough time—some said twenty years—to guarantee that the house would be standing there if and when heirs of the surgeon appeared to lay claim to it, the doctor having written vaguely of a nephew in French Indo-China, on military service. All attempts to find the nephew had proved futile, and now the house was being permitted to stand until the period specified in the will of Dr. Charriere had expired.
“I think of leasing it,” I told Gamwell.
Ill though he was, my fellow antiquarian raised himself up on one elbow in protest. “A passing whim, Atwood—let it pass. I have heard disquieting things of the house.”
“What things?” I asked him bluntly.
But of these things he would not speak; he only shook his head feebly and closed his eyes.
“I hope to examine it tomorrow,” I went on.
“It offers nothing you could not find in Quebec, believe me,” said Gamwell.
But, as I have set forth, his curious opposition served only to augment my desire to examine the house at close range. I did not mean to spend a lifetime there, but only to lease it for a half year or so, and make it a base of operations, while I went about the countryside around the city as well as the lanes and byways of Providence in search of the antiquities of that region. Gamwell did surrender at last the name of the firm of lawyers in whose hands the Charriere will had been...
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Paperback. Zustand: new. Paperback. Venture at your own risk into a realm where the sun sinks into oblivionand all that is unholy, unearthly, and unspeakable rises. These rare, hard-to-find collaborations of cosmic terror are back in print, including Wentworths Day A fellow figures his debt to a dead man is null and void, until he discovers just how terrifying interest rates can be. The Shuttered Room A sophisticated gentleman must settle his grandfathers estate, only to find that the house shelters dark secrets. The Dark Brotherhood A beautiful woman and her companion meet the likes of Edgar Allan Poe, in a tale as terrifying as anything Poe himself ever created. Innsmouth Clay A sculptor returns from Paris to create a statue not entirely of this worldand not at all under his control. Witches Hollow A new schoolteacher puts his soul in peril while trying to save one of his students from a ravenous creature. Reworked from Lovecraft's unfinished manuscripts and story fragments by longtime friend and collaborator Derleth, these 15 high-octane tales retain the mythos and essence of horror's most seminal writer. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9780345485694