She wanted to be a hip-hop star but the streets got in the way.
Have you ever laid down with a man and wasn’t sure if you’d ever get back up? Tossed the sheets with a bone-knocking fear that only a hard-core hustler could produce? Sexed him like your life depended on it, because in reality it did? You still with me? Then let’s roll over to my house. Harlem. 145th Street. Grab a seat and brace yourself as I show you the kind of pain that street life and so-called success can bring. . . .
Nineteen-year-old Candy Raye Montana, an ex—drug runner for the Gabriano crime family and a former foster child, dreams of becoming a hip-hop superstar, if only someone will discover her talents.
Someone does. Mega music producer and king thug of Harlem, Junius “Hurricane” Jackson, CEO of the House of Homicide recording studio, cuts a deal and puts Candy on the stage. Suddenly she is a hot new artist on the notorious Homicide Hitz record label. Her career takes off and she blazes the charts, but it’s not long before Candy realizes that the man she thought was her knight is nothing more than a cold-blooded nightmare.
Caught between the music and the madness, between the dollars and the deals, Candy belongs to Hurricane—body and soul—and must endure his sadistic bedroom desires while keeping his sexual secrets hidden from the world. But Candy has some strong desires of her own that simply cannot be denied, especially when she finds herself turned on by a brilliant investment baller who just happens to be Hurricane’s right-hand man. Candy longs for her freedom, but if Hurricane gets wind of her betrayal the blowback will be lethal—and not only will she risk losing her recording contract, she just might lose her life.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Noire is an author from the streets of New York whose hip-hop stories pulsate with urban flavor.
Chapter 1
Money, Lust, Fame
It was a little after one on a Friday night and mics were on fire at the House of Homicide. Junius “Hurricane” Jackson was Homicide’s CEO, producer, and all-around king niggah in charge. Hurricane commanded mad respect on the streets of New York City, and even the most thugged-out criminals feared him like the badass hustler that he was.
The House of Homicide was located smack in the middle of Harlem, on a block that stayed live twenty-four hours a day. It was originally built as a neighborhood movie theater, but when Hurricane started running things, he converted it into a hot nightclub/recording studio that attracted hundreds of ballers, rappers, and hopeful wannabe artists looking to get on a stage and get paid.
Every superhead in Harlem wanted to be down on Homicide’s tip. The crack fiends, the teenage baby mamas. The video hoes who were lost and turned out.
“That Cane niggah is hard!” they’d laugh as they lined up half-naked outside the studio, posing and shivering in the cold, just dying to get a spot on his latest video shoot. “Let that rich motherfucka put the camera on me. I’ll rock my ass so hard he’ll forget his mama’s name!”
Yeah, Hurricane was a living legend in Harlem, and he had his House on lock and under total control. He was a genius when it came to recognizing raw street talent, and he dominated the music industry so viciously it made those cats over at Crunk Cuts and Ruthless Rap look weak and broke-down.
Hurricane was in deep with the Mafia too, and they gave him a lot of rope. He strong-armed a bunch of small businesses and laundered Mob money through almost all of them, especially the corner liquor store he owned and his rib joint that was right next door. He played the role of a community leader and all that too. You know, giving out free turkeys during the holidays and sponsoring bookmobiles and things like that for the kids in the hood. He had fat knots in his pockets and was even known to organize street cleanups and pay people’s bills when they got too far behind. But nothing went down in Harlem that Hurricane wasn’t involved in. No deals got made, no pussy got sold, no dice got tossed. Nobody so much as rolled a blunt unless Hurricane got his cut.
Hurricane had mad pull from coast to coast. In the time that I’d known him he’d signed some of the hottest singers and rap artists from L.A. to Miami and snatched them into his camp. A few artists he straight stole from other labels, and some he actually got honest. But no matter how they got here, the minute they put their name on the dotted line their asses belonged to the House of Homicide, and Hurricane Jackson became their don, their daddy, and their dictator.
This Friday night was starting out just like any other. I was chilling downstairs in one of the recording rooms with two hopeful artists, Jazzy and Danita. Friday nights were fresh-talent night at the House of Homicide. The House was packed, and rappers and video hoes were lined up out the door and around the corner waiting for their chance to jump in the pit and impress Hurricane.
Jazzy had been here once before, but it was Danita’s first night in the House. Since we were sitting around waiting for the pit to go live, we decided to kill some time listening to some bootleg mix tapes somebody had brought in off the streets. I’d watched both of these chicks rehearse the tracks they were gonna perform in the pit tonight, and they didn’t sound half bad. The problem was they were regular. Didn’t nothing stand out about them except they asses. I knew exactly which rooms they would end up in, and it damn sure wasn’t gonna be no mic room like they were hoping.
Jazzy was the cutest of the two and she was rocking a pair of Donna Karan shorts that were so tight the V between her legs looked like a camel toe. Danita was just as hot. She sported a fly little Rocawear miniskirt that clung to her thighs and rode up her hips every time she moved. Upstairs, the music was banging and the party was in full charge. The way Danita and Jazzy were flossing I could tell they were ready to rush up the steps, grab a baller, and get crunk in the middle of the mix.
“Damn, Candy,” Danita said, winding her hips and slurping from a cold bottle of beer. “I ain’t into no bitches, but you one lucky heffah! Booming body, pretty red hair, blue eyes, light chocolate skin . . . I see why that niggah Hurricane got you laced up so lovely. Do you, boo! If I was laying up with Hurricane I’d be iced out and cutting hits left and right too. But just wait till your niggah hears some of my rhymes. I’ma press his ass out!”
I just nodded and thought about Dominica and Vonzelle, my girls from Scandalous! We was fresh and hot like Jazzy and Danita at one time too, so I understood what kinda cloud their heads were stuck in. Born singing, I’d had visions of being a superstar for as long as I could remember. But hard knocks and cold men had taught me a little somethin’ about the music business that Jazzy and Danita must didn’t know. These chicks couldn’t see past the obvious. The bright lights, iced-out jewels, expensive cars . . . all this shit came with a price on it, a price that sexing Hurricane had taught me I couldn’t afford to pay.
ooo
I’d met some pretty mean niggahs during my travels, but Hurricane Jackson was the first one to show me what real pain was all about. Hurricane held a lease on my life. He’d paid the Mob cash money for my ass, and his word and his protection were the only things keeping me alive.
I got my first taste of Hurricane’s cruelty while I was laid up naked in his bed, and the minute I saw what he was working with I knew my shit was fried. The niggah was a bonecrusher. He had a body like Mr. Universe. Mike Tyson didn’t have shit on him. Swole chest, twelve-pack stomach. Muscles everywhere. But it was mainly for show. Sex with Hurricane was all about Hurricane, and he got his pleasure by seeing other people in pain. No tonguing me down or licking my neck. That was the last thing on his mind. He didn’t even stroke the poon-poon or worry whether or not it was wet. Nope, fucking Hurricane was unlike anything I’d ever known, and I would find out the hard way that his foreplay was even more destructive than his name.
Don’t get me wrong. Ain’t nobody out here perfect, but there are some brothers who been blessed with gifts that can make a sistah climb the walls. Hurricane, too, had been blessed in a lot of ways. He was powerful, he was rich, he was fine, and everybody knew he had crazy musical talent. But none of that shit made up for what Hurricane was lacking, and a deficiency like the one he had, especially in a such a big, strong, buff-ass man, was enough to turn even the most mellow niggah into a raging maniac. Yeah, Hurricane Jackson had a whole lot of things the average brothah could only dream of, but what he was missing was the one thing all his money and his power couldn’t buy him.
A dick.
ooo
The first time Hurricane took me home to the banging mansion he kept on Long Island, nothing in my life had ever impressed me more. About a thousand niggahs lived up in there with him, but I didn’t care.
He was rich.
His place was a palace compared to the holes I’d lived in. The windows were paneless and made of flat dark glass, the ceilings were twenty feet high, and the floors were smoked Italian...
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Paperback. Zustand: Good. SHE WANTED TO BE A HIP-HOP STAR BUT THE STREETS GOT IN THE WAY. Have you ever laid down with a man and wasn't sure if you'd ever get back up? Tossed the sheets with a bone-knocking fear that only a hard-core hustler could produce? Sexed him like your life depended on it, because in reality it did? You still with me? Then let's roll over to my house. Harlem. 145th Street. Grab a seat and brace yourself as I show you the kind of pain that street life and so-called success can bring. . . . Nineteen-year-old Candy Raye Montana, an ex--drug runner for the Gabriano crime family and a former foster child, dreams of becoming a hip-hop superstar, if only someone will discover her talents. Someone does. Mega music producer and king thug of Harlem, Junius Hurricane Jackson, CEO of the House of Homicide recording studio, cuts a deal and puts Candy on the stage. Suddenly she is a hot new artist on the notorious Homicide Hitz record label. Her career takes off and she blazes the charts, but it's not long before Candy realizes that the man she thought was her knight is nothing more than a cold-blooded nightmare. Caught between the music and the madness, between the dollars and the deals, Candy belongs to Hurricane-body and soul-and must endure his sadistic bedroom desires while keeping his sexual secrets hidden from the world. But Candy has some strong desires of her own that simply cannot be denied, especially when she finds herself turned on by a brilliant investment baller who just happens to be Hurricane's right-hand man. Candy longs for her freedom, but if Hurricane gets wind of her betrayal the blowback will be lethal-and not only will she risk losing her recording contract, she just might lose her life. Bestandsnummer des Verkäufers CIN0345486471G
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