Inhaltsangabe
From the 5th century BC, when Pythagoras first composed his laws of Western music and science, until the flowering of Romanticism over 2000 years later, scientists and philosophers perceived the cosmos musically, as an ordered mechanism whose smooth operation created a celestial harmony - the music of the spheres. The separation of science and music began with the scientific revolution during the Renaissance, and reached a peak with Romanticism, which celebrated what was human, individual and local. 20th-century science and music, argues Jamie James in this book, have rejected the Romantic ideal and placed the ultimate focus outside the reach of human reason once again. The book provides a survey of the history of science and music, a reassessment of Romanticism and the modernist reaction to it, and a radical intellectual journey.
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Über die Autorin bzw. den Autor
Jamie James was born and raised in Houston, Texas, and graduated from Williams College. Upon graduation he wrote a regular column for ANDY WARHOL'S INTERVIEW. Since then, he has written about music, science, art, archaeology, and other subjects in the pages of many American and British magazines and newspapers.
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The Music of the Spheres : Music, Science and the Natural Order of the Universe
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The Music of the Spheres : Music, Science and the Natural Order of the Universe
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Little, Brown Book Group Limited, 1995
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The Music Of The Spheres: Music, Science and the Natural Order of the Universe
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Paperback. Zustand: Very Good. From the 5th century BC, when Pythagoras first composed his laws of Western music and science, until the flowering of Romanticism over 2000 years later, scientists and philosophers perceived the cosmos musically, as an ordered mechanism whose smooth operation created a celestial harmony - the music of the spheres. The separation of science and music began with the scientific revolution during the Renaissance, and reached a peak with Romanticism, which celebrated what was human, individual and local. 20th-century science and music, argues Jamie James in this book, have rejected the Romantic ideal and placed the ultimate focus outside the reach of human reason once again. The book provides a survey of the history of science and music, a reassessment of Romanticism and the modernist reaction to it, and a radical intellectual journey. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Bestandsnummer des Verkäufers GOR001591837
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Little, Brown Book Group, London, 1995
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Paperback. Zustand: New. From the 5th century BC, when Pythagoras first composed his laws of Western music and science, until the flowering of Romanticism over 2000 years later, scientists and philosophers perceived the cosmos musically, as an ordered mechanism whose smooth operation created a celestial harmony - the music of the spheres. The separation of science and music began with the scientific revolution during the Renaissance, and reached a peak with Romanticism, which celebrated what was human, individual and local. 20th-century science and music, argues Jamie James in this book, have rejected the Romantic ideal and placed the ultimate focus outside the reach of human reason once again. The book provides a survey of the history of science and music, a reassessment of Romanticism and the modernist reaction to it, and a radical intellectual journey. Bestandsnummer des Verkäufers LU-9780349105420
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