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Opera, Emotion, and the Antipodes Volume I: Historical Perspectives: Creating the Metropolis; Delineating the Other: 1 (Routledge Research in Music) - Softcover
Inhaltsangabe
Taking Australia as a case study, this double collection demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance, but are at least partly produced, defined and regulated by culture. The first volume covers Historical Perspectives, the second Applied Perspectives.
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Über die Autorin bzw. den Autor
Jane W. Davidson has performed in and directed opera for more than 30 years. She is currently Head of Performing Arts at the University of Melbourne’s Faculty of Fine Arts and Music. She has published widely, across the field of music psychology, musicology and practice as research. She is president of the Australian Music and Psychology Society.
Michael Halliwell has enjoyed a career as an opera singer in Europe and as an academic at the University of Sydney Conservatorium of Music. He has published widely, and is president of the International Association for Word and Music Studies.
Stephanie Rocke is a Research Fellow at the University of Melbourne affiliated with ARC Centre of Excellence for the History of Emotions with wide-ranging interests and publications in music and culture across time.
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Opera, Emotion, and the Antipodes Volume I: Historical Perspectives: Creating the Metropolis; Delineating the Other (Routledge Research in Music)
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Opera, Emotion, and the Antipodes Volume I
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Opera, Emotion, and the Antipodes Volume I: Historical Perspectives: Creating the Metropolis; Delineating the Other (Routledge Research in Music)
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Opera, Emotion, and the Antipodes Volume I
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Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -There can be little doubt that opera and emotion are inextricably linked. From dramatic plots driven by energetic producers and directors to the conflicts and triumphs experienced by all associated with opera's staging to the reactions and critiques of audience members, emotion is omnipresent in opera. Yet few contemplate the impact that the customary cultural practices of specific times and places have upon opera's ability to move emotions. Taking Australia as a case study, this two-volume collection of extended essays demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance but are at least partly produced, defined, and regulated by culture. Spanning approximately 170 years of opera production in Australia, the authors show how the emotions associated with the specific cultural context of a nation steeped in egalitarian aspirations and marked by increasing levels of multiculturalism have adjusted to changing cultural and social contexts across time. Volume I adopts an historical, predominantly nineteenth-century perspective, while Volume II applies historical, musicological, and ethnological approaches to discuss subsequent Australian operas and opera productions through to the twenty-first century. With final chapters pulling threads from the two volumes together, Opera, Emotion, and the Antipodes establishes a model for constructing emotion history from multiple disciplinary perspectives. 254 pp. Englisch. Bestandsnummer des Verkäufers 9780367651053
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Opera, Emotion, and the Antipodes Volume I: Historical Perspectives: Creating the Metropolis; Delineating the Other (Routledge Research in Music)
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Opera, Emotion, and the Antipodes Volume I: Historical Perspectives: Creating the Metropolis; Delineating the Other
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Opera, Emotion, and the Antipodes Volume I : Historical Perspectives: Creating the Metropolis; Delineating the Other
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Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - There can be little doubt that opera and emotion are inextricably linked. From dramatic plots driven by energetic producers and directors to the conflicts and triumphs experienced by all associated with opera's staging to the reactions and critiques of audience members, emotion is omnipresent in opera. Yet few contemplate the impact that the customary cultural practices of specific times and places have upon opera's ability to move emotions. Taking Australia as a case study, this two-volume collection of extended essays demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance but are at least partly produced, defined, and regulated by culture. Spanning approximately 170 years of opera production in Australia, the authors show how the emotions associated with the specific cultural context of a nation steeped in egalitarian aspirations and marked by increasing levels of multiculturalism have adjusted to changing cultural and social contexts across time. Volume I adopts an historical, predominantly nineteenth-century perspective, while Volume II applies historical, musicological, and ethnological approaches to discuss subsequent Australian operas and opera productions through to the twenty-first century. With final chapters pulling threads from the two volumes together, Opera, Emotion, and the Antipodes establishes a model for constructing emotion history from multiple disciplinary perspectives. Bestandsnummer des Verkäufers 9780367651053
Anzahl: 1 verfügbar
Beispielbild für diese ISBN
Opera, Emotion, and the Antipodes Volume I: Historical Perspectives: Creating the Metropolis; Delineating the Other
Verlag:
Taylor & Francis Ltd, 2022
ISBN 10: 036765105X
ISBN 13: 9780367651053
Neu
Paperback / softback
Anbieter: THE SAINT BOOKSTORE, Southport, Vereinigtes Königreich
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Opera, Emotion, and the Antipodes Volume I: Historical Perspectives: Creating the Metropolis; Delineating the Other (Routledge Research in Music)
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Opera, Emotion, and the Antipodes Volume I
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