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Grade 8 Up–Closeted high schooler Kit Webster hopes to take a vacation from reality by accepting one of the leads in a school play called Talk. Opposite Kit is popular drama queen Lindsay Walsh, who falls for him while they're onstage and dumps her meathead boyfriend. He blames Kit and homophobic epithets ensue. At the same time, the town turns upside down over the play's strong content, and soon nearly everyone is in an uproar. Told in Kit's and Lindsay's alternating voices, and with portions of the script inserted throughout, this novel breaks no new ground literarily or thematically. Readers will find the uncertain chemistry between the protagonists intriguing, but the vague controversy surrounding the play and free-speech rallies quickly become didactic and tiresome. Koja's stream-of-conscious style enhances the story's sense of realism, but the characterizations seem flat and polarized compared to other straight/gay romantic muddles like Alex Sanchez's So Hard to Say (2004) or Ellen Wittlinger's Hard Love (1999, both S & S). Still, reluctant readers may be tempted enough by the volume's slim size and simplistic themes to see it through to the end.–Hillias J. Martin, New York Public Library
Gr. 8-11. Other people may be surprised when Kit, who has never acted before, wins the lead in the high-school play. But he isn't. He knows the truth: he's been acting all his life, pretending to be straight. Things become increasingly complicated for the closeted teen when his difficult costar, Lindsay, falls in love with him, and their play, Talk, a hard-hitting drama about political repression, excites controversy and parental attempts at censorship. The action of this ambitious novel moves along briskly when it alternates between Kit and Lindsay's points of view, but it becomes message-driven when pages from the play are periodically included to reinforce the theme: that the self is revealed no matter what. Fortunately, Kit's true self is interesting and sympathetic enough to hold the reader's attention through the occasional didactic patches, and the author's nicely realized denouement is both life- and self-affirming. Michael Cart
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