Nadine Gordimer once remarked that Gjertrud Schnackenberg's poems "move me in a way that I don't really think I have experienced since I first read Rilke at sixteen or seventeen."
A Gilded Lapse of Time, Schnackenberg's third volume, is presented in three sections: the title sequence, concerning a visit to Dante's tomb in Ravenna; "Crux of Radiance," a series of poems exploring the making and unmaking of the image of God in scenes from the Passion narrative; and "A Monument in Utopia," about the destruction of the Russian poet Osip Mandelstam at the hands of Stalin. Setting legends of the Creation against history's record of catastrophe, setting acts of miraculous art-making against themes of God's world-making, the poems in A Gilded Lapse of Time search out the relationship between poetry and history, the ways they haunt one another, and the guilt that poetry and history share in one another's unfolding. The poet's treatment of the themes of human and divine handiwork--of earthly and celestial love, faith and refusal, oblivion and remembrance--attains to an incandescent vision of the past as a realm that lies before rather than behind us.Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Gjertrud Schnackenberg was born in Tacoma, Washington, in 1953. Her awards include fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the Rome Prize in Literature from the American Academy and Institute of Arts and Letters, the American Academy in Berlin, the Radcliffe Institute for Advanced Study at Harvard University, and an Award in Literature from the American Academy of Arts and Letters. She has been a Christensen Visiting Fellow at St. Catherine's College, Oxford, and a Visiting Scholar at the Getty Research Institute for the History of Art and the Humanites. The Throne of Labdacus received the 2001 Los Angeles Times Book Prize in Poetry, and Heavenly Questions received the 2011 Griffin International Prize for Poetry.
This work of spiritual imagination appears seven years after Gjertrud Schnackenberg's second book, of which Nadine Gordimer wrote that it contains "poems that move me in a way that I don't really think I have experienced since I first read Rilke at sixteen or seventeen". A Gilded Lapse of Time is in three sections: the title sequence, surrounding a visit to Dante's tomb in Ravenna; "Crux of Radiance", a series of poems exploring the making and unmaking of the image of God in scenes from the Passion narrative; and "A Monument in Utopia", about the destruction of the Russian poet Osip Mandelstam at Stalin's hands. Setting legends of the Creation against history's record of catastrophe, setting acts of miraculous art-making against themes of God's world-making, these poems search out the relationship between poetry and history, the ways they haunt one another, and the guilt that poetry and history share in one another's unfolding. Her treatment of the themes of human and divine handiwork, of earthly and celestial love, of faith and refusal, of oblivion and remembrance, attains to an incandescent vision of the past as a realm that lies before rather than behind us.
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