The Bay of Angels: A Novel (Vintage Contemporaries) - Softcover

Brookner, Anita

Softcover

ISBN 10: 0375727604 ISBN 13: 9780375727603

Verlag: Knopf Doubleday Publishing Group, 2002

Inhaltsangabe

Despite growing up with a widowed and reclusive mother, young Zoë Cunningham retains an unshakable faith in storybook happy endings. When her mother, Anne, finally decides to remarry, Zoë is thrilled with her prospective stepfather, Simon Gould, who is not only wealthy, but also kind and generous. Simon’s affection for his new family allows Zoë to pursue what she thinks is an independent life: her own apartment in a fashionable part of London, a university education, casual affairs, and carefree holidays at Simon’s villa in Nice. When a series of unexpected calamities intervene, Zoë learns that the idyllic freedom she enjoys has come at a steep price. To preserve both her mother’s and her own sense of wellbeing, Zoë must discern the real motives of the strangers on whom she now depends, including the silent and mysterious man whose nocturnal movements have attracted her attention.

Über diesen Titel

Über die Autorin bzw. den Autor

Anita Brookner was born in London and, apart from several years in Paris, has lived there ever since. She trained as an art historian and taught at the Courtauld Institute of Art until 1988.

Von der hinteren Coverseite

Despite growing up with a widowed and reclusive mother, young Zoe Cunningham retains an unshakable faith in storybook happy endings. When her mother, Anne, finally decides to remarry, Zoe is thrilled with her prospective stepfather, Simon Gould, who is not only wealthy, but also kind and generous. Simon's affection for his new family allows Zoe to pursue what she thinks is an independent life: her own apartment in a fashionable part of London, a university education, casual affairs, and carefree holidays at Simon's villa in Nice. When a series of unexpected calamities intervene, Zoe learns that the idyllic freedom she enjoys has come at a steep price. To preserve both her mother's and her own sense of wellbeing, Zoe must discern the real motives of the strangers on whom she now depends, including the silent and mysterious man whose nocturnal movements have attracted her attention.

Aus dem Klappentext

ing up with a widowed and reclusive mother, young Zoë Cunningham retains an unshakable faith in storybook happy endings. When her mother, Anne, finally decides to remarry, Zoë is thrilled with her prospective stepfather, Simon Gould, who is not only wealthy, but also kind and generous. Simon s affection for his new family allows Zoë to pursue what she thinks is an independent life: her own apartment in a fashionable part of London, a university education, casual affairs, and carefree holidays at Simon s villa in Nice. When a series of unexpected calamities intervene, Zoë learns that the idyllic freedom she enjoys has come at a steep price. To preserve both her mother s and her own sense of wellbeing, Zoë must discern the real motives of the strangers on whom she now depends, including the silent and mysterious man whose nocturnal movements have attracted her attention.

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I read the Blue Fairy Book, the Yellow Fairy Book, and the stories of Hans Andersen, the Brothers Grimm, and Charles Perrault. None of this was groundwork for success in worldly terms, for I was led to think, and indeed was minded to think, of the redeeming situation or presence which would put to rights the hardships and dilemmas under which the characters, and I myself, had been labouring. More dangerously, it seemed to me that I need make no decisions on my own behalf, for destiny or fate would always have the matter in hand. Although I was too sensible, even as a child, to believe in a fairy godmother I accepted as part of nature’s plan that after a lifetime of sweeping the kitchen floor I would go to the ball, that the slipper would fit, and that I would marry the prince. Even the cruel ordeals undergone by the little match girl, or by Hansel and Gretel, would be reversed by that same principle of inevitable justice which oversaw all activities, which guided some even if it defeated others. I knew that some humans were favoured—by whom? by the gods? (this evidence was undeniable)—but I was willing to believe in the redeeming feature, the redeeming presence that would justify all of one’s vain striving, would dispel one’s disappointments, would in some mysterious way present one with a solution in which one would have no part, so that all one had to do was to wait, in a condition of sinless passivity, for the transformation that would surely take place.

This strikes me now as extremely dangerous, yet parts of this doctrine seemed overwhelmingly persuasive, principally because there were no stratagems to be undertaken. One had simply to exist, in a state of dreamy indirection, for the plot to work itself out. This was a moral obligation on the part of the plot: there would be no place for calculation, for scheming, for the sort of behaviour I was to observe in the few people we knew and which I found menacing. This philosophy, the philosophy of the fairy tale, had, I thought, created my mother, whose strange loneliness was surely only a prelude to some drastic change of fortune in which she need play no active part. I therefore accepted as normal that she should spend her days sitting and reading, engaging in minimal outdoor activity, for surely these were the virtuous prerequisites for vindication of some sort, for a triumph which would confound the sceptics, whom I was also able to recognize. She was a widow; I was hardly aware of the lack of a father, for I accepted that the road to validation was in essence one of solitude, and rather than engage in some productive occupation I preferred my mother to wait for the solution to her situation to be presented as none of her own volition.

I was thus aware of her unhappiness but able to bear it, with the help of the knowledge and indeed wisdom I had culled from my reading. As a child I did not perceive her longings, which had been cruelly cut short by my father’s premature death. Nor was I much interested in him, for he belonged to prehistory; I had no image of him other than as a face bending over me, and a photograph of a slim young man in an academic gown. Even the photograph conformed to my belief, for it showed someone who was not quite grown up, and therefore a fit companion for my mother who was not quite grown up either, a woman in embryo whose maturity was still far off. This made me comfortable with my own position, a fit descendant of a couple on the verge of existence who were merely undergoing some form of trial and who were surely approaching some beneficent outcome which would make even my father’s death assume acceptable proportions. He had died, and my mother had survived his death. Her unhappiness, I was confident, would be overturned, as any term of trial must be. It sometimes seemed to me that my father’s disappearance had merely prepared the way for a story very much like the ones I was so fond of reading. I was not then aware of the universal desire for a happy ending: I would not have understood such an abstraction. But I did know, or was convinced, that our story would have a happy ending, not realizing that there is no proper ending in human affections until time provides an ending to which all must submit.

The fact that we were of the same species (even my absent father contributed his very real silence to our own relative silence) merely emphasized the gulf that existed between ourselves and the harsher world outside our flat in Edith Grove. At least I assumed that it was harsher: how could it not be? When my mother walked soundlessly from one room to another, sat reading in the quiet afternoons, or carefully watered the plants on our little balcony, I was not aware of any lack or discrepancy in our lives, or not until some outward agency disrupted our slow peaceful rhythm. Our street was nearly silent, almost abandoned by the late morning: I could be trusted to make my own way to school. After I had done my homework in the evening I would take up my position at the window. I liked to watch the lights go on in other houses, as if preparing for a wayfarer’s return. My reading had conditioned me to think in terms of wayfarers, so that footsteps on the pavement gave me an agreeable sensation that the stories contained enough authenticity to justify the fact that I still read them.

No visit disturbed our evenings, nor did we wish for any. It was only at the weekends, when my mother said, ‘Better put your books away. The girls are coming,’ that I resigned myself to a lesson in reality which would be instructive but largely unwelcome. I feared this lesson on my mother’s behalf; I knew instinctively that her good manners were inadequate protection against the sentimental tactlessness of our visitors, who surely thought their presence something of a comfort to my mother and even to myself. ‘They mean well,’ said my mother. ‘They are good women.’ But we both knew that this was a lame excuse.

‘The girls’, as opposed to ‘the boys’ (their husbands, twin brothers in the hotel business), were as devoted as two sisters might have been, although they were not related. Rather it was my mother and I who were related to them, through my great-grandfather, who had married twice and had raised two separate families, one eventually resulting in my father and the other in the boys, who did not accompany their wives on these visits, although they might have done, on some vague grounds of consanguinity. What family feeling there was seemed to be in the gift of the girls, Millicent and Nancy, who faithfully kept up with my mother, whether through charity or genuine interest. It seemed to intrigue, even to excite them, that a woman of my mother’s age could live without the presence of a man; they regarded her with pity, with anxiety, but also with curiosity, as if in her place they would have gone mad. They had little self-control, were obtuse, and kind, but also avid. Neither had children. Their days seemed, to hear their anecdotes, full of activity: shopping, maintenance, which was of a high order, visits, and then back home to the boys for dinner and an evening of bridge, at which they would complain incessantly, their beautiful complacency fracturing slightly to reveal a perhaps unguessed-at discontent.

Despite their physical perfection, which impressed and unselfishly delighted my mother, they were women whose very real innocence was but one feature of their glossy appearance, nurtured solemnly, and thus providing a fit basis for compliments. Drawn together by the accident of their marriages, they remained devoted to each other by virtue of an extraordinary similarity of temperament. They were sensuous, but not sensual, felt relieved that neither one of them was entirely satisfied by her husband’s company, took refuge...

Details zur Ausgabe

• Verlag: Knopf Doubleday Publishing Group
• Erscheinungsdatum: 2002
• Sprache: Englisch
• ISBN 10: 0375727604
• ISBN 13: 9780375727603
• Einband: Taschenbuch
• Anzahl der Seiten: 209
• Kontakt zum Hersteller: Nicht verfügbar
• Verantwortliche Person: gpsr@libri.de; gpsr@libri.de; ; Europaallee 1; Bad Hersfeld; 36244; Deutschland