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THE WORLD OF RAYMOND CHANDLER
Edited by Barry Day
Compelling . . . "The World of Raymond Chandler"is an excellent companion to the works of the writer. It teleports fans back into Chandler's universe and offers an invaluable introduction for those new to his work.
This collection of Raymond Chandler's reflections and witticisms, edited into themed chapters, will equally satisfy his fans and readers unfamiliar with the noir master.
"The World of Raymond Chandler" is a remarkable book. Barry Day has gone through the Chandler canon with a sharp eye and a flensing knife. What remains is a fascinating and convincing portrait of a writer who, using the material of his own life and his convictions, refined pulp into literature. More than any biography I ve read, this book stirred in me a new sympathy for Chandler to match the admiration I ve always felt.
-Dean Koontz, author of "77 Shadow Street" and "What the Night Knows"
I enjoyed every page. I ve had a collection of Chandler stories waiting unread on my shelf for years and years (The Simple Art of Murder). Barry Day s "The World of Raymond Chandler" has prompted me to pull it down and place it at the top of my queue. I can t think of any higher praise.
Barry Day s book is a welcome reminder of just what a great writer Raymond Chandler was, and also illuminates his life Who knew he went to an English public school? and the whole phenomenon of Los Angeles, and the way then and now the sleazy and the corrupt live cheek by jowl with the rich and glamorous. A pleasure to read!
-Michael Korda, author of "Hero" and "Clouds of Glory""
Raymond Chandler never wrote a memoir or autobiography. The closest he came to writing either was in—and around—his novels, shorts stories, and letters. There have been books that describe and evaluate Chandler’s life, but to find out what he himself felt about his life and work, Barry Day, editor of The Letters of Noël Coward(“There is much to dazzle here in just the way we expect . . . the book is meticulous, artfully structured—splendid” —Daniel Mendelsohn;The New York Review of Books), has cannily, deftly chosen from Chandler’s writing, as well as the many interviews he gave over the years as he achieved cult status, to weave together an illuminating narrative that reveals the man, the work, the worlds he created.
Using Chandler’s own words as well as Day’s text, here is the life of “the man with no home,” a man precariously balanced between his classical English education with its immutable values and that of a fast-evolving America during the years before the Great War, and the changing vernacular of the cultural psyche that resulted. Chandler makes clear what it is to be a writer, and in particular what it is to be a writer of “hardboiled” fiction in what was for him “another language.” Along the way, he discusses the work of his contemporaries: Dashiell Hammett, James M. Cain, Hemingway, Fitzgerald, Agatha Christie, W. Somerset Maugham, and others (“I wish,” said Chandler, “I had one of those facile plotting brains, like Erle Gardner”).
Here is Chandler’s Los Angeles (“There is a touch of the desert about everything in California,” he said, “and about the minds of the people who live here”), a city he adopted and that adopted him in the post-World War I period . . . Here is his Hollywood (“Anyone who doesn’t like Hollywood,” he said, “is either crazy or sober”) . . . He recounts his own (rocky) experiences working in the town with Billy Wilder, Howard Hawks, Alfred Hitchcock, and others. . .We see Chandler’s alter ego, Philip Marlowe, private eye, the incorruptible knight with little armor who walks the “mean streets” in a world not made for knights (“If I had ever an opportunity of selecting the movie actor who would best represent Marlowe to my mind, I think it would have been Cary Grant.”) . . . Here is Chandler on drinking (his life in the end was in a race with alcohol—and loneliness) . . . and here are Chandler’s women—the Little Sisters, the “dames” in his fiction, and in his life (on writingThe Long Goodbye, Chandler said, “I watched my wife die by half inches and I wrote the best book in my agony of that knowledge . . . I was as hollow as the places between the stars.” After her death Chandler led what he called a “posthumous life” writing fiction, but more often than not, his writing life was made up of letters written to women he barely knew.)
Interwoven throughout the text are more than one hundred pictures that reveal the psyche and world of Raymond Chandler. “I have lived my whole life on the edge of nothing,” he wrote. In his own words, and with Barry Day’s commentary, we see the shape this took and the way it informed the man and his extraordinary work.
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Buchbeschreibung Knopf, 2014. Hardcover. Zustand: New. Bestandsnummer des Verkäufers 0385352360-11-14656822
Buchbeschreibung Zustand: New. . Bestandsnummer des Verkäufers 52GZZZ00AFJK_ns
Buchbeschreibung Zustand: New. . Bestandsnummer des Verkäufers 52ZZZZ0020UX_ns
Buchbeschreibung Zustand: New. . Bestandsnummer des Verkäufers 532ZZZ0020UX_ns
Buchbeschreibung Alfred A Knopf, Publisher, New York, NY, 2014. Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. Alfred A Knopf, Publisher, New York. 2014. Hardcover. Stated First Edition. Book is tight, square, and unmarked but for small remainder mark on textblock bottom. Book Condition: New. DJ: New; NOT Price Clipped ($27.95). Gray boards and spine with gray lettering on the spine. 250 pp 8vo. Raymond Chandler never his memoirs or autobiography. The author/editor has cannily, deftly chosen from Chandler's writing, as well as the many interviews he gave over the years as he achieved cult status, to weave together an illumination narrative that reveals the man, the work, the worlds he created. A clean pristine copy. Bestandsnummer des Verkäufers 005459
Buchbeschreibung Knopf, 2014. Zustand: New. book. Bestandsnummer des Verkäufers M0385352360