Traces the dual story of 1920s Los Angeles prosecutor's office crime-scene investigator Leslie White and ambitious corrupt political candidate Dave Clark, documenting how Clark was deemed a prime suspect in the brutal murder of mob boss Charlie Crawford.
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Richard Rayner is the author of Drake’s Fortune, The Cloud Sketcher, The Associates, and several other books. His writing appears in The New Yorker, the Los Angeles Times, and elsewhere. He lives in Los Angeles.
1
The Mystery Is Announced
"CHARLIE CRAWFORD AND EDITOR SLAIN!" screamed the headline in the Los Angeles Illustrated Daily News. The date was Thursday, March 20, 1931. At about 4:30 P.M. the previous afternoon the fifty-four-year-old Crawford, nicknamed "The Gray Wolf" because of the silvery-gray hair that waved and curled across his head, had been gunned down in his office on Sunset Boulevard. Also killed was Herbert Spencer, a veteran journalist who'd been with Crawford in the room. "EX-BOSS FALLS TO LONG-FEARED GUNMAN BULLET," the News went on. "Crawford, kingpin politician, lived until 8:32 P.M. last night, a little more than four hours after the shooting. He died without revealing the identity of his assailant, according to detectives . . ."
Crawford had been, and many believed he still was, a "boss," a key player in what was known as "The System," a low-profile but all-powerful syndicate that ran the gambling, prostitution, and bootlegging rackets in Los Angeles. "He was the most feared and dictatorial power in the city, its behind-the-scenes czar," wrote Beverly Davis, who ran an upscale brothel for Crawford. "You could get away with murder under his wing." This was L.A.'s brand of gangsterism: Crawford used officers of the Los Angeles Police Department to collect the take from the underworld captains. He worked behind the scenes with Kent Kane Parrot, a fixer who'd had George Cryer, the mayor of Los Angeles from 1921-29, pretty much in his pocket. It was a discreet yet effective arrangement that had been in place since Crawford and Parrot contrived to get Cryer elected. As far as the rackets were concerned, L.A. had been a closed town ever since, locked down by Crawford and The System. "It was the most lucrative, the most efficient, and the best-entrenched graft operation in the country," News city editor Matt Weinstock wrote later. Now somebody was monkeying with that operation, trying to destroy it perhaps, or take it over.
"Racketeer bullets declared open warfare in the Los Angeles underworld yesterday," said the L.A. Examiner. "MAN HUNT ON!" An announcement went out over the newly perfected LAPD radio system: "Wanted for murder--an American, about six feet tall, weighing between 150 and 175 pounds, and between 35 and 40 years of age. Hair, brown. A small black moustache. Dressed in neat blue suit and wearing sailor straw hat."
Was this the killer? It seemed so.
"The political structure rocked precariously while everybody tried to imagine who could have fired the fatal shots," wrote Leslie White, a young detective working in the investigative unit of the District Attorney's office. For White, the case had a particular significance, a poignancy almost. He'd met Charlie Crawford several times and had liked him. "Despite the unanimous opinion that the murder of Crawford was a piece of civic betterment, I felt a pang," White wrote. "Would his death improve the city in any way? I doubted it. A new boss might be less efficiently corrupt. The King was dead--but who would seek the throne?"
White worked downtown, in the Hall of Justice, a new building opposite the even newer white tower of City Hall. On that morning after the shootings, White was in his small cubbyhole of an office, talking with colleagues, trying to figure out who could have pulled the trigger when his boss, Blayney Matthews, the burly and genial head of the D.A.'s investigative unit, came in with the news.
"We're looking for Dave Clark," Matthews said.
Leslie White blinked--unable, for a moment, to believe his ears. "Our Dave Clark," he said.
"That's right," Matthews said, and White rocked back in his chair.
Dave Clark--known to the press as "Debonair Dave" or "Handsome Dave"--was a crusading litigator and former assistant district attorney who was now running for judge. He was a war hero with matinee-idol looks. He was, moreover, Leslie White's friend.
"Had the chief suddenly accused me of the crime, I couldn't have been more astounded," White wrote.
Sorry to see Dave Clark's name in any way connected with this sensational crime, White hoped for the best, believing that at any moment Clark would arrive at the Hall of Justice and clear his name. But hours went by and nothing happened, and White himself became involved in the unavailing search for the suspect. Dave Clark had vanished, nowhere to be found.
A great crime saga had been set in motion, with toothsome details that Raymond Chandler--who, at the time, was an executive in L.A.'s oil business--would soon feed directly into one of his very first works of fiction, the short story "Spanish Blood." Chandler, when he turned to writing, wrote what he knew, and he knew Los Angeles--not just its map and climates, but its history of corruption and violence. Like James M. Cain, Horace McCoy, and others who wrote in and about L.A. during the years of the Great Depression, Chandler drew material from the headlines and bullet-prose of the tabloids. True crime tells the story of how L.A. got hardboiled and noir.
Flash back to 1910, when the population of Los Angeles was 310,000 or thereabouts, many of them Spanish-speaking. "There were more cows than people," says the writer and historian D. J. Waldie, and he might not have been joking. Ten years later, in 1920, the population was 576,000. By 1930 the figure would rise to 1,250,000, and L.A. County--which gathers together various unincorporated cities, including Santa Monica, Beverly Hills, Venice, and Culver City, as well as the city of L.A. itself--would be home to almost 2.5 million souls.
Throughout this astonishing period, L.A. was the fastest-growing city in the world. In America only San Francisco had ever grown so fast, during the years of the Gold Rush following 1849. But by the 1920s, San Francisco's boom was long done. New York, Boston, and even Chicago had never known an explosion like the one that was happening in L.A. Every working day throughout the 1920s, builders started more than fifty new homes. Each week a new hotel went up. The year 1923 alone saw the construction of 800 office buildings, 400 industrial buildings, 150 schools, 130 warehouses, 700 apartment buildings, and more than 25,000 single dwellings. Property prices doubled, tripled, quadrupled, eventually rising sixfold through the decade. The city began to spread, amoeba-like, in search of its suburbs, although in those days L.A. still meant downtown, thriving with business and residences. In 1923 a Saturday Evening Post article about the boom ran a photo showing the district, chockablock with office buildings, all about twelve to fifteen stories tall, as high as the earthquake regulations would then allow. "Most of these buildings are less than a year old," said the caption.
L.A. was "a civilization that will not need to hang its head when the Athens of Pericles is mentioned," wrote the New Republic in 1927--when L.A. seemed like a strapping youth, foolish and violent at times, bursting out of its skin with exuberance. Within a few years the New Republic's pronouncement would seem bizarre and deluded. By 1931 the depression gripped California. Capitalism was in crisis and people no longer spoke of L.A. as a utopia with the added luxury of a voluptuous climate. Rather, for a while the whole social fabric was stretched and tattered and in danger of being torn in two. L.A. still had the sunshine, but it could be a lonely and hellish place--rife with crime, riddled by corruption, and drained of civic and moral purpose. Banks failed, thousands of businesses went to the wall,...
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