A “wildly entertaining” (San Francisco Chronicle) novel about a young marriage unraveling under the pressure of a subprime mortgage and ruthless Hollywood economics—from the New York Times bestselling author of Watch Me Disappear
“Part social satire, part melodrama, part intimate domestic portrait . . . Brown has an uncanny eye for contemporary characters and settings.”—Los Angeles Times
Claudia and Jeremy, a young married couple (she’s an aspiring filmmaker, he’s an indie musician), are on the verge of making it. Her first film was a sensation at Sundance and is about to have its theatrical release; he’s got a new band that is a few songs shy of an album. They’ve recently purchased their first home—a mid-century bungalow with a breathtaking view of Los Angeles—with the magical assistance of an adjustable-rate mortgage.
But a series of seismic events—the tanking of Claudia’s film, the return of Jeremy’s manipulative, art-star ex-girlfriend, and the staggering adjustment of their monthly mortgage payments—threaten to deal a crushing blow to their dreams of the bohemian life and their professional aspirations and make them question their shared vision of the future.
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Janelle Brown is the New York Times bestselling author of Pretty Things, Watch Me Disappear, All We Ever Wanted Was Everything, and This Is Where We Live. An essayist and journalist, she has written for Vogue, The New York Times, Elle, Wired, Self, Los Angeles Times, Salon, and more. She lives in Los Angeles with her husband and their two children.
Chapter 1
Claudia
she knew it was coming before she actually felt it. she could sense it, this electric menace rumbling her way, the air suddenly heavy and full of static. Before she could even fix the word in her mind- earthquake-it had begun: a vibration that started in the soles of her feet, as if the linoleum tiles of the kitchen floor were quivering beneath her. Her world going suddenly liquid.
Claudia stood frozen at the sink, looking out the window at the sun, which remained inexplicably fixed in the sky just above the swaying eucalyptus trees. Her stomach leaped north-lodging somewhere in the general vicinity of her esophagus-as the mug on the counter began to shiver and then rattled its way toward the basin. The floor rippled before her. Outside, the ancient bougainvillea showered violet petals across the splintered deck.
"Earthquake!" she shouted, turning in toward the house.
It grew stronger. She could hear it-she'd never imagined that an earthquake would be this loud but it was, the earth creaking and grumbling, answered by the agitated chattering of their dishes and artwork and knickknacks. Below her, she felt their home wrenching against its foundation. Claudia couldn't recall whether she was supposed to run for the door or climb under a table or locate the triangle of life, whatever that was; anyway, these options all struck her as pathetically impotent responses to this monstrous twisting. Instead, she widened her stance and gripped the counter, reminded of a surfing lesson she'd taken a few years back. It's just like a wave, she thought. You have to ride it out.
Jeremy appeared in the dining room in his boxer shorts, holding a can of shaving cream. Half naked, the room breaking loose around him- pictures falling, chairs turning in nervous circles-he looked soft and thin and painfully vulnerable despite his height, but his voice, when he spoke, was firm. "Get in the doorway!"
She couldn't quite process his command, distracted by the exhilaration of this upside-down sensation, as if she'd climbed onto a roller- coaster ride without a safety belt. And then Jeremy was yanking her arm and drawing her into the doorway. He blocked her in with his body, pressing her up against the wooden frame. She felt his rapid heartbeat through the silk of her cocktail dress, the trembling house against her back. Together, they watched as their wineglasses marched, one by one, off a shelf to certain death on the floor.
The house jerked violently, making one last break for freedom. An enormous crash came from the living room and Claudia shrieked-less from fear than wonder and anticipation, a sense that in this next moment something might change forever. She visualized the concrete support beams that cantilevered their house over the canyon buckling and collapsing, leaving them buried under a pile of rubble. We could die, she understood, for the first time.
And then, just as suddenly, the earthquake was over, a dying echo as the ground once again grew solid beneath them.
Still, they stood there in the doorway for a long moment, suspended in time, wary. In the canyon, Claudia could hear dogs barking, the plaintive wail of a fire alarm, yet everything was strangely still, as if all of Los Angeles were holding its breath. For the first time she could remember, she felt connected to the entire invisible city, ten million people united in terror for fifteen glorious seconds. I love it here, she thought, absurdly.
Then the city exhaled, and the spell broke. A car drove by outside and a helicopter passed overhead and the squeals of children rose from the park at the bottom of the hill. Claudia looked up at Jeremy, feeling his pulse slowing against her chest. The panic had subsided, replaced by an effervescent sensation-perhaps the adrenaline of knowing that she'd just cheated death, perhaps just the return of the giddy mood that had buoyed her since she'd woken up that morning. A crystalline sort of joy washed over her, pure and blinding and sharp: for her husband, her home, her city, her life.
"Hi," she said to Jeremy's earlobe.
He shifted and gazed down at her, resting his forehead against hers. "You OK?" he asked, and ran his hands up and down her bare arms, checking for breaks or abrasions.
"I'm fine," she said. "In fact, I'm kind of turned on. Is that weird?"
Jeremy kissed her nose and then her upper lip and let his torso rest against hers. "Earthquakes are a known aphrodisiac," he said, his hand sliding toward the hem of her dress.
She kicked a piece of broken glass away with the toe of her sandal and tugged at the waistband of her husband's boxer shorts, fingering the damp skin trapped under the elastic. "Was that the biggest earthquake you've experienced?" she asked.
"Nineteen eighty-nine was far worse. This one was hardly a blip in comparison."
In the eight years that Claudia had lived in Los Angeles, she had been in a few earthquakes, but only little ones that vanished almost as soon as you noticed them. She would read the newspaper predictions- california has more than 99% chance of a big earthquake within 30 years-with morbid anticipation. Back in Wisconsin, they'd had tornadoes and blizzards, but those marched in with trumpets blaring, giving you at least a few minutes to brace yourself and barricade the windows. A California earthquake had always seemed to her a more glamorous kind of natural disaster, an abrupt and thrilling narrative shift. She'd been waiting for this moment since she moved here for film school, and now that it had finally arrived and been deemed only adequate by the native, she was disappointed.
"Well, it felt big enough to me," she announced, as his fingers tugged at the skirt of her dress. She ran her hands up his bare back, riding the knobs of his spine. "For a moment there I thought the house might collapse and crush us both."
"Silly girl." His voice was low and phlegmy, his eyes winched shut. Water dripped on her face from his hair, still wet from his shower. "We weren't ever going to die."
"And if we had? Isn't this the moment when we're supposed to take stock and decide whether we'd be satisfied with our lives had we just met an untimely death?"
He wiggled a hand between her thighs. "Well, would you?"
She considered the question, distracted by his fingers. She let herself go limp and still Jeremy's body held her upright against the doorframe: She felt secure here, as if an anchor were tethering her, keeping her from drifting off into unsafe waters. "Yes," she said. "I'd be OK with dying today."
His hand stopped moving as he mulled this over. "That's morbid," he said. "But sure. I'll go with you, if we must."
The exchange hung there between them, lingering one tick of the clock too long.
"Though I'd rather put it off until after my movie premieres tonight, if you're trying to figure out the best time to do me in," Claudia finally added.
"Then I'll call off the hired assassins," he offered, deadpan, and she laughed, and the adrenaline took over again and they did it right there, amid the broken wineglasses and smudged linoleum, ignoring the ringing cell phones and the car alarms going off up the block; everything heightened by the sense of crisis averted, and the two of them together inviolable against even the motion of the earth.
After they finished, Jeremy disappeared into the living room as Claudia readjusted her dress and surveyed the damage in their kitchen: three wineglasses lost, a framed postcard on the floor, the handle broken off the mug in the sink. Above the stove, the botanical watercolors that they picked up at a flea market had tipped askew. In the plaster above the door, a fresh crack spidered across the wall. She reached up and put her finger in the raw gash, pried off a powdery chunk of plaster, and crumbled...
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