The Notebooks of Malte Laurids Brigge is Rilke's major prose work and was one of the earliest publications to introduce him to American readers. The very wide audience which Rilke's work commands today will welcome the reissue in paperback of this extremely perceptive translation of the Notebooks by M. D. Herter Norton. A masterly translation of one of the first great modernist novels by one of the German language's greatest poets, in which a young man named Malte Laurids Brigge lives in a cheap room in Paris while his belongings rot in storage. Every person he sees seems to carry their death within them and with little but a library card to distinguish him from the city's untouchables, he thinks of the deaths, and ghosts, of his aristocratic family, of which he is the sole living descendant. Suffused with passages of lyrical brilliance, Rilke's semi-autobiographical novel is a moving and powerful coming-of-age story.
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Rainer Maria Rilke (1875-1926) was a Bohemian-Austrian poet and novelist. He is recognised as one of the greatest German-language poets of the 20th century. His publications included one novel, several collections of poetry and a number volumes of correspondence which aid in elucidating the somewhat mystical bent of his poetry. He occupies a somewhat transitional position between the fin-de-siecle movements and 20th century modernism. While Rilke is most known for his writing in German, he also composed over 400 poems in French. His best-known works are the poetry collections Duino Elegies (Duineser Elegien) and Sonnets to Orpheus (Die Sonette an Orpheus), the semi-autobiographical novel The Notebooks of Malte Laurids Brigge (Die Aufzeichnungen des Malte Laurids Brigge), and a collection of ten letters that was published posthumously as Letters to a Young Poet (Briefe an einen jungen Dichter).
It is a book of quiet, close-knit prose studded with unforgettable scenes, set forth here in precise, analytical descriptions, there in intense, lyrical flights of near- poetry. It is uniquely Rilke and touches the reader with the same sudden revelations and uncanny awareness as do his poems.
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