The era of Haydn, Mozart, and early Beethoven not only produced music of enduring appeal, it also gave us significant writings that explain how music should be composed, performed, listened to, and understood. Included are selections from the great German pedagogical treaties of Quantz (on playing the flute), C. P. E. Bach (keyboard), Leopold Mozart (violin), and Kirnberger and Koch (on composition); opinions about opera by Rousseau, Diderot, and Gluck; ideas on expression by W. A. Mozart and G. de Staël; and historical/descriptive writings of Forkel, Charles Burney, and Susannah Burney.
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Leo Treitler, Distinguished Professor of Music at the City University of New York, is the author of Music and the Historical Imagination, as well as other books and articles on music historiography and medieval music.
Wye Jamison Allanbrook (1943-2010) was an American musicologist who served on the faculty at St. John's College in Maryland and at the University of California, Berkeley. Much of her work examined how the music of Mozart and his contemporaries was influenced by the social dances of the time.
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Zustand: New. In The Late Eighteenth Century, Wye Jamison Allanbrook presents twenty-six readings that reveal how the music establishment of 1750-1800 saw itself. Editor(s): Allanbrook, Wye Jamison; Strunk, W. Oliver. Num Pages: 336 pages, music. BIC Classification: AVGC5. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 211 x 155 x 22. Weight in Grams: 410. . 1998. 2 Rev ed. Paperback. . . . . Bestandsnummer des Verkäufers V9780393966985
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Zustand: New. In The Late Eighteenth Century, Wye Jamison Allanbrook presents twenty-six readings that reveal how the music establishment of 1750-1800 saw itself.Allanbrook, Wye Jamison, edKlappentextThe era of Haydn, Mozart, and early Beethov. Bestandsnummer des Verkäufers 402867491
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Paperback. Zustand: New. Revised Edition. The era of Haydn, Mozart, and early Beethoven not only produced music of enduring appeal, it also gave us significant writings that explain how music should be composed, performed, listened to, and understood. Included are selections from the great German pedagogical treaties of Quantz (on playing the flute), C. P. E. Bach (keyboard), Leopold Mozart (violin), and Kirnberger and Koch (on composition); opinions about opera by Rousseau, Diderot, and Gluck; ideas on expression by W. A. Mozart and G. de Staël; and historical/descriptive writings of Forkel, Charles Burney, and Susannah Burney. Bestandsnummer des Verkäufers LU-9780393966985
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