Laura Rider's Masterpiece - Hardcover

Hamilton, Jane

 
9780446538954: Laura Rider's Masterpiece

Inhaltsangabe

Laura and Charlie Rider have been married for twelve years. They share their nursery business in rural Wisconsin, their love for their animals, and their zeal for storytelling. Although Charlie's enthusiasm in the bedroom has worn Laura out, although she no longer sleeps with him, they are happy enough going along in their routine.

Jenna Faroli is the host of a popular radio show, and in Laura's mind is "the single most famous person in the Town of Dover." When Jenna happens to cross Charlie's path one day, and they begin an e-mail correspondence, Laura cannot resist using Charlie to try out her new writing skills. Together, Laura and Charlie craft florid, strangely intimate messages that entice Jenna in an unexpected way. The "project" quickly spins out of control. The lines between Laura's words and Charlie's feelings are blurred and complicated, Jenna is transformed in ways that deeply disturb her, and Laura is transformed in her mind's eye into an artist. The transformations are hilarious and poignant, and for Laura Rider, beyond her wildest expectations.

Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.

Über die Autorin bzw. den Autor

Jane Hamilton is the author of The Book of Ruth, winner of the PEN/Hemingway Award for first fiction, and A Map of the World, a New York Times Notable Book of the Year and named one of the top ten books of the year by Entertainment Weekly, Publishers Weekly, the Miami Herald, and People. Both The Book of Ruth and A Map of the World have been selections of Oprah's Book Club. Her following work, The Short History of a Prince, was a Publishers Weekly Best Book of 1998, her novel Disobedience was published in 2000, and her last novel When Madeline Was Young was a Washington Post Best Book of 2006. She lives in and writes in an orchard farmhouse in Wisconsin.

Auszug. © Genehmigter Nachdruck. Alle Rechte vorbehalten.

Laura Rider's Masterpiece

By Hamilton, Jane

Grand Central Publishing

Copyright © 2009 Hamilton, Jane
All right reserved.

ISBN: 9780446538954

Chapter 1

JUST BECAUSE LAURA RIDER HAD NO CHILDREN DIDN’T mean her husband was a homosexual, but the people of Hartley, Wisconsin, believed he was, and no babies seemed to them proof. They also could tell by his heavy-lidded eyes that were sweetly tapered, his thick dark lashes, his corkscrew curls, his skinny legs and the springy walk, and the fact that he often looked dreamily off in thought, as if he were trying to see over the rainbow. In the municipal chambers at a public meeting, a town councilman had once said that Charlie Rider needed a shot of testosterone. It was a mystery to Laura that in Hartley, population thirty-seven hundred, people who had never been to a gay-pride parade or seen any cake boys that they knew of outside of TV actors, were so sure about Charlie. She assumed that, like any place, the town was laced with fairies, not visible to the naked eye, but Charlie, she could testify, was not one of them. Laura herself had not been to a pride parade, but her personal experience included her flamboyant uncle Will, her outrageous cousin Stephen, her theatrical playfellow Bubby from the old neighborhood, and also Cousin Angie, who had tried to shock them all by having a lesbian phase in college. No one in the family, it turned out, cared.

Mrs. Charles Rider was the one qualified to set the residents straight about her husband, not because of her expertise with her various beloved queens, but because of her long life so far with the man himself. Make no mistake, Laura would have liked to say, Charlie Rider was crazy about women. Charlie was not squeamish. Charlie, if they must know, worshipped the pudendum. She wanted to lambaste the town, to tell them that the cruelty he had endured through his school years had been grossly misplaced. In the bedroom he was not only at the ready, always, he was tender, appreciative, unabashed, and, incidentally, flexible. A night with Charlie was equivalent, both for burning calories and in the matter of muscle groups, to doing the complete regime of the Bowflex Home Gym. Charlie emphatically was not fag, swisher, fembo, Miss Nancy, chum chum, or any of the other names he’d been called since second grade. It had always impressed Laura that a town that thought it had so few gays had so many labels for the aberration that was supposedly her husband.

The real problem was that, after twelve years of marriage, Laura had become permanently tired of his enthusiasm. She’d realized that if you gave an inch you were in for the mile, that if you were even occasionally available he assumed the welcome mat was always on the stoop. She disliked the whole charade of fatigue or preoccupation, but she hated, too, how the pressure of his need had jumbled not only her body but her brain. She was losing her mind, losing her ability to stay focused and organized. When he hung around her study after dinner, when his sighs seemed to blow through the house, she knew she’d have to give up her beautiful, well-thought-out plan for a productive evening. And for what? Come morning, there he’d be, eyeball to her eyeball, fresh, apparently, as a daisy, as if months, not hours, had passed since the last full-body slimnastic routine.

Both before and after she’d quit sleeping with him, she’d read articles and books about sexual fatigue. There were features in women’s magazines, often with photographs of bombed-out wives, shoulders sagging, bags under the eyes, sitting on perfectly made beds. Laura understood that she was among millions, that she was another casualty in what was clearly a national epidemic. She had explained it to Charlie as kindly as she could, saying that, just as a horse has a finite number of jumps in her, so Laura had used up her quota.

“No more jumping?” he said. “Not ever?”

“I can’t,” Laura said. “I love you, but I can’t.”

“What if we take down a few of the fences on the course? Lower the bars? Shorten the moat by the boxwoods? How—how about trying a—”

“I’m sorry,” Laura said, and in the moment she did feel a little rueful. “Charlie, I am sorry, but can’t you see? I’m out to pasture.”

Her secret fear about this new phase of their life was that, without his one superb talent, which, she granted, had given her hours of pleasure and even, she would say, fulfillment—without that contribution to the household, she wondered if he actually had all that much else to offer, if he would prove to be worthless. What a terrible thought! She didn’t mean it. But might he be like a quarterback who, once retired, didn’t have the smarts to buy a restaurant chain or a fitness club? When such ideas, unpoliced, crept up on her, she strenuously defended Charlie to herself. He had a multitude of virtues: his help to her in their business, his sunny nature, his ability to make jokes about catastrophes, his flights of fancy, and the fact that when they made up stories together about, for instance, their own cats, they were so united in their invention it was as if they inhabited the same brain.

Aside from the Riders’ separate bedrooms, there were several details about Laura that the people of Hartley would have thought they had no need to consider. They knew she was artistic with plants, but landscape and horticulture were subjects they believed a girl could learn about by looking at seed catalogues. They did not know that she had lived with her sister for a year, and nearly every day gone to the University Library to study garden books. Also, she read novels, a habit none of her friends, and no one in the family, shared. It was a quirk her sisters would think was an affectation—Laura, the community-college dropout, trying to show off. It was because of this imagined censure on Laura’s part that she was sensitive about—and, indeed, embarrassed by her hobby. No one knew that she had read every single one of the TV Book Club novels; that is to say, she read them all until the format changed, until the show featured only dead authors. Laura had stopped cold the summer the nation of viewers were to read three books by William Faulkner. She quit after thirty pages of the first for reasons she believed that anyone interested in a comprehensible story-line could understand.

In addition to her secret pleasure in reading, Laura enjoyed writing. Nothing serious or big or personal, no journal stuffed between the mattresses, no shoe box filled with smudged pages, no amazing blog that had made her famous in cyberspace. She was satisfied with a small stage, and had nearly enough bliss using her talents to take care of the correspondence for the landscape business she and Charlie owned. She prided herself on the connections she made with her customers through her e-mails and the newsletters, communications that were general and at the same time, it seemed to her, confiding. It is to my great surprise that my delphiniums still keep coming up, year after year. This method of relationship was far more gratifying to her than speaking by phone or in person. For one thing, she was an entirely different Laura on the screen; she liked herself far better in print. It was curious, that she was so much more interesting and witty and sure when no other human being was present, when the correspondent was nothing but an idea. She wondered what it meant, that she could only...

„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.

Weitere beliebte Ausgaben desselben Titels