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Alienation Effects: Performance and Self-Management in Yugoslavia, 1945-91 (Theater: Theory/Text/Performance) - Hardcover
Inhaltsangabe
In the 1970s, Yugoslavia emerged as a dynamic environment for conceptual and performance art. At the same time, it pursued its own form of political economy of socialist self-management. Alienation Effects argues that a deep relationship existed between the democratization of the arts and industrial democracy, resulting in a culture difficult to classify. The book challenges the assumption that the art emerging in Eastern Europe before 1989 was either “official” or “dissident” art; and shows thatthe break up of Yugoslavia was not a result of “ancient hatreds” among its peoples but instead came from the distortion and defeat of the idea of self-management.
The case studies include mass performances organized during state holidays; proto-performance art, such as the 1954 production of Waiting for Godot in a former concentration camp in Belgrade; student demonstrations in 1968; and body art pieces by Gina Pane, Joseph Beuys, Marina Abramovic, and others. Alienation Effects sheds new light on the work of well-known artists and scholars, including early experimental poetry by Slavoj Žižek, as well as performance and conceptual artists that deserve wider, international attention.
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Über die Autorin bzw. den Autor
Branislav Jakovljevic is Associate Professor in the Department of Theater and Performance Studies at Stanford University.
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Gebunden. Zustand: New. In the 1970s, Yugoslavia emerged as a dynamic environment for conceptual and performance art. At the same time, it pursued its own form of political economy of socialist self-management. Alienation Effects argues that a deep relationship existed between the. Bestandsnummer des Verkäufers 594708603
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Alienation Effects: Performance and Self-Management in Yugoslavia, 1945-91 (Theater: Theory/Text/Performance)
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Zustand: New. Examines the interplay of artistic, political, and economic performance in the former Yugoslavia and reveals their inseparability Series: Theater: Theory/Text/Performance. Num Pages: 392 pages, 30 black & white illustrations. BIC Classification: 1DVWY; AC; AN; HBJD. Category: (G) General (US: Trade). Dimension: 229 x 152 x 33. Weight in Grams: 726. . 2016. Hardcover. . . . . Bestandsnummer des Verkäufers V9780472073146
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Alienation Effects: Performance and Self-Management in Yugoslavia, 1945-91 (Theater: Theory/Text/Performance)
Anbieter: Kennys Bookstore, Olney, MD, USA
Verkäuferbewertung 5 von 5 Sternen
Zustand: New. Examines the interplay of artistic, political, and economic performance in the former Yugoslavia and reveals their inseparability Series: Theater: Theory/Text/Performance. Num Pages: 392 pages, 30 black & white illustrations. BIC Classification: 1DVWY; AC; AN; HBJD. Category: (G) General (US: Trade). Dimension: 229 x 152 x 33. Weight in Grams: 726. . 2016. Hardcover. . . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers V9780472073146
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Alienation Effects Format: Hardcover
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Alienation Effects (Hardcover)
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The University of Michigan Press, Ann Arbor, 2016
ISBN 10: 0472073141
ISBN 13: 9780472073146
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Hardcover. Zustand: new. Hardcover. In the 1970s, Yugoslavia emerged as a dynamic environment for conceptual and performance art. At the same time, it pursued its own form of political economy of socialist self-management. Alienation Effects argues that a deep relationship existed between the democratization of the arts and industrial democracy, resulting in a culture difficult to classify. The book challenges the assumption that the art emerging in Eastern Europe before 1989 was either official or dissident art; and shows thatthe break up of Yugoslavia was not a result of ancient hatreds among its peoples but instead came from the distortion and defeat of the idea of self-management. The case studies include mass performances organized during state holidays; proto-performance art, such as the 1954 production of Waiting for Godot in a former concentration camp in Belgrade; student demonstrations in 1968; and body art pieces by Gina Pane, Joseph Beuys, Marina Abramovic, and others. Alienation Effects sheds new light on the work of well-known artists and scholars, including early experimental poetry by Slavoj Zizek, as well as performance and conceptual artists that deserve wider, international attention. Examines the interplay of artistic, political, and economic performance in the former Yugoslavia and reveals their inseparability Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9780472073146
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Alienation Effects (Hardcover)
Verlag:
The University of Michigan Press, Ann Arbor, 2016
ISBN 10: 0472073141
ISBN 13: 9780472073146
Neu
Hardcover
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Hardcover. Zustand: new. Hardcover. In the 1970s, Yugoslavia emerged as a dynamic environment for conceptual and performance art. At the same time, it pursued its own form of political economy of socialist self-management. Alienation Effects argues that a deep relationship existed between the democratization of the arts and industrial democracy, resulting in a culture difficult to classify. The book challenges the assumption that the art emerging in Eastern Europe before 1989 was either official or dissident art; and shows thatthe break up of Yugoslavia was not a result of ancient hatreds among its peoples but instead came from the distortion and defeat of the idea of self-management. The case studies include mass performances organized during state holidays; proto-performance art, such as the 1954 production of Waiting for Godot in a former concentration camp in Belgrade; student demonstrations in 1968; and body art pieces by Gina Pane, Joseph Beuys, Marina Abramovic, and others. Alienation Effects sheds new light on the work of well-known artists and scholars, including early experimental poetry by Slavoj Zizek, as well as performance and conceptual artists that deserve wider, international attention. Examines the interplay of artistic, political, and economic performance in the former Yugoslavia and reveals their inseparability Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Bestandsnummer des Verkäufers 9780472073146
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Alienation Effects: Performance and Self-Management in Yugoslavia, 1945-91 (Theater: Theory/Text/Performance)
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Hardcover. Zustand: New. New. book. Bestandsnummer des Verkäufers D8S0-3-M-0472073141-6
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