Inspired by the calligraphy of the Middle Ages, this treasury of unusual fonts features Gothic typefaces such as Lowenbrau, Kaiser, and Hansa along with the lighter styles of Leipzig, Tory, and Hamburg. 53 fonts.
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
Facing the demand for new typefaces engendered by the development of the printing press, 15th-century type designers sought inspiration from the ornate calligraphy of medieval scribes. Many of the fonts in this gallery of Celtic and medieval alphabets resulted from 19th-century tributes to the scribes of the Middle Ages, suggesting the time-honored appeal of these unusual typefaces.
Artists, illustrators, and anyone seeking unusual graphics for a variety of print projects will find within these pages a tremendous diversity of fonts in styles ranging from the Gothic weight of Lowenbrau, Kaiser, and Hansa to the lighter frills and flowers of Leipzig, Tory, and Hamburg. Most alphabets feature both uppercase and lowercase letters; many also include numerals.
These inexpensive, royalty-free alphabets offer an exciting array of distinctive typefaces. Particularly suited for use in diplomas and certificates, they will add a touch of elegance to display ads, posters, signs, menus, and many other graphic or printed communications.
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Zustand: New. 2000. Illustrated. Paperback. Series: Lettering, Calligraphy, Typography. Num Pages: 112 pages, Illustrations. BIC Classification: 2ABC; 2AF; AKC; CFK. Category: (G) General (US: Trade). Dimension: 276 x 212 x 8. Weight in Grams: 340. . . . . . Bestandsnummer des Verkäufers V9780486400334
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Taschenbuch. Zustand: Neu. Neuware - Facing the demand for new typefaces engendered by the development of the printing press, 15th-century type designers sought inspiration from the ornate calligraphy of medieval scribes. Many of the fonts in this gallery of Celtic and medieval alphabets resulted from 19th-century tributes to the scribes of the Middle Ages, suggesting the time-honored appeal of these unusual typefaces.Artists, illustrators, and anyone seeking unusual graphics for a variety of print projects will find within these pages a tremendous diversity of fonts in styles ranging from the Gothic weight of Lowenbrau, Kaiser, and Hansa to the lighter frills and flowers of Leipzig, Tory, and Hamburg. Most alphabets feature both uppercase and lowercase letters; many also include numerals.These inexpensive, royalty-free alphabets offer an exciting array of distinctive typefaces. Particularly suited for use in diplomas and certificates, they will add a touch of elegance to display ads, posters, signs, menus, and many other graphic or printed communications. Bestandsnummer des Verkäufers 9780486400334
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Zustand: New. 2000. Illustrated. Paperback. Series: Lettering, Calligraphy, Typography. Num Pages: 112 pages, Illustrations. BIC Classification: 2ABC; 2AF; AKC; CFK. Category: (G) General (US: Trade). Dimension: 276 x 212 x 8. Weight in Grams: 340. . . . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers V9780486400334
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Zustand: New. KlappentextFacing the demand for new typefaces engendered by the development of the printing press, 15th-century type designers sought inspiration from the ornate calligraphy of medieval scribes. Many of the fonts in this gallery of C. Bestandsnummer des Verkäufers 230212231
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